The Painted Veil: a Contextual Analysis

In Nathaniel Hawthorne's “The Minister's Black Veil” there are many secrets, many dark areas, both literal and metaphorical. An intensely private man who allowed few to know him well, Nathaniel Hawthorne was fascinated by the dark secrets of human nature. One of the first American writers to explore his characters’ hidden motivations, Hawthorne broke new ground in American literature with his morally complex characters. He explored such themes as sin, hypocrisy, and guilt. This essay is discussed about a pleasant scene in Milford, a small Puritan town where men, women, and children mill about enjoying the prospect of another Sunday. This peace is interrupted by the

"The Discourse of the Veil" Ahmed examines Amin’s recommendations regarding women and formed part of his thesis and how/why he believed that unveiling was key to the social transformation, which is important for unraveling the significance of the debate that his book provoked (Ahmed, 145). Ahmed discusses the origins and history as an idea of the veil which informs Western colonial discourse and 20th century-Arabic debate have several implications. The first implication is the evident connection between the issue of culture of women, as well as between the cultures of other men and the oppression of women, which was created by Western discourse. The idea that improving the status of women resulting in abandoning native customs was

During the period of American Gothic literature, authors, such as Nathaniel Hawthorne and Edgar Allan Poe, incorporated the sinister perspective of the human nature in their writings. Both Hawthorne’s symbolic short story, “The Minister’s Black Veil”, and Poe’s violent fiction, “The Tell-Tale Heart”, demonstrate separation and symbolism throughout the course of each story. In Hawthorne’s story, the protagonist, Minister Hooper, decides to wear a black veil over his face and vows to never remove it. This vow continues to the point of his death. Mr. Hooper’s decision to wear the black veil consequently separates him from society. Hawthorne uses the veil to symbolize the human psyche and efforts to hide sins. In Poe’s story, the narrator is the caretaker of an old man with a blind eye. He describes his internal discomfort when he sees the eye, and later devises a plan to murder the old man. His separation from humanity due to the uneasy feeling of the old man’s pale, blind eye are shown through his efforts to commit murder.

You never really understand a person until you consider things from his point of view-” “-until you climb into his skin and walk around in it.” (Lee 30).

One of the most controversial topics concerning Muslim women’s rights is the idea of the veil. It is believed by some Muslims that the veil is an Islamic obligation that all Muslim women must adhere to. But nowadays, the veil can have different meanings that are not necessarily religious. In her article “Reinventing the Veil,” Leila Ahmed addresses some of the different meanings that the veil can have. Marjane Satrapi explores one of those meanings in her animated autobiography Persepolis (2008). In Persepolis, Marjane tells the story of her rebellion against the Iranian Islamist regime that takes over Iran, oppresses women, and forces them to wear the veil. What was interesting to me was seeing Marjane wear the veil without being oppressed, although she does not believe in it, and is being forced to wear it. In Persepolis, Marjane Satrapi escapes being a subject to the Iranian Islamist ideology by establishing her individual identity through transforming the veil from a means of oppression into a means of feminist rebellion.

The Minister 's Black veil is a Romanticism. A romanticism is a movement in the art which sprung during the eighteenth and nineteenth century.Romantic is used to describe literature. It is defined as a depicting emotional matter in an imaginative form. As well as the imagination and emotion and the freedom embraced are all focus points of romanticism. Characteristics Of this literature piece would include subjectivity and an emphasis on individualism. Solitary life rather than life in society. The beliefs that imagination is superior than the reason and devotion to beauty, the love and worship of nature as well as the fascination with the past.

American Romanticism was a literary and artistic movement that placed emphasis on strong emotions. Emotions intensified most were ones such as horror and terror, as well as awe. In, “The Minister’s Black Veil,” by Nathaniel Hawthorne, the emotions of horror, terror, and awe are drawn upon throughout the story, which follows the events and reactions of the citizens of a village after their resident minister suddenly starts to wear a black veil, which invokes discomfort and fear into the people. As with many of his stories, Hawthorne developed “The Minister’s Black Veil” around a symbol, which in this case is the veil. The veil represents that even the people that seem like they have nothing to hide or be ashamed of do, just as everyone else does. Hawthorne also makes the point of saying that although people do have secrets that they wish to not make a matter of, others still do not respect their privacy, and may even go out of their way to wonder and discuss the subject of the secret, without confronting the person themselves about it.

Expectations were met with severe disappointment for most blacks in America following the Civil War. Rather than gifting African-Americans with the freedom they dreamt about and fought hard for, the Emancipation led to an achievement of an ambiguous status in society, which created a larger problem of race that W.E.B Du Bois discusses in The Souls of Black Folk. In order to introduce this problem, Du Bois employs the use of a metaphor that compares the post-war life of Blacks in America to being stuck within a Veil as most held distorted images of self and self-worth. His use of the Veil metaphor emphasizes the severity of the “Negro Problem” in an attempt to convince white Americans that, in order for real progress of American industry and culture to take place, the problem must be solved.

The veil that the minister wears in "The Ministers Black Veil", by Nathanial Hawthorne represents the emphasis on man's inner reality, and those thoughts and feelings which are not immediately obvious. As Hawthorne explored this inner nature, he found the source of dignity and virtue, and certain elements of darkness. When the minister first walks out of his home wearing the veil, everyone is astonished. This one man in this village decides to be a nonconformist and wear this veil without explanation. No one understands why the minister would wear such a veil for no reason at all. This is where all the assumptions begin to linger. All of the villagers have a story for why the veil is there. These people are

The story “The Minister’s Black Veil” is symbolic of the hidden sins that we hide and separate ourselves from the ones we love most. In wearing the veil Hooper presents the isolation that everybody experiences when they are chained down by their own sins. He has realized that everybody symbolically can be found in the shadow of their own veil. By Hooper wearing this shroud across his face is only showing the dark side of people and the truth of human existence and nature.

What is slavery and where does it stem from. The Webster’s dictionary definition of slavery means “the condition of a slave; the state of entire subjection of one person to the will of another”. The African slave trade started way back in the 1400’s from the west coast of Africa1stAfrica entered into a unique relationship with Europe that led to the devastation and depopulation of Africa, but contributed to the wealth and development of Europe. From then until the end of the 19th century, Europeans began to establish a trade for African captives. Why would people do such a thing what were they to gain from such wickedness? Timothy 6:10”For the love of money is a root of all kinds of evil.

In Nathaniel Hawthorne's "The Minister's Black Veil," Mr. Hooper, a Reverend in the town of Milford, surprises his parishioners by donning a conspicuous black veil one Sunday. The town is visibly spooked, yet still curious, about his eerie appearance and profoundly affected by his sermon on secret sin. "A subtle power was breathed into his words. Each member of the congregation, the most innocent girl, and the man of hardened breast, felt as if the preacher had crept upon them, behind his awful veil, and discovered their hoarded iniquity of deed or thought" (2432). The parishioner's expect that Hooper will only don the veil for one day and then remove it, having used the visage to make his point on secret sin, but they are taken aback to

“Better to be hurt by the truth than comforted with a lie.” –Khaled Hosseini. In Edward Bloor’s Novel Tangerine, the lesson of by withholding the truth, Paul’s relationship with his parents are damaged. Throughout the story, Paul is blinded about the truth by the lies his parents have told him and suffers. Through the usage of the symbols spray paint and eclipse, Bloor advocates that although truth may hurt an individual, withholding the truth will damage the relationship even more.

The author Nathaniel Hawthorne is a American novelist. Born into a family of old Puritan lineage, both his life and his work were marked by the Calvinist tradition. John Sutherland points out in his book that Hawthorne was in his early childhood when the tragedy of losing a father occurred him making a “[closer relationship] to his sister, Elizabeth.” (85) His early literary vocation forced him to face numerous economic problems, as his works did not give him enough to live. He wrote plenty of novels and short stories like “The Minster’s Black Veil”. Focusing on “The Minister 's Black Veil,” it is a horror story by Hawthorne, published in 1837. This short story has an interesting meaning, impacting the way people think about morals and

"Lift not the painted veil", an 1818 sonnet by the British Romantic poet Percy Bysshe Shelley, depicts a world covered by a "painted veil". Even though this veil presents "unreal shapes", everybody accepts it as it is, except for one individual lifting it to seek love. However, this act plunges him into a state of disorientation and forlornity, since it has not lead him to discover truth or love. Therefore the sonnet's admonitory first line strongly discourages us from lifting the veil. By focussing on the connotatively contrasting use of metaphors, this essay aims at demonstrating how Percy Bysshe Shelley's sonnet "Lift not the painted veil", despite its deceptive, seemingly admonitory first line, actually encourages the individual to defy religion and to adopt atheism.