The Power of Ambiguity in Robert Frost's Home Burial

Ambiguity in short stories is common and can be used in many different ways by the author. Flannery O 'Connor uses ambiguity in

In other words, the poet likes to make the reader search and figure out what is the meaning, are they right or wrong, or just likes to make the reader not understand the point of the poem at all. This type of confusions can be found not only in poetry but also in stories, such as “We talk about when we talk about love” the

Robert Frost’s approach to human isolation is always an interesting exploration. His poem of desertion and neglect paired with eternal hopefulness ignite the reader in his poem “The Census-Taker.” All of the elements of a Frost poem are in this particular poem. “The Census-Taker” must be from an earlier time in Frost’s career because the poem is written in an open, free verse similar to the style of his earlier 20th century poetry like “Mending Wall” and “After Apple-Picking.” Also, the language lacks the sophisticated word selection a reader of poetry might find in Wallace Stevens and instead uses simplicity to

Ambiguity is a concept I came across while reading The Book Thief, by Marcus Zusak. The novel discussed numerous paradoxes of the human experience, and thus stimulated my mind into exploring branches of philosophy previously unknown to me. Though the concept is a simple one, the source of ambiguity is much more complicated. From my reading of this story and study in a psychology class, I learned that one’s natural instinct and nurturing environment is what affects one’s perspective. Equally important, no matter how similar common the human condition is, everyone is different. No person has the same life experiences, and thus has a different perspective. These conflicting perspectives are what lead to ambiguity, which leads me to quite a harsh

Can a cow be anything more than a cow, or a wall actually be something other than a wall? Robert Frost, who lived from 1874 to 1963 and was considered one of America’s most eminent poets, demonstrated metaphors frequently within his poems. Readers of Frost’s poetry are often faced with the question, “What is Robert Frost really trying to say?” It is without a shadow of doubt that the American poet had the capability of taking his poetry and turning it into something preternatural, but not without the help of metaphors. Frost elaborated the meaning of metaphor as, “Saying one thing and meaning another, saying one thing in terms of another….” Several pieces of his work provides images such as a cow, a flower, country roads, and a wall that serve as metaphors for larger ideas.

In Robert Frost’s poem “To the Thawing Wind,” in the literal sense, he is asking the Southwest wind to come, melt the snow and bring spring, but symbolically he is tired of the winter and wants warm weather. He wants to burst out of his cabin and have a good time, not thinking about poetry. The poet has been confined in his winter cabin and is wanting the wind and rain to melt the snow, so it will change his winter isolation. He has been longing for the “thawing wind” because that is when spring is coming. He is anticipating spring to come because it will bring him inspiration and the freedom needed to be able to do new things and enjoy everything good that comes with this season.

Since the date of Robert's birth in 1874, Frost experienced great affliction through his life. On May 5, 1885 his father died of tuberculosis leaving 8 dollars to the family's name at the age of eleven. While married at the age of twenty-one, four of his six children died through their suicide or disease. Irma, Frost's fourth child, out lived frost in a mental hospital. His younger sister Jeanie also bound in a mental hospital had passed in 1929. Lesley, the second child of Frost, out lived Frost, marrying twice and wrote a few children books. Unfortunately, Frost continued to endure loss when his mother and his wife, Elinor, developed cancer passing soon after the diagnosis.

The Use of Literary Devices in Robert Frost's Stopping by Woods on a Snowy Evening

How can an author effectively convey a universal message to the broadest audience possible? Simple. The author must simply create a completely impartial narrator, devoid of sex, status, or age. The Road Not Taken is a poem told by an impartial narrator who has come to a crossroads in his/her life. The crossroads is represented by a forked path that leads through a forest. The setting is also impartial; the forest is anytime and anywhere the reader desires it to be. The narrator is forced to make a life-decision, thus changing the course of his/her life forever. Symbolism and imagery are used effectively to reinforce the main theme of the poem.

     Chapter seven begins by explaining an example that would make the case against using ambiguity. In fact, the title of chapter seven is “Avoid Ambiguity”. While it is true that vague statements leave questions unanswered, the traditional idea behind gathering information is to find specific details and clear communicated

Discovery is an innate aspect of what it means to be human. Discovery involves differing contexts and perspectives and in this way it is unavoidably subjective and offers further insights into the human psyche. This can be seen in the 1914 works of Robert Frost, “Home Burial” that tells of the hardship imposed on a mother and father after the loss of a child, and “Mending Wall” exploring the relationship between two neighbours and the wall that divides them, as well as the 1998 picture book, ‘The Rabbits’ by Shaun Tan and John Marsden, an account of colonisation from the viewpoint of the colonised.

Robert Frost’s poem “Home Burial,” written in 1914, centers around the conversation of a married couple whose relationship is struggling after the death of their young child. A duality in meaning exists in the poem’s title, “Home Burial,” which references not only the death of their child but also the death of their marriage. Is the child’s death the sole cause of their marital distress? Robert Frost opens the poem in the couple’s home with the husband watching as his wife, Amy, begins to descend the staircase (1-2). After a few verses, the audience has become witnesses to the marriage’s descent into nothingness. The child’s grave lies forever in the background, framed by a small window at the top of the stairs (Frost 24-31). In Robert Frost’s “Home Burial”, the marriage of Amy and her husband is irreparable due to differences in expression, acceptance, and perception.

?The Road Not Taken? (1916) tells of someone faced with two of life?s decisions however only one can be chosen. Whichever road is taken will be final and will determine the direction that their life takes. Frost drives this poem by a calm and collective narrative, spoken by the traveler of the diverged roads. Who is speaking with himself trying to convince himself of which road is the better choice. Frost wrote this poem using standard, modern language.

"Stopping by Woods on a Snowy Evening" is a very well know poem by Robert Frost. The poem appears to be very simple, but it has a hidden meaning to it. The simple words and rhyme scheme of the poem gives it an easy flow, which adds to the calmness of the poem. The rhyme scheme (aaba, bbcb, ccdc, dddd) and the rhythm (iambic tetrameter) give the poem a solid structure. The poem is about the speaker’s experience of stopping by the dark woods in the winter evening with his horse and admiring the beauty of the fresh fallen snow in the forest. Then, the speaker projects himself into the mind of his horse, speculating about his horse’s practical concerns and the horse

Robert Frost’s poetic techniques serve as his own “momentary stay against confusion,” or as a buffer against mortality and meaninglessness in several different ways; in the next few examples, I intend to prove this. Firstly, however, a little information about Robert Frost and his works must be provided in order to understand some references and information given.