On the 2 April, 2016, I went to see the longest-running production in Broadway history, “The Phantom of the Opera” at Majestic Theater on 247 West 44th Street Manhattan, New York. The opening night, premiere of the spectacle was on January 26, 1988. The musical is based on the novel “Le Fantom de L’Opera” by Gaston Leroux, under Harold Prince directory. The organizer of the theater production is Philip J.Smith and Robert E. Wankel is the president. The musical is classified as a horror in genre, and it aroused confusing feelings in me, from the rapture of infantile style and delight to fine tune of plot. It revolves around the man who sheltered outside of the world in the underground cavern who is lonely, romantic man tutors and composes operas for Christine. He hunts the Paris Opera building in Europe. This play belongs to original track that should be familiar with everyone. In the opera change of a leaderships happens, new directors receives a message that the opera is hunted by a ghost as the tittle suggests—phantom. Richard and Moncharmin get another message stated that alleged phantom wrote “the book claims” that consists excessive financial requirements. Despite the phantom’s threats the directors ignored the request. In such as a turn of the situation, the tittle phantom came out from the hiding place and what the management took as unreal became real. “The Phantom of the Opera” is the musical with the music by Andrew LLoyed Webber, lyrics by Charles Hart and
The longest running show on Broadway. The Phantom of the Opera was written in 1909-1910 but didn’t become a musical until 1986. Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux. Andrew Webber and Charles Hart both wrote the musical together based off that book, back in 1986. Was first played on West End, in London. Then, played on Broadway in 1988 at the Majestic Theatre. Celebrated the 10,000th Broadway performance on February 11th, 2012. Worldwide gross of $5.6 billion and Broadway gross of $845 million. Has been played in 27 different
I decided for my play review that I would go see Mary Poppins The Broadway Musical at the Jefferson Davis Fine Arts building this past weekend. The play is based on the stories of P.L. Travers and the Walt Disney Film; the original music was by Richard M. Sherman and Robert B. Sherman, the book written by Julian Fellowes, and the co-creator of the original was Cameron Mackintosh.
In 1984 Andrew Lloyd Webber, transformed the original The Phantom of the Opera novel (written in 1911 by Gaston Leroux) into a dialogic, emotional masterpiece. The prologue starts at the end of the story, in an auction in the Paris Opera House, in 1905. Raoul, the Vicomte de Chagny is buying a papier-mâché music box,
In the novel, Phantom of the Opera, by Gaston Leroux, we are introduced to a character
Influence is the capacity or power of persons to produce an effect on the actions of others. Victor Flemming, the director of the 1939 film The Wizard of Oz, depicts a message that revolves around the reversal of power and gender roles. Moreover, Dorothy is a child in her physical presence but lives the role of a hero as she leads the scarecrow, lion, and tin man to the Wizard himself. Through the archetypes such as the hero being a women, Cultural values, and the stages of the journey, Flemming raises the argument that in this case those who don 't have much influence in society are very influential in the Emerald City.
In the poems written by Alfred, Lord Tennyson’s “Ulysses” and “Odysseus” written by W.S. Merwin we can compare and contrast both poems. In Tennyson’s “Ulysses” and in Merwin’s “Odysseus” they are talking about the same person, Odysseus. But the poems are also different because, Tennyson’s poem is about Odysseus talking about how his son would be a better fit king than he was, and that he would rather sail to find another world. In Merwin’s poem Odysseus talks about his journeys from one island to the other and how he is still sailing and trying to get home. So how can we compare and contrast both poems? Easy, because one poem is
The Wizard of Oz (1939) uses both mise en scène and sound to create an immense sequence of dream imagery, particularly in the second to last scene where Dorothy is at the point of going back to Kansas. This scene is distinctly significant in terms of mise en scène and sound as it concludes the film and highlights the themes that have been revealed throughout, giving a clearer message to the film’s audience.
James Barbour is currently playing the role of the Phantom in The Phantom of the Opera which is performed at Majestic Theatre in New York City. He has countless accomplishments including performing in eight Broadway shows and twelve films as well as winning three of the six awards he has been nominated for (Wikipedia Contributors). Although James Barbour sounds perfect on paper, he has a dark past.
On the night of Thursday, January 19, the Neuqua Valley Music Department delivered an array of opera pieces and additional music at the Masterworks Concert! With all music groups gathered together, the emotions and passion for their music were very apparent.
Upon my arrival to the ticket booth, I wasn't quite sure what musical I would be watching. Then I stumbled over The Fantasticks, which currently the number one with most off Broadway performances. It was first premiered in 1960, and it was able to have been going on since that long, something about had to be good. I wasn't quite clear what to expect, but just something different. The auditorium had, give or take, 200 seats. After settling down, I opened my program booklet for an overture about the musical. Book and lyrics were by Tom Jones. Music was by Harvey Schmidt. It was also directed by Tom Jones, and the original production stage was by Word Baker.
How does the music fit into the world of this play? When do characters tend to sing? What changes in the staging from when they are singing verses talking?
The Phantom of the Opera started out as a book written by Gaston Leroux, published January 8th in 1910 (Haining, 1). There have been several adaptations since then, including Andrew Lloyd Webber’s musical. The other adaptations were Das Phantom der Opera, which is also known as Das Gespent im Opernhaus produced during 1916 in Germany as a silent drama film, this is known as a lost film due to no known copies existing at this time. A silent drama horror was produced on November 15th, 1925, a drama thriller was produced during August 27th in 1943, a horror film was produced June 25th during 1962, and an indie thriller, called Phantom of the Paradise was adapted from Phantom of the Opera and then produced in October 31st of 1974.
Musicals were originally developed in the 20th century with the purpose to entertain, however, they have surpassed this and have accomplished to entwine with the emotions of an audience group through the manipulation of certain musical elements. One of the musicals that correspond to an unadulterated musical is The Wicked. The wicked is based on a book by Winnie Holzman with the Music and Lyrics written by Stephen Schwartz. The musical focuses on the basis of an unlikely friendship and who struggle with opposing viewpoints, personalities and rivalry. This friendship is shown through the pop melodies with an addition of sophisticated musical theatre song construction.
The Phantom of the Opera, composed by Gaston Leroux, has numerous types of imagery. Shading is a type of imagery that is pervasive in Leroux's work. Leroux utilizes diverse hues to propose states of mind and give a character the presence of good or evil. The essential hues specified in the story are black, white, and red. Black is naturally thought of as dark and sinister.
The collaboration of musical theatre combines the drama aspect and plots of stage plays while adding musical components. The plot and a variety of emotions including love, passion, anger, sadness, and humor, are all presented through words and music. Musical theatre has changed tremendously over time, from operas to orchestras to full fledged plays. However, from the beginning until now the art form has carried a great influence in the world of performance. This essay will explore the history of musical theatre from birth until now.