Death and dying is an inescapable process that all humans will face at some time in life, whether it is the death of a friend or family member. After experiencing the death of a loved one comes the process of grieving, which is part of coping with the loss of a loved one. The Optimist’s Daughter is a novel written by Eudora Welty, and it is based on a girl named Laurel McKelva Hand and her struggles with grief. Laurel utilizes memory to overcome the grief she experiences, resulting from the loss of her family. Clinton McKelva is a Judge and the father of Laurel McKelva. Laurel left the southern United States for the North and later returns home to see her father before he dies. Being gone so long, Laurel’s remembrance of her father is blurry. Laurel’s relationship with her dad is cold, and her last thoughts of him are of his optimistic attitude and not introspective. Laurel’s pain is followed, after Mr. McKelva’s passing, by the discovery of her father 's library. She attempts to use the library, after his death, to relive some of her and her dad 's past through its contents (Gygax). An attempt to find evidence of the judge’s past in his desk fails. It becomes clear that her father’s possessions have already been removed. Instead of finding material pertaining to her father’s past, Laurel comprehends there is nothing left except the books on the shelves, which makes her reminisce over the sound of her dad reading aloud. Ironically, not even this memory can bring the father
The writing life is the short story book which has seven chapters. It talks about how to become a good writer and how to create a good writing by passing through the perspective and personal experience of Annie Dillard. In the part of how to become a good writer, she tells her personal experience about what is the things that help she to become a good writer. Also, what is the things a writer should have and what is a person a writer should be. In the part of how to create the good writing, she compares the writing with other handicrafts such as painting, photographing, singing, and wood working (Dillard 3-6). In addition, she gives us about the idea of “Line of Words” that is the major part of creating a good writing.
Hannah Arendt presents in her novel, The Life of the Mind, a theory she refers to as the “two-in-one.” She builds her theory off of a Socratic proposition. Socrates stated that it would be better for a group of men to be out of tune with each other than for him to be out of tune with himself. Here, however, lies a paradox. How can one be out of tune with itself? Arendt states that “you always need at least two tones to produce a harmonious sound” (183). Yet when you appear to others, you are one, otherwise you would be unrecognizable. But Arendt points out that you do not only appear to others, you also exist and appear for yourself. In doing so, you become more than one. As Arendt paradoxically states, “A difference is inserted into my Oneness” (183).
In this passage from her autobiography, “One Writer’s Beginnings”, Eudora Welty recalls early experiences of reading and books that had later impact on her craft as a writer of fiction. Welty’s language conveys the intensity and values of these experiences with the use of imagery, with the use of diction, and the use of details.
We also learn about the new SAT and its essay component, which some college completely ignore. Some college and universities are eliminating their requirement for the SAT or ACT in an effort to minimize their importance and stress that surrounds them.
Through Women’s Eyes by Ellen Carol DuBois and Lynn Dumenil addresses American History from 1865 until present day. The third edition of this textbook includes visual and primary sources over several centuries. I used this textbook in a history course, “Women in the United States, 1890 – Present;” I found the textbook to be engaging, helpful, and useful throughout the course. The way in which in the information was presented allowed me to learn, assess, and analyze the difficulties women faced.
At some point in their life, every person has been told to “walk in somebody else’s shoes” because they need to be aware of the struggles that other people face, but it is often tough for people to understand things outside of the scope of their own practical knowledge. In her memoir, Lucky, Alice Sebold suffers from this same problem. Throughout the course of her narrative, Sebold thinks of her experience as something that is accessible to be understood by outsiders; in addition to this, Sebold paints her reactions and experiences as a model that she can apply to other victims of sexual assault. Even though Sebold’s story is one of strength in the face of horrible occurrences, her lack of acknowledgement in regards the ways in which other people’s consciousness and coping mechanisms differ from her own makes it far more difficult to sympathize with her than it should be considering the content of her memoir. Evidence of her closed world understanding can be seen from the beginning of the memoir, when she reports her sexual assault to the police (Sebold, 3), later in the narrative, when other people react to her experiences and related feelings (Sebold 146), and finally, and perhaps most significantly, when her close friend Lila undergoes a sexual assault (Sebold 220).
