The Music Of Music Sampling

Sampling nowadays is so common and some artists have taken it to a level that it is an art to use samples. If used correctly. My paper will focus on how sampling became a new way to create songs. And expose how big the sampling industry is. Web pages like Beatport sell samples and stems. So Dj’s can download them and mix them live. If a piece of music is distorted, might that be transformative and even be fair use? Using various resources and examples I will discuss whether should or shouldn’t there be a compulsory license for sampling.

Art defines us, allowing us unleash our personalities and creative abilities through forms such as painting, sculpture, and, of course, music. For centuries, music artists in specific have exchanged ideas, embracing the culture of combining folk songs and tunes into their newer pieces of music. Today, some music artists wish to carry on with that tradition in what is now known as “rap sampling”. This method of sharing music has now interfered with the modern concept of copyright. With this relatively new legal action used to protect original works, ancient traditions of sharing music can no longer be practiced freely.

During the 1900s, passion of composing music arose and encouraged many young teens to create garage bands and elder to perceive music as career. Famous musicians like Robert Johnson, Bill Monroe, and Elvis Presley were seeking the same. Although many were composing songs, most of them adapted their own versions from many which created a list of similarities and differences between them. Most commonly similar were themes or forms yet some differentiated in delivery style or instrumentation. Many artists got more creative and used similar instruments but give a twist into the sound play. This can be seen in the script or heard in the audio of the songs “Walkin’ Blues” and “Blue Moon of Kentucky” like many others.

Imagine the number one song of the year with the most downloads, streaming numbers and views on Youtube could not be nominated for a Grammy. Up until June 2014, artists could not be nominated for such an award unless the song was completely their own, meaning there was no sampling of past music. This may not sound like a big deal until songs like “SOS” by Rihanna or “Ice Ice Baby” by Vanilla Ice became chart topping tracks, and are both derived from older songs. Mark Ronson, music producer and DJ, speaks about how sampled music has changed the way generations discover music, as well as how creative ideas flourish from sampling other artist’s music. In this TED talk “How sampling transformed music,” Ronson gives his opinion on how artists transform

In this essay, you will read about an artist in the name of Robert Matthew Van Winkle, known professionally as Vanilla Ice who became famous for a while, not because of his talent, but because of the copyright of someone else baseline. He thought changing the rhythm of David Bowie’s “Under Pressure” baseline and not giving him credit would avoid him from any questions. In this essay I will provide you my opinion of Vanilla Ice’s song “Ice, Ice, Baby”as an example of plagiarism, with evidence provided of what he did wrong, and what he could have caused.

In the music industry, it is not uncommon for original songs to be rerecorded and altered by other artists resulting in what is known as a cover song. One example of this situations occurrence can be seen in Vance Joy’s indie folk-pop song, “Riptide”, that was famously covered by pop and country crossover artist, Taylor Swift. Overall, there are many factors that go into the relationship between an original and cover song and the artists of each song. Such as both artist’s connection to the song and the relationship between the artists themselves. There are also differences between the original and cover songs themselves including song structure, instrumentation, vocals, lyrics, and lyrical meaning.

Sampling is a technique that many artists have used for decades, when given the opportunity to record a new track. Sampling has transformed the music industry, by allowing an artist to broaden their horizons, and give people the ability to have a different outlook towards a particular song. Often times when a producer is trying to assist the artist or group, they will present the artist with many beats and mixes. Of the beats and mixes provided, a few of them may be a sample of another artist’s work. Often times when an artist or group admires the work of another artist, they will get their permission to sample their music and incorporate into the work that they are about to produce. Another reason an artist may decide to sample the work

Beginning at 0:09 in “My Name is”, Eminem uses sample appeared at 2:31 in “I Got the…” as a major rhythm for the whole song. Sampling is one of the most common elements in the hip-hop music. Sampling is the act of using recordings of other music in making new music. In the hip-hop music history, sampling is always a controversial topic legally and musically since sampling relates to the issue of the copyright of the music. Does sampling violate the other musicians’ copyright? Does sampling threaten the innovation of the music? Those questions are the most sensitive debates about sampling. Sampling begins in mid-1970s, when DJs mixed between particular parts of records, especially the breakdowns, to inspire dancers in the party. The technique, such as spinning and scratching the record while it played, can be considered as an early form of sampling in hip-hop music. In the mid-1980s, the primary use of “sampling” as a basis of the beat is a main shift in production. “La Di Da Di” produced by Slick Rick and Doug E Fresh is probably the most sampled song in hip-hop. Sampling has three “layers”, which are the sound, the reference and the intertextuality. The artist may use sampling to refer the older piece’s context or refer to other people’s use of the same sample. There are some famous cases regarding sampling in the hip-hop history. For example, “Pretty Women” produced by 2 Live Crew was sued for using Roy Orbison’s song. As a result, 2 Live Crew won on the basis

