In Greek mythology, power is used negatively for their own advantage, however, in some parts of the stories, power is used positively to help others as well. The text Mythology, by Edith Hamilton, includes the history as well as the classic myths of Greek Mythology. Power is demonstrated both positively and negatively in the stories of “Theseus” and “Cupid and Psyche”. Some characters with power and status use their control for jealous intentions and revenge whereas, others use it for the greater good of others. Firstly, characters such as Theseus and Jupiter use their power positively towards other people. Other higher status personalities, such as King Aegeus and Psyche’s elder sisters, use their power negatively due to jealousy. Similarly, Minos and Venus use their power for revenge against those who take something dear to themselves. Most characters use their power negatively, however, there is evidence characters use their power selfishly, some use their power responsibly. Theseus and his father, King Aegeus made a promise that when Theseus returns to Athens he will change the sail of his ship from black to white to confirm that he is alive. On his way back to Athens, Theseus forgets to change to ships sail. King Aegeus notices the black flag and thinks that Theseus is dead and decides to kill himself. “So Theseus became King of Athens, a most wise and disinterested king. He declared to the people that he did not wish to rule over them; he wanted a people’s government
In Hesiod’s Theogony, the Greek family relationships were often a repeated cycle between the husband, wife and their children. Based on the generations including Ouranos, all the men that came to rule automatically loathed their child, because they believed their children would take away their power. Since this behavior was similarly recurring every generation, the women were often forced to create wicked plans involving their children’s rise to power. The cycle of power, deceit and achievement created by the families in the first generation of Greek mythology became dominant characteristics that future generations would inherit.
Power is the ability to manipulate and control whatever one desires; to do what one pleases to do without answering to authority. The power that corrupts the characters plays an extensive role throughout Shakespeare’s play, King Lear. Goneril and Regan are corrupted by the power that Lear offers them. Edmund’s corruption comes from the trust of his father. Absolute power corrupts absolutely with the characters, because once have full control, they are so cold that they will do anything to keep the power – or to gain more. The quest for power corrupts, but when absolute power is attained, treachery and deceit is the only path to take.
Shakespeare’s King Lear and Marlowe’s Doctor Faustus are two examples of early modern texts, one a tragedy and the other a morality play respectively, which deal with the theme of power at the crux of its narrative. Between both texts it is evident that different characters utilize their power or authority differently – some ‘unwisely’ whilst some ‘maliciously’. In either case, the use of power progresses the plays and drives the majority of main characters.
Numerous mythologies we have read throughout this semester have had an underlying message. Those who are loyal to their beliefs, their spouses, and the gods are rewarded, but those who prove to be unfaithful are dealt with harshly. From the multitude of examples in mythology, I have chosen four to discuss: Cupid & Psyche, Odysseus & Penelope, Medea & Jason, and Antigone & Creon. Each of these characters and their stories exemplify either rewards or punishments for their actions from the gods and fates. First, we must discuss how to define loyalty in a way the Greek and Romans would agree with. Loyalty wasn’t just wives obeying husbands, or servants obeying masters, but also the people obeying the rules of the gods. Obedience is a key part of the ancient concept of loyalty, as you cannot be truly loyal to a person or to the gods without respecting their wishes and being obeying them.
It is inferred that the parents should take care of their children and have their best interest at heart. This however, is not the case in Greek and Roman mythology. The killing of ones own children, or filicide, was not viewed as negative upon in their era. The contemporary times contrast with the ancient Greek and Roman’s because it was justified to use any means necessary to obtain a higher status. The Greeks and Romans valued keeping a high social reputation and having respect for those of great power. The motherly union between their children conflict with the reality that the father strives to retain or gain control. These circumstances cause a tense bond between the members of the family. The strained parent to child relationship in
In Homer’s The Odyssey female characters have a surprising amount of power over men. In Ancient Grecian times women were usually thought of a being less than men, only performing domestic tasks and serving them. In contrast, The Odyssey portrays many females as strong and having a lot of power over men. One specific example is the witch, Kirke. She exerts her power by tricking Odysseus’s men, making choices for herself, and finally helping Odysseus get to Ithaca in the end. In her actions we can learn that through womanhood there are powers that are even stronger than that of being a man.
Gender inequality has been a controversial topic for numerous religions and cultures throughout history. Women were commonly regarded as the subservient gender, an idea that was no different in Ancient Greece. Throughout Greek mythology, women were considered inferior and troublesome symbols, while men were known for courage, leadership, and strength. While there is no argument of the flagrant sexism that is illustrated in Greek mythology, it can also be claimed that women were given a situated position of freedom, necessity, and power as well. Many popular Greek plays and myths contain several complexes and well described female characters. These goddesses themselves, partook the role of victim, heroine, and villain as it illustrated the diversity of characters in which women were portrayed and seen in both Ancient Greek society and mythology, allowing us to question “Were the women of Ancient Greek mythology equally represented as free and superior?” The creation of the Greek mythological universe, the creation of multi-gendered goddesses or deities, and the free and superior personalities accredited to women in Ancient Greek mythology to answer the question that women were fairly represented as powerful in Ancient Greek mythology.
