The Old Man And The Sea

o Page 49 “…the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her..”

The Narrator explains that people can’t always do things they would like to do. In the novel, Santiago runs into dilemmas, but improvised to still continue his

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

The epic journey of “The Old Man and the Sea” describes struggle, discipline and manhood. The main characters relationships exemplify how faith and skill overcome man’s adversity during life on the sea. Santiago’s growing relationship with the boy idealizes his statute as a father figure and develops his integrity and values towards the boy. Hemmingway shows us how an old fisherman’s will to overcome the sea’s obstacles proves his manhood to himself and the young boy. His skills and knowledge of the sea provide a positive influence for the young boy to become a great fisherman someday.

There is hardly any progress, determination or success without unforgiving struggle and defeat. The road to success is a never-ending battle, but the outcomes of the war are rewarding and the avails are extraordinary. It is just a matter of having endurance when the will to continue becomes impossible and unimaginable. The idea of struggle lies deep within the plot of the novel, The Old Man and the Sea and the motion picture, Life of Pi. In the novel, the old fisherman, Santiago spends a few days out at sea attempting to capture the fish of his dreams. He battles through pain, thirst and hunger in order to bring the Marlin to the shore. However, while losing his prey, he gains a priceless experience combined with pride, respect and

In the novel The Old Man And The Sea by Ernest Hemingway, there is a fish that the old man finally catches after 84 days, but is consumed by Mako shark’s in the process of reeling it in. Santiago, the old man, had a strong connection with the marlin even though he only saw him for a short period of time. They taught each other many things through a tug and war type of play. Catching a marlin fish was a goal of Santiago that he had been attempting to fulfill for a decent period of time, and after being persistent and patient, slowly but surely he was able to succeed. Many symbols in Hemingway’s novel have their own counterparts in my own life, which include a goal, hope, and idolization.

The Old Man and The Sea, is a tale of an old man named Santiago who is a fisherman. He hasn’t had any luck with fishing, resulting in the other town members viewing him as a lame old man. A boy who used to fish with him inspires to change up his usual fishing tactics resulting in him catching a great huge fish. After fighting the fish for a couple days in his tiny boat he ties it to the side, headed for shore. On the way in sharks eat his entire catch leaving a skeleton to show for his work. The reader can see a clear metaphor painted by Hemingway. The fish

Sharks attacked the dead fish's carcass. 4.) Santiago says the fish will feed him and keep him alive, therefore it isn't a sin. 5.) He sees how the fish is defenseless against the sharks, and he realized that by going outside his boundaries he lost a lot.

Manolin is very devoted to the old man. Though he is not allowed to go fishing with Santiago, he aids the old man however he can. “’Keep the blanket around you,’ the boy said. ‘You’ll not fish without eating while I’m alive,’” (Hemingway 19). This statement uncovers how much Manolin cares for the old man. Manolin wants to be there for the old man, however difficult it may be for him. The two characters divulge a bond that is unbreakable because of how much they love and care for each other. Though Santiago is not able to fish as well as he used to, Manolin still believes in him. Manolin has faith in Santiago and that is root of their relationship. “’Que va,’ the boy said. ‘There are many good fishermen and some great ones. But there is only you,’” (Hemingway 23). Manolin’s devotion to Santiago highlights the old man’s values and beliefs as a fisherman and as a person. Manolin admires the old man and cannot contain his love for Santiago. He sees himself reflected in Santiago, which is why he has an abundant amount of love for him.

Once the speaker has caught the fish, Bishop gives us the impression that the fish does not have the will to fight because he is too old and tired to even try. "He didn't fight. He hadn't fought at all.  (lines 5-6) The speaker then begins to scrutinize the fish. Although initially the speaker seems to find the fish repulsive, closer inspection reveals an inconspicuous beauty. Bishop acknowledges the speaker's appreciation for the fish's beauty by drawing an image with her words. "He was speckled with barnacles, fine rosettes of lime.  (line

In the novel The Old Man and the Sea, Ernest Hemingway uses the literary device of metaphors. Hemingway uses the metaphor of the ocean to symbolize life, and to depict the role that individuals play in life. Hemingway uses the metaphor of the lions to signify people who live their lives as active participants. The tourists in the novel represent the individuals, who in observe their lives and are not active participants. In the novels that Ernest Hemingway writes, he uses metaphors to reflect his life experiences and opinions. The ocean in The Old Man and the Sea is a metaphor, which represents Hemingway 's personal view of life. Hemingway believes that in life everyone must find their own niche and uses the metaphor of the ocean and the

succeed. He uses his hands and he uses his instincts to master the art of

plays in the story. The book's two principal characters, Santiago and Manolin, represent the old

Ernest Hemingway's The Old Man and the Sea has engendered some lively debate in literary circles. Critics have concentrated on everything in the novella from the verity of Rigel's early evening appearance over Cuban skies in September (Weeks 192) to William Faulkner's judgment that Hemingway discovered God while writing The Old Man and the Sea (Bradford 158-62). Yet the most insightful commentary has gravitated invariably toward biblical, natural, and classical imagery in the novel. These images turn an otherwise simple fishing tale into a sublime narrative of human endurance. A reading that examines these images will serve to clarify the hidden significance in

     In conclusion, the hero figure of the novel is indeed the old man, Santiago. He is true, honorable and hard working. He takes nothing for granted and he takes a