RIP: A Remix Manifesto offers a convincing case for copyright reform raising the issues about the viscous control on the ownership of intellectual property against the free access to share ideas. Gaylor (2008) is passionate about the ridiculous copyright laws and their ongoing restrictive modifications in the USA that are demolishing the creativity of new ideas and innovations that these copyright laws were originally meant to protect. Gaylor (2008) uses his favourite artist ‘Girl Talk’ who samples and remixes music, to centre his documentary in an effort to defend the public domain and its ability to share free idea, along with the use of the remixer’s manifesto- Number 1. Culture always builds on the past. Number 2. The past always tries to control the future. Number 3. Our future is becoming less free. Number 4. To build free societies you must limit the control of the past. The first point made in the remixers’ manifesto involves Gaylor (2008) exploring the history of artists who have used the creativity of the past for the inspiration of their new idea; including Walt Disney and Metallica- who has borrowed previously made song structures from musicians- both have now become harsh advocates for the current copyright laws. In keeping with Gaylor’s (2008) style, the remaining remix manifesto points will become a guideline for the remaining essay along with the issues and case study that will be represented on the poster.

The Anthology of Rap is a guide to everything hip-hop from 1970 to 2010. Starting with artists such as Afrika Bambaataa, Grandmaster Flash, and Sugarhill Gang then ending with Kanye West, Eminem and other modern artists. While this book does focus more on the lyrics of certain songs, the authors, Adam Bradley and Andrew DuBois, mention the song’s samples and how the artist used them within the song. This book provides a great understanding of how the use of samples have changed over the course of hip-hop history. Comparing my findings with other references such as “Creative License: The Law and Culture of Digital Sampling annotation” I can find out exactly how the use of samples changed during and after the result of the trials listed in the

Using sampling in the music industry is become more popular in the age of electronic music and disco in the mid-70s to the early 80s. Because of the improvement of digital sampling technology, recently, the sampling computer software has been introduced and replace the traditional sampling methods. The incorporation of sampling tools in the

Sampling is when a new song will take a “sample” from an already established song in order to add a different element to the new song and/or make it more enjoyable to the listener, particularly in the hip hop world. This especially happens when an artist drops a mixtape, or a collection of songs that is not distributed for the purpose of making music. There are some A-list artists whose mixtapes would consist entirely of sampled or remixed songs, Lil Wayne being the first one to come to mind. In a sense, a remix is the sampling of a song’s entire beat and production with new lyrics being performed over them. During my free write I actually had a lot to say about this specific topic regarding authenticity in the new age music, especially in terms of remixes.

1. I found it very interesting how one piece of music has made such an impact in creating new music with the use of only a sampler. The Amen Break of The Winston’s “Color Him Father” was an inspiration to many artist to make new music from different genres. For example, without the Amen Break, the creation of Jungle music wouldn’t have happened. Jungle music began after “Straight Outta Compton”, a hip-hop group, manipulated the Amen Break in their music. Later, many artists heard them in London and were inspired by their talent. This led to the creation of music like Jungle. Nat Harrison explained that jungle was like “reggae toasting, heavy bass lines and high-speed break beats centers”. It’s taking the Amen and slicing it into its individual

The definition of music is very different to many people. Some say that music is the arrangement of sound and silence. Others like myself say music is that and much more. Music is an aural form of art that is used to express emotion and touch the hearts of the listener through the use of phrasing, dynamics, style and tone color. Music is a very universal art form.

University of Texas at San Antonio Digital Signal Processing Project-2 Title: Sampling and Quantization of Audio signals. By: Bindhu Reddy Gurram Sai Madhuri Malladi Fall 2014   Content: Abstract................................................................................................................................ 2 Introduction.........................................................................................................................