The relationship between gods and mortals in mythology has long been a complicated topic. The gods can be generous and supportive, and also devastating and destructive to any group of humans. Mortals must respect the powers above them that cannot be controlled. The gods rule over destiny, nature, and justice, and need to be recognized and worshipped for the powerful beings as they are. Regardless of one's actions, intentions, and thoughts, the gods in Greek myth have ultimate power and the final decision of justice over nature, mortals, and even each other.
To have “power” means that one has authority, and having authority gives you the right to control or command, but for many, receiving a surplus of power and authority strips them of their morals and corrupts them. Sophocles uses Creon in Antigone as an example of the side effects of gaining power. Due to an abundance of power, Creon’s character goes through a metamorphosis in which he becomes a corrupted person. Creon becomes unrecognizable after becoming King and his character transitions to personify all the evil that comes along with gaining a large amount of power. Sophocles uses Creon’s character to convey that power causes one to believe that they are above everyone and everything else, including the laws of the gods, and leads them to
In Greek mythology, there is always a perpetual notion of power. The desire for power is associated with the father figure of a family. Furthermore, a father sets the tone for his family by setting rules and establishing their reputation. From the beginning of time, there has been angst in losing power, starting with the Earth and sky. Arising fear occurs when a father finds that one of his children is a threat to his throne. It also develops when a father realizes that since he sabotaged his own father, potentially his child could the same. Taking into consideration both of these cases, it is understood that a male parent in ancient Greek consciousness seeks a role having power. This thirst for power has resulted in the betrayal of wives and the attempt to destroy an upbringing of children. Through the fatherhood of Ouranos, Cronos, and Zeus, it is clear that their role is to exercise dominance, moreover keep away potential threats.
Hera is, probably, the brightest example of how Greco-Roman mythology reflects the power relations between women and men: Greek and Roman myths depict Hera as a woman of the utmost anger, evil, revenge, and jealousy. Aeschylus’s Prometheus Bound shows Hera as a woman full of negative emotions and the desire to destroy everything and everyone on her way to personal happiness. Aeschylus mentions the story of Hera, Zeus and Io. Zeus falls in love with Io but fearing Hera’s revenge, he turns Io into a cow and asks her to come to the meadow to make love with him: “but get thee gone to meadow deep / By Lerna’s marsh, where are thy father’s flocks And cattle-folds, that on the eye of Zeus / May fall the balm that shall assuage desire” (Aeschylus). In his poem, Aeschylus mentions Hera a few times, and every time her name is overfilled with negative connotations, turning Hera into a monster: “And Hera’s curse even as a runner stripped / Pursues thee ever on thine endless round” (Aeschylus). However, these
Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,
The role of women in ancient Greek life was insignificant compared to that of Greek men. A woman's job was to take care of the children and to cook and clean unless she had servants or slaves that would do it for her. Yet, in Greek mythology, women were often written as major characters. Well-known Greek plays contain many well-written, complex, female characters. Female individuals in Greek mythology were often seen as very powerful and fierce and were depicted by “her wits, her beauty, or her bad deeds.”
In this paper I will analyze two characters in two separate works, one from a literary text and one from a film. The focus of this paper will be on heroes that have a relationship to an element of mythology. I will use the character Odysseus from Homer’s epic poem, “The Odyssey” and the character Wonder Woman from the American superhero film “Wonder Woman”. In this essay I will analyze the gender, appearance, actions, and roles that these heroes have. Throughout this essay, I will also discuss the negative characteristics that both these heroes have, such as their violent actions towards others. Heroes possess numerous qualities that make them great, however, there are certain qualities of a hero that are consistent throughout Greek mythology; bravery, intelligence, and strength. These qualities are significant to these two Greek Mythologies because these heroes are known to bravely risk their lives for others, using their wisdom to guide them, all while fighting strongly for what they believe in. This paper will serve to prove that regardless of the gender of each of these personas, the characteristics that define a hero remain consistent.
Do you want to be a success in the world? Excessive pride or self-confidence is expressed through writings like in, “Ozymandias” by Percy Shelley and King Lear by William Shakespeare. Many characters in literature become corrupted when having the ultimate power. Power is the root of all evil and the contractions and comparisons expressed will help, you, the reader pick a view point. Ultimate power has the ability to turn the strongest man into the weakest link.