The Paradox of Nothing within Flannery O’Connor’s Short Story, Good Country People

In Flannery O’Connor’s short stories, “A Good Man Is Hard to Find” and “Good Country People,” the main characters’ trust is put to the ultimate test. Trapped in vulnerable situations, the protagonists become powerless and have to put their trust in the hands of the “bad guy.” As a result, the main characters fall victim to manipulation. Those who were once in total control of their situations are now stripped of their superior titles and are taken advantage of by the person they once trusted. Egos are bruised in the game of trust and manipulation in “A Good Man Is Hard to Find” and “Good Country People.” The grandmother and Joy-Hulga are taught lessons of a lifetime that changes the way they see themselves and life forever.

Most of Flannery O'Connor's stories seem to contain the same elements: satirical and regional humor, references to God and Christianity, violent similes and metaphors, lots of stereotypical characters, grotesque humor and often focuses a lot of description on character's clothes and faces. However, one of the most important elements of O'Connor's "Good Country People" is the relevance of names. Her choice of names seem to give indications about the personalities of the characters and seem to be more relevant to the story than what the reader would commonly overlook as simply being stock character names. Mrs. Hopewell losing her "joy" (both her daughter and her

The two most important souls in the story "Good Country People" belong to Joy-Hulga and

“A Good Man Is Hard To Find” and “Good Country People” are two short stories written by Flannery O’Connor during her short lived writing career. Despite the literary achievements of O’Connor’s works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as “understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death”(Friedman 4). “A Good Man Is Hard To Find” and “Good Country People” are both set in the South, and O’Connor explores the tension between the old and new South. The stories are tow

“Good Country People” by Flannery O’Connor is a short story told in third person omniscient point of view. The story contains a lot of irony, symbolism, imagery, and many more literary devices. Flannery O’Connor’s purpose was to demonstrate how “good country people” are not so “good.” Instead, they were categorized as “trash” and “good.” The short story interprets how the characters are contradictory and how women are portrayed in 1955 as well as today’s society.

Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.

The short story “Good Country People” wrote by Flannery O’Connor is a story that shows many underlining themes about the people around us. One of the many underlying themes is that it shows that people are not always who they say they are, we see this when Hulga/Joy meets the Bible salesman, Manley Pointer. Also, people should not judge others by their looks, we see this when Hulga and Mrs. Hopewell think they are superior over everyone else. Throughout the story, Flannery O’Connor uses his description of characters, dialogue, and the use of the reality he created to show the underlying theme of the story.

“She looked at young men as if she could smell their stupidity” (638). This exemplifies the attitude of Hulga, the protagonist in “Good Country People” by Flannery O’Connor. Hulga is a woman who has been dealt a tough hand in life, and lives with disabilities but still maintains a wrongly arrogant front. Hulga has chosen to believe in nothing, thinking that there is no purpose to life. Through her arrogant actions, ignorance and belief in nothing, Hulga is brought to her downfall and shown the inadequacy of her beliefs in the world and herself. (a major theme in O’Connor’s writing.)

“Good Country People,” is a classic example of the use of irony as a technique for imbuing a story with meaning. Irony works on many different levels through the piece. Examples of this range from O’ Connors use of clearly ironic dialogue to the dramatic irony that unfolds between Manley and Joy-Hulga. However the most obvious examples can be found in O’Connor’s characterization of these, “Good Country People.” The technique of irony is applied prominently to the character’s names and behaviors to present the contradictions between their expectations and their reality. O’Connor uses her characters to explore common notions regarding, “good” and “bad” people. Using their expectations for one another, O’Connor ultimately expose their

An ardent Catholic as she was, Flannery O’Connor astonishes and puzzles the readers of her most frequently compiled work, A Good Man Is Hard to Find. It is the violence, carnage, injustice and dark nooks of Christian beliefs of the characters that they consider so interesting yet shocking at the same time. The story abounds in Christian motifs, both easy and complicated to decipher. We do not find it conclusive that the world is governed by inevitable predestination or evil incorporated, though. A deeper meaning needs to be discovered in the text. The most astonishing passages in the story are those when the Grandmother is left face to face with the Misfit and they both discuss serious religious matters. But at the same time it is the

