The “General Prologue” provides us with no evidence as to the character of the Nun’s Priest. Only in the prologue to his tale do we finally get a glimpse of who he might be, albeit rather obtusely. As Harry Bailey rather disparagingly remarks: “Telle us swich thyng as may oure hertes glade./Be blithe, though thou ryde upon a jade” (p.235, ll2811-2812). I say this cautiously because much criticism has surrounded the supposed character of the Nun’s Priest, his role in the tale, and his relationship to the Canterbury Tales as a whole. One example, in my opinion, of an unsatisfactory reading is exemplified by Arthur Broes’s 1963 article “Chaucer’s Disgruntled Cleric: The Nun’s Priest’s Tale.” Broes argues that the Nun’s Priest is an “erudite …show more content…
So we may dismiss him without ceremony, and imagine ourselves face to face with Chaucer; his is the all-pervading geniality and sly elvish humour of this sparkling tale” (Pearsall 39). Personally, I find this position to be almost as far-fetched as that of Broes. We have seen, quite consistently, throughout the various tales that Chaucer plays an intricate, even slightly devilish, game of hide and seek with the reader. No single character can be said to represent Chaucer, just as Chaucer never completely enters the psyche of his creations. In fact, the truth probably lies somewhere in the middle. Of course, it is curious that we know so little about the Nun’s Priest. However, perhaps we might conjecture that this vagueness is a deliberate strategy. In other words, because we know so little about the Nun’s Priest, our ability to enter into the realm of the tale is unclouded by our preconceptions, or misconceptions, of this pilgrim. Too often, we have a tendency to judge the tale based on our liking or disliking of the particular pilgrim whose portrait remains indelibly printed on our impressionable minds. By withholding the portrait, Chaucer affords us a chance to really read the tale. Indeed, if we are to speculate at all, then we might be tempted to identify with this anonymous “Sir John” who is seemingly mocked, albeit gently, even by Chaucer: “And right anon his tale hath he attamed,/And thus he seyde unto us everichon,/This sweete preest, this goodly
Why do you think Chaucer included Justinus and Placebo? What does the latter’s debate contribute to the overall Tale? A number of factors come together to distance the reader from the characters in the tale, not least the complicated and ambiguous series of lenses through which they are viewed. They are all types or allegories to lesser or greater degrees.
During the late middle ages, the power of the church was nearly unlimited; despite its holy mission the church was plagued by corruption and misconduct. Member’s of the clergy sold indulgences, bribed officials, and abandoned their vows. The religious characters in the Canterbury Tales are used to demonstrate the author's views of the Church. In Geoffrey Chaucer’s Canterbury Tales, Chaucer uses The Friar and the Nun in the “General Prologue” and The Pardoner in the “Pardoner’s Tale” to show the systemic corruption that is present in the church by exhibiting their immoral behavior. The Friar take from the destitute, the nun is overly concerned with the refined and the pardoner's only interested in the monetary gain.
The Nun is not viewed in the same light, and as a result she wishes to gain the respect of others. The Nun is described as “a counterfeit of a courtly kind of grace” (Chaucer 148.143). The author views her as a fraud of courtliness because although she possesses a low position in society as a nun, she tries to act in a worldly fashion. Chaucer uses both of these pilgrims to contribute to the overall theme of one’s need to be liked by others by showing how the Nun goes out of her way to look sophisticated to gain others’ respect and fondness of her.
By analyzing “The Canterbury Tales”, one can conclude that Chaucer did see the merits of the church, but by no means regarded it in a wholly positive light. Whereas some of the clergy are viewed as devout and God-fearing, others are viewed as con- men and charlatans. One can even venture to say that Chaucer was using this story as somewhat of a criticism of the church, showing the flaws of its leaders and the greed that permeated it at the time.
In terms of literary quality, Chaucer went great lengths to give all elements a bit of attention. The work is primarily about a knight who is pardoned from a rape on the condition that he acquires the answer to one of life’s
In the “General Prologue”, the Nun exposes the hypocrisy and manipulation of the Church through her actions. Nuns are supposed to devote their lives to Christianity while portraying a positive Christian figure. Chaucer describes the Nun’s actions toward being well mannered.
Chaucer lived in a time dictated by religion and religious ideas in which he uses The Canterbury Tales to show some of his views. Religion played a significant role in fourteenth-century England and also in Chaucer’s writing. His ideas of the Church are first seen in “The Prologue,” and he uses seven religious persons to show the influence of the religion in his writing. Although many of his characters appear to portray part of the corruption in the Church, he does give a small example in which one can conclude that he is speaking in praise.