“The only thing we have to fear is fear itself.” Franklin Delano Roosevelt (FDR) said this famous quote at his first inaugural address, when he took one of the most important jobs in the world, becoming the president of the United States. He then went on to do what no other president had done before―be elected for more than two terms. The people elected Franklin for four consecutive terms during one of the nation’s hardest times, and he and his wife helped pull the nation to its feet. This period of World War II is captured in the biography No Ordinary Time: Franklin & Eleanor Roosevelt: The Home Front in World War II by Doris Kearns Goodwin. The author uses countless interviews to piece together the perspective of the home front from
The Joy Luck Club by Amy Tan follows multiple Chinese-American women who struggle with their self-identity and creating a balance between American and Chinese culture. Because of their immigration and many hardships in life, many of the women feel like they cannot truly tell who they are anymore, and throughout the novel these women are portrayed as ghosts. Ghosts are used to symbolize these women because they share many parallels including being only a remnant of who they once were, or who they could be. Ying-ying St. Clair is one of the women, who has a daughter named Lena St. Clair, she has had a troubled past in China, which has made her lose her fighting spirit, and her spirit in general. Ying-ying is fully aware of her loss of spirit and is embarrassed because she considers ghosts to be shameful and weak, and wants to save her daughter, Lena, from her fate.
A shiny, crisp red fruit hangs enticingly off a lush verdant branch; a sly, seductive serpent and a woman in the nude converse under the sacred tree, and then Eve tentatively reaches up and plucks the juicy crimson fruit, a look of panic only reflected on her face once she realizes the gravity of her decision. She picks the forbidden fruit and her ignorance is ripped away from her like a newspaper on a windy day, and this single act started a trend of succumbing to temptations throughout human history. Even in the novels The Hours and The Awakening, the characters are tempted by someone else or a different idea; however, some of these characters exhibit strong self control and avoid their demise. The fine line between success and failure when it comes to avoiding temptation is most obviously demonstrated by Edna Pontellier and Laura Brown, and these two women showcase the destructive power of seduction and the strength of will it takes to deny the enticement. The allure of the unknown is not exclusive to the female sex either, many men in the novel also suffer from it, namely Robert Lebrun. The secret snare of temptation is interwoven throughout the stories, and the sliver of thread can be glimpsed between the inky words.
In “Lives of the Dead”, O’Brien’s own innocence is preserved through the memory of Linda, a memory that remains untarnished by the inevitable corruption that results from life. O’Brien’s writings “save Linda’s life. Not her body--her life” (236). Storytelling and memories preserve the value of Linda’s existence while simultaneously allowing O’Brien to process death and destruction in a way that maintains a degree of optimism regarding his own life and future. Juxtaposing the images of body and life emphasizes his desire to save the idea of Linda while accepting the loss of her physical presence. O’Brien rejects the idea of death as absolute and final; instead he suggests that “once you are alive, you can never be dead” (244). Linda’s death solidifies her importance in O’Brien’s own development; she teaches him about life and real love as much as in death as in life. O’Brien’s paradoxical statement defines the lasting impact of Linda on him; her presence in his stories keeps her alive through memory; memories that even her death
The Revolution released the potential for America to become very democratic; allowing space for political and social struggles to spread ideas of freedom and challenge the old way of doing things. Ideas of liberty invigorated attacks on both British and domestic American foundations and so did the beliefs of equality in the Declaration of Independence, which caused many in society who were seen as the substandard bunch such as women, slaves and free blacks to question the sanction of their superiors.
Let the Circle be Unbroken portrays an african american family’s hardships against powerful white landowners and family tragedies. All in the perception of the strong-willed Cassie Logan. Let the Circle be Unbroken by Mildred D. Taylor is an enjoyable book with engaging characters, unpredictable plots, and an amusing genre.
The Solitude of Self is a speech that was given by Elizabeth Cady Stanton, who was a leader of the women’s suffrage movement. This speech mainly discussed gender equality in every situation, including education and suffrage. Stanton clearly was opposed to the idea of inequality and believed that every person, man or woman, deserved to have the same rights.
Have you ever loved someone so much that you would do anything in your power to help them in their time of need? In the short story “A Worn Path” by Eudora Welty, the reader witnesses the love and strength of a grandmother for her grandson. The protagonist, Phoenix Jackson, shows love, determination and self-sacrifice as she faces several obstacles while traveling by foot in the cold through the wilderness. She travels this path frequently, as the title suggests, to the city to get medicine needed for her grandson. Phoenix’s willpower to continue on her path through every hindrance that she faces is commendable.
The idea of Mother Earth is extremely empowering for women; most women believe that, right? Ellen Cronan Rose finds the idea of mother earth tremendously unempowering. Rose writes in her article “The Good Mother: from Gaia to Gilead”, that the imagery of mother earth is deeply problematic and is harmful to the feminist cause. This is a shocking view considering that most women don’t seem to have a problem with that idea. Ellen Cronan Rose states that the “mother earth” metaphor is harmful to the way women are viewed in society because it perpetuates negative stereotypes against women, it views the earth and women primarily as producers, and it overlooks the fact that both men and women are connected to nature. She goes in-depth into how mother earth imagery can impact women.