Flannery O’Connor was a short story author from Savannah, Georgia. She has produced many critically acclaimed pieces and has won several awards for them. Two distinct pieces she wrote are titled The Life You Save May Be Your Own and Good Country People. While both of her stories are unique, the underlying storyboard and character creation process that O’Connor used is the same throughout her stories. Her stories usually involve one or more self-centered woman, a younger person who become the victim of egregious crime, and a conniving male driven by his own motives. Good Country People and The Life You Save May Be Your Own do not stray from this rule. In either story, the narrative is driven around a shocking tragedy that is very unexpected. Even though in the tragedies committed in the book always have a belligerent and a victim, it is not easy to discern who amongst the two are the antagonist and the protagonist. In either of these narratives, the tragedy that occurred within the stories blurs the line between antagonist and protagonist.

Good Country People by Flannery O’Connor is a story with a lot of ironic elements in it. These are mostly found in the way that the characters depict themselves in contrast of how they truly are. For example, Mrs. Hopewell says that she has no bad qualities of her own, but she is a constant liar is an how she happened to hire the Freemans in the first place and how they were a godsend to her and how she had them for four years. The reason for keeping them for so long was because they were not trash” (O’Connor 247). Mrs. Hopewell is not the only hypocrite in this story; Manley Pointer is also incredibly hypocritical, fake, and manipulative. He depicts himself as a “Bible salesmen”, but in reality he is a con artist. When Hulga opens up his Bible, she sees a flask of whiskey, cards, and condoms in it. This would be seen as incredibly offensive and sinful to a Christian. According to Thomas F. Gusset, “Joy/Hulga begins to discover that the Bible

The omniscient narrator allows the reader to see that Hulga?s stereotyping of the other characters is flawed; she never bothers trying to get to know the others as real people. If she had, she would have realized that there was more to them than meets the eye. Hulga?s lack of interest in the other characters effectively isolates her character from any meaningful relationships with other people. Her superior attitude towards the other characters is manifested in her disrespect for all of them. It never occurs to her to do unto others, as she would have others do unto her. Another theme emerges from her contemptuous behavior: Treat others with disrespect and eventually you too will be treated that way. This might also be stated through two well-known clichés: ?you reap what you sow? or ?what goes around comes around.?

Flannery O’Connor was born on March 25, 1925, in Savannah, Georgia. She was an American writer. O’Connor wrote two novels and 32 short stories in her life time. She was a southern writer who wrote in Southern Gothic style. In the Article, Female Gothic Fiction Carolyn E. Megan asks Dorothy Allison what Southern Gothic is to her and she responded with, “It’s a lyrical tradition. Language. Iconoclastic, outrageous as hell, leveled with humor. Yankees do it, but Southerners do it more. It’s the grotesque.”(Bailey 1) Later she was asked who one of her role models was and she stated that Flannery O’Connor was one she could relate to. One of O’Connor’s stronger works was “Good Country People” which was published in 1955.

O'Connor's use of violence holds a similar yet restrained quality in "Good Country People", although there is a shift in its use and context. Hulga, like the grandmother, has her anti-social qualities, which, in Hulga's case, protect her from the world in which she feels vulnerable. The conflict/resolution to "Good Country People" comes at the end, when Hulga leads the Bible salesman to an abandoned barn with the hopes of seducing him. Little to her knowledge, the salesman is not a "good country" guy as she would like to believe. Hulga receives the salesman's kisses with no real passion, but as kind of a bitter curiosity. As the old saying goes though, ‘curiosity killed the cat.' Hulga indulges in Manley Pointer's apparent ease by responding to his requests of her to say "I love you." This allows the Bible salesman to confirm Hulga's overconfidence and take advantage of the weakest point in her life, her leg. The