The Nun’s Priest’s Tale is an allegory that uses animals with human characteristics in order to portray the moral of the story. The story centers on a rooster named Chanticleer, who possesses many human qualities, such as speaking, singing, and the ability to dream. Partlet, a hen, is described as “polite, discreet, debonair, and companionable” (153). These are characteristics not typically associated with animals, which strengthens the message that the animals are representative of humans. Furthermore, Chanticleer and the other animals display human emotions, such as Chanticleer’s fear of his dream, Partlet’s disgust of Chanticleer’s fear, and the love that Chanticleer and Partlet feel for one another. Furthermore, the fox, Sir Russell, also
Three of Chaucer’s tales are written with a central Christian theme, the Prioress’s Tale, the Second Nun’s Tale, and the Parson’s Tale. The Prioress’s Tale is said to be about a miracle of the Virgin Mary, the Second Nun’s Tale is a biography of Saint Cecilia, and the Parson’s Tale is considered a sermon. Just as The Canterbury Tales shows a theme of Christianity, it also shows a theme of religious corruption. In the tales of the Friar, Prioress, Pardoner, and Monk, corruption of the church is shown and influences each character in a different way. In the Friar, the focus is on money, horses, and the responsibility of his monastery. But, the Friar also seduces women and provide them with a spouse to stay out of trouble. In the tale of Prioress, Chaucer describes her as too busy being a court lady to take care of her nunnery. In the Pardoner, he takes advantage of others by taking money for giving pardons for the sins of others, even going as far as selling relics. The Monk takes money for forgiveness, refuses to help the poor, and pays other beggars to leave so he can attain all of the money from that area. He does all of this while he is supposed to be pledging his life to poverty and those less fortunate. Chaucer shows a theme of Christianity just as he shows a theme of religious corruption. As
In Geoffrey Chaucers' The Nun's Priest's Tale, he uses a stories-within-stories to explain a very important moral lesson. The tale begins like that of a mock-heroic tale but takes a turn when Chanticleer, the main character, gets a disturbing vision of his death. When he tells one of his wives, Pertelote, she shames him for his cowardice nature and how dreams only have a significance to tell you that something is wrong with your body, and even gives him a medicine that should cure his ill-health. Pertelote uses an elevated language to get her point across, and when she does this she then turns herself into the antagonist and stands in Chanticleer's way. While Chanticleer wants to believe her, he then goes into detail of many authors, and people who
In the years of the Middle Ages, the Roman Catholic Church reigned. It not only influenced people 's lives, but in some ways led them. From what they believed, how they treated women, how they worked, and how they prayed, the Roman Catholic Church obviously had a large influence. We know this today by simply reading the reading the literature from that period, whether it is simple poems like Beowulf or Dream of the Rood, or bigger stories such as Sir Gawain and the Green Knight. These stories are riddled with Catholic teachings and mentions, whether they 're brought up in a good light, or a negative one. Oddly enough, we rarely see the latter. One of the few stories that do show Roman Catholic
It is clear that Geoffrey Chaucer was acutely aware of the strict classist system in which he lived; indeed the very subject matter of his Canterbury Tales (CT) is a commentary on this system: its shortcomings and its benefits regarding English society. In fact, Chaucer is particularly adept at portraying each of his pilgrims as an example of various strata within 14th century English society. And upon first reading the CT, one might mistake Chaucer's acute social awareness and insightful characterizations as accurate portrayals of British society in the late 1300s and early 1400s. Further, one might mistake his analysis, criticism, and his sardonic condemnation of many elements of British culture for genuine attempts to alter the
The Canterbury Tales, the most famous and revolutionary work of Geoffrey Chaucer, is a collection of twenty-four tales presented in the form of a story-telling contest by pilgrims who are traveling from London to Canterbury. In my viewpoint, The Canterbury Tales can be understood as a representation of the English society at Chaucer's time as it documents several of the social tensions of life in the late Middle Age. The choice of setting the tales as part of a pilgrimage allowed the author to cover a wide range of social roles with varying hierarchical positions and occupations. Therefore, the tales depict a number of the evolving themes by that time in many segments of the society, such as the ones presented in The Wife of Bath tale: the
Many pilgrims in Geoffrey Chaucer’s Canterbury Tales held a religious position. Some of these people’s personal ideas have caused debates and criticism over Chaucer’s opinion of the Catholic Church. Critics have discussed the ideas that were presented both subtly and openly. Two of the pilgrims and their tales will be discussed: the Prioress and the Pardoner. Both of these tales offer points of criticism in the Catholic Church.
Judith A. Weise puts forth one of the more shocking theories concerning the Second Nun's Tale in her essay Chaucer's Tell-Tale Lexicon: Romancing Seinte Cecyle. Weise argues that Chaucer's purpose for writing the saint's tale as a self-imposed literary penance for the "raptus" of Cecilia Chaumpaigne. She posits: