The Objectification of Black Women
“No other group in America has so had their identity socialized out of existence as have Black women… when Black people are talked about the focus tends to be on Black men; and when women are talked about the focus tends to be on white women.” - Bell Hooks Imagine not being in total control of your own life, having someone else tell you what you can and cannot do. Being a prisoner and constantly being policed everyday and every second in a world that does not want to set you free and allow you to advance into your full potential. Black women have to live in world that does not see them or treat them as equals. They have to work ten times harder than anyone else, and then they only break the surface. It
…show more content…
She was treated as a commodity to the society that she lived in. We can claim this based on the way Toomer introduces Karintha into the text. He does this by way of her sexuality; however, her sexuality is not one that she, herself has control over. Toomer opens the beginning paragraph with, “Men had always wanted her, this Karintha, even as a child” (64). Based on this, we can infer that Karintha is forced to contend with the sexual prowling of men at a very young age, causing her to be a victim. Toomer describes the negative consequences of the premature sexuality on such a young girl as “This interest of the male, who wishes to ripen a growing thing too soon, could mean no good to her”(64). Toomer wants to emphasise to the readers of how selfish the men in her society were; they only saw her as a sex object.
In the story, Toomer is portraying Karintha as a young girl, whose beauty and innocence along with her rural class standing, led her to become a main target for unwanted sexual attention and rumors on her sexual behavior from the local African American community. The rumors about her circled her society, thus jeopardizing her youth. This leads Karintha, a Black female along with her body to be silenced and objectified; this is not her story or her voice; this is simply how others have chosen to dehumanize her and see her for nothing more than a sexual means for their own
While the majority of black women accounts are lost to history due to anti-literacy laws, we do have a good idea of what their lives were, through slave narratives and other records. The life of a female slave in pre-civil war America was characterized by sexual assault, physical and mental abuse along with harsh treatment both in the fields and inside the master’s house. Female slaves were treated as property with no regards to their
They mutilate her in order to silence her after tearing her precious chastity away from her unwilling body. They cut her tongue from her mouth and cut off her hands as to remove any and all forms of possible communication, therefore extinguishing any possible outcry of revealing truth. “An environment that makes it shameful to speak of rape disallows a critique of rape and the culture that sustains it” (Detmer-Goebel 221). Women whose most private and sacred piece of their spiritual, emotional, and physical humanity has been forcibly robbed from them are likely to be silenced or shamed. Along with the dangers in speaking, there are also dangers in silence. Women have fought long and hard to have a voice in society, and for the most part they’ve gained that respected privilege, yet when it comes to the main things that affect women so deeply, they are shut down and shamed for the things that they had no personal control over. In this silence they are tormented and blamed. Speaking out against the abomination of rape is so feared and rejected. Due to this, silence is not only physical, it is also metaphorical. As Derek Cohen quotes Peter Stallybrass in The Rape of Lavinia, “Silence, the closed mouth, is made a sign of chastity. And silence and chastity are homologous to woman’s enclosure within the house.”(256) This is saying that the general reason rape victims are silenced, is to save
Karintha’s beauty is associated to dusk and it is described as something that cannot and is not seen, the narrator states, “O can’t you see it, O can’t you see it” (1). The men of the town cannot see Karintha’s inner self so they assume and form her into what their imaginations desire to see. Toomer emphasizes masculinity and the male gaze in this chapter as the reasons to why communication fails between Karintha and men. The men are infatuated with Karintha’s beauty that they construct her as innocent and harmless. They are obsessed with her virginity and desire to have it, the narrator states, “Men had always wanted her, this Karintha, even as a child, Karintha carrying beauty, perfect as dusk when the sun goes down. Old men rode her hobby-horse upon their knees” (1). Karintha’s association to virginity, beauty, and later promiscuity is indicated through nature which suggests that Toomer is pointing to an association of the female body to nature. The gender distinction is drawn and this chapter indicates that the male domination is the reason for miscommunication and misinterpretation between the male and female characters. Karintha is associated to nature and therefore men cannot understand her because she becomes a figurative symbol that men tie to sex and the land. Karintha becomes a part of nature because she is
The first short story of the novel, Karintha, who at a young age “had seen or heard, perhaps she had felt her parents loving… She played ‘house’ with a small boy who was not afraid to do her bidding” (Toomer 4). She has had many partners, even at a young age, some of which were unintentional. Later, when Karintha is finally a woman, “A child fell out of her womb onto a bed of pine-needles in the forest… It’s pyramidal sawdust pile smoldered” (Toomer 5). Karintha had her child in the forest on a pile of pine-needles and sawdust and set it on fire leaving her new born to die. Noone had
Since the early 1900s, Black women have had a fascination with their hair. More explicitly, they have had a fascination with straightening their hair. The need to be accepted by the majority class has caused them to do so. Though the image of straight hair as being better than coarse hair still hasn’t left the Black community, there has been a surge of non straight hairstyles since the nineteen sixties. Wearing more natural hairstyles, which ironically enough include ‘weaves’ and ‘hair extensions’ has been considered to be more empowered and more enlightened. However, this image comes with a price, and though it appears the ‘natural’ hairstyle movement has advanced Black women, it has actually set
The stereotypical misrepresentations of African-American women and men in popular culture have influenced societal views of Blacks for centuries. The typical stereotypes about Black women range from the smiling, a sexual and often obese Mammy to the promiscuous Jezebel who lures men with her sexual charms. However, the loud, smart mouthed, neck-rolling Black welfare mother is the popular image on reality television. These images portrayed in media and popular culture create powerful ideology about race and gender, which affects daily experiences of Black women in America. With few healthy relationships portrayed in the media, Black women are left to make decisions based on the options
