The Mystery Of Vampires And True Blood

The myth of the vampire existed in a multitude of civilizations and cultures under various names such is strigoi (for the Romanian territory), Apotamkin, etc. But no matter the name, vampires will always refer to gothic creatures that drain the blood of humans, thus being monstrous.

One of the oldest and well known mythological monsters throughout history are blood sucking immortals known as vampires. They transgress the boundaries that humans are always trying to establish. Vampire lore has reflected the values and social structures of the culture it has existed in, but over the past century the values have transformed. From the classic story of Stoker’s Dracula where he is presented as sinister and non-human, the vampire aspect of literature has evolved drastically to a more heroic immortal.

The vampire is the popular character in folklore from early civilization to modern life. The vampire appears in people mind with the passion of immortality, fear, love and mystery. People are attracted with vampire because the superstition of the vampire has done for centuries. Are they real? What are they? Where they come from? There are a few of thousand questions about the beliefs of vampire during many centuries. People don’t stop their curiosity with vampire- the legend that emulates the world cultures and religions. One of the most important reason that made vampire still popular until today is the great transformation. During the time, with the creative of human, vampire reforms to fit with modern age. According to the “Jung and the Jungians on Myth”, Steven Walke implies myth is a metaphor and come from the collective of human psyche. People use vampire as the tools to explain human thinking. Therefore, the charging in the thinking of people in different period of time will effect to the symbol of vampire. The research will explain the transformation of vampire by diving to three main topics: the vampire in the historical and religion thinking; the charging of vampire in literature and movie; the symbol of vampire in modern people thinking. Although three main topics seem separately, these connect and develop other idea like cause and effect. Depend on the information of history, the image of vampire in novel become reality. From the idea of vampire in novel, modern

The earliest known mention of vampires comes from Ancient Mesopotamia, where people feared and respected Lamashtu, Sky God Anu’s daughter and the most terrible of all female demons1. Dimme, as she was called in Sumerian, was frequently blamed for the dominant struggles experienced by the population, such as bringing nightmares, infesting rivers, killing foliage, miscarriages, diseases and even muscle cramps. Yet perhaps the most dreadful of all her evil deeds was murdering unsuspecting men and children to later devour on their flesh and blood, much like the literary vampires.

The vampire is not by any means a new manifestation of the fears of a society. Their presence in human culture can be traced back for centuries in human folklore. The first Anglicized representations of the creature in literature date back to the English poetry of the early 1700s, and were then followed in the fiction genre by such works as John William Polidori’s The Vampyre, Sheridan Le Fanu’s Carmilla, and of course, Bram Stoker’s Dracula. For the audiences of the 18th century, vampires embodied many of the following common fears shared between the people: of illness, both mental and epidemic, of an embraced sexuality, particularly that of women’s and homosexuals’, and of foreigners. As the archetypical vampire evolved throughout the

“The word vampire (or vampyre) entered the English language in 1732, according to The Oxford English Dictionary” (Skal 200). One can’t go living life without knowing about the vampire because they’re everywhere! Someone can

Vampire have been made out to be a lot of thing over the years of history. Vampires are evil mythological beings who roam the world at night searching for people whose blood they feed upon. They may be the best-known classic monsters of all. Most people associate vampires with Count Dracula, the legendary, blood-sucking subject of Bram Stoker’s epic novel, Dracula, which was published in 1897. But the history of vampires began long before Stoker was born. (History.com Staff A+E Networks, 2017). Many people also believed that vampire’s legends came from bats “vampire bats” but the legends and myths go much deeper and older.

The first record of vampires’ undead activity was in Sebia (Butler 77). The local inhabitants’ lives were uneasy, because they were confused about their identities and what they should follow (Butler 77). In this circumstance, vampire myth appeared to express the society’s anxiety by their irregularities, such as upsetting healthy sexuality and destroying normal patterns of reproduction (Butler 78). Places like back alleys and hidden recess provide opportunities for vampires to gain their powers and their exotic influence

Vampire legends and myths are thousands of years old and find homes in most cultures around the world. From the chiang-shih of China to the Lamia of Greek legend, a mix of a woman and winged Serpent (Richardson, 2007). These myths, however, have little in common with modern tellings of the vampire, which are based on European myths. The European vampire myths originated in places like China, Tibet and India and was taken back to the coast of Greece and into the Balkans, which include the Carpathian Mountains and Transylvania (Richardson, 2007).

Throughout history, many reports of vampirism were told in Eastern Europe. Beresford (2008) Writes that the vampire folklore and superstition

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

The superstitious and mythical figure of the vampire has been seen throughout all era’s off history. It is a figure of mythology that is transcendent in an abundance of cultures and regions. The most significant aspect of the vampire is its ability to redefine itself throughout history and continued to stay relevant to society. The most modern and commonly known definition of vampires is a preternatural being know to be a corpse that resurrects from the dead and lives of the living, by draining humans of their blood, until a it is impaled by a wooden stick or burned. In ancient history we see the myth of the vampire appearing in burial traditions, showing vast similarities to the modern day definition of the vampire. We see this appear in various cultures and regions like the Tibetans, ancient Babylonia, Egypt, Greece, and Rome (Wotherspoon, 6-8).

Through adulterated societal misinterpretations and high expectations, the depiction of the vampire has evolved from that of its original form and has instead taken on an unprecedented image. This very image itself has witnessed a transition from its original creation to an altered and highly praised creature who is often adored and coveted by many. The tropes of literature in which the vampire exists depend on such as fantasy, fiction, and horror have also witnessed transitions—for they have adapted to suit the desires, imagination, and apprehension of society.

The title character and antagonist of Bram Stoker’s 1897 novel Dracula is an easily recognizable character in the Western canon. Without ever reading the book or watching any of the countless movie adaptations, people will craft vampire characters with feelings and behaviors nearly identical to those of Dracula. However, Dracula’s success is not because it was the first novel of its kind. Vampiric literature had been around for at least a century, and two works, Varney the Vampire and Carmilla, were popular at the time of Dracula’s publication. Why has Dracula become the stereotypical vampire figure when there are other well-rounded characters of the type? The answer

The legend of the vampire in history is boundlessly frightening to all and fascinating to people world-wide. Vampires are creatures of the night who live by feeding on the blood of human beings. Stories of vampire creatures have been told around the world from nearly the beginning of time itself. The way they look, their tendencies, purposes, and other characteristics of vampires, appear to differ based on the time period in which the vampire folklore originated or what culture it derived from. These cultures such as the Mesopotamians, Hebrews, Ancient Greeks, and the Romans all have various folklores that explain how the vampire came to be.