This reading looks at the negative connotations and attitudes that are connected to the Black Females butt and how it defines their sexuality. Janell Hobson comments on the fact that society generally perceives black bodies as “grotesque” and connects this assumption to the ‘othering’ factor. The white body is what is deemed to be ideal and the pinnacle of beauty, the black female body is the opposite and something that is not to be desired. She goes on to talk about the focus on the black women’s backside in rap music. What it believed to be a celebration and acceptance for a black women’s butt in comparison to a white women’s, is in fact not the case. While white women are mocked for not having as large a butt, black women are still being
The systematic, oppressive dehumanization of black womanhood was not a mere consequence of racism. It was a calculated method of social control, manipulation, and misogyny. With capitalism on the forefront of the American society during the Reconstruction years, and a booming manufacturing economy was on the rise, white supremacy capitalism patriarchy needed a group to be at the very bottom of the social hierarchy, a scapegoat. That scapegoat was black women. Manumitted black women showed that when given the same opportunities to live their lives like humans, they surpassed and excelled in all areas. Their success was a direct challenge to the racist ideologies that darker races were inherently inferior. Racist
Lesbianism plays a significant role in the book. It may be seen as the alternative world that the author knows nothing about, but latter explores it eagerly, making it an irreplaceable element of her personality. She finds out that lesbians were able for form communities and she was able to become part of them in several countries. Furthermore, the author explores all aspects of lesbian love ranging from genuine to
In Patricia Hill Collins’ “Mammies, Matriarchs, and Other Controlling Images,” she illustrates four main stereotypes that Black women face. The first controlling image applied to African American women is “The Mammy.” The mammy is the faithful, obedient servant to the white family and the stereotype attempts to hide the fact that black women who work for white families are being exploited. By loving and caring for her white “children” more than her own, the mammy symbolizes the dominant group’s perceptions of the ideal black female relationship to elite white male power. The smiling mammy signals her agreement with the situation, seemingly accepting her subordination (Collins, 71). Next is the image of the Black matriarch (Collins, 73). According to the stereotype, they spend too much time away from home, are overly aggressive and unfeminine, and allegedly emasculate their lovers and husbands. This stereotype attempts to control conduct by punishing black women for assertiveness and hides the oppression by making it seem that black women are naturally this way (Collins, 74-75).
“Oh my gosh! you’re so pretty for a black girl.” “You’re black so I know you can twerk.” In society these phrases may be considered as compliments for black women even though they are not. However, people only know what the media portrays black women to be. It emphasizes them as ghetto, loud, angry, and ignorant. Black women are more than the negative stigma that the media portrays. In our society, the media reinforces the plague of African American women by stereotypes and falsities originating from slavery. For young African American women, the majority of media portrayal, especially in music and film, is of a bulumpcious, sexually hyperactive golddigger. This negative image of a black women is damaging to the black community by implying
Black woman usually start in girlhood to focus their sexuality by performing with their posteriors. Whether in the African-American ring game, "Little Sally Walker," where young girls are encouraged to "shake it to the east, shake it to the west," or in the similar Afro-Caribbean "Brown Girl in the Ring," who is urged to "show me your motion". These circles of black young ladies give a female-focused space for attestation and joy in their bodies, even as these scripts set them up later for the male look. As grown-up ladies, this presentation gets to be more sexualized as well as racialized too, as dark ladies find their bodies subject to error and mislabeling by the prevailing society. That, as well as these bodies no more react to propelled
In the Western World, patriarchy has been the default system for a while. Men are meant to be control of the world according to man Western Religions. This belief has poured over into the way in which we live our lives, and run our countries. Patriarchy has been seen as the pinnacle of leadership. Men are given the power and control, and women are stripped from their basic human rights, i.e. dominion over their own bodies.
Black women are always the leading role and image of negative identity. With the many amounts of stereotypes and verbal imagery, people will remain persuaded across the United States to believe such biased standards. They are persuaded to view Black women as characters in storytelling about incapable gender, race, and social class. Being slandered by the same oppressors who statistically rates them highest amongst all other races of women, also strips them morals, worth, and labels Black women destined for drug-abuse and incarceration.
Bell Hooks argues that the neglect and all the brutal criticism of racism and sexism destroyed lives of black women, this was a huge contributor to why black woman had such a low rank in society. They were treated poorly and were considered a disgrace. Even though women in general had such a minimal role in society, white women never came close to horrors black women faced. The harsh comments, the brutal torture, every time they stepped out they became the most people whispered about. They became whispered words and hushed secrets. They weren’t allowed to be seen with white woman, shop at the same stores, and travel on the same buses or even use the same bathrooms. Hook argues throughout this that the stereotypes that were formed when slavery still existed were carried over to today’s society. All the labels and misguided information, the ruthless stereotypes that people still use to beat down black females are still being said right before our eyes. Hook examines that slavery and the degrading of black women gave the white society the okay to stereotype the black society. In a way we created all these issues which in fact we did, we’ve always lived in a judgmental society and if it weren’t for such harsh judgmental people I truly believe we would live in such a simpler world. To this day we still see