The Prostitute By Krik Krakk Summary

“My Father’s Prostitute” by Steven Whitacre, is an honest and chilling book about an innocent boy’s struggle from child to adulthood. When reading this book, I found myself completely shocked and interested at the same time. It was different to read a book from the authors life and I think that is what made it that much more interesting. “My Father’s Prostitute” is a book about a child’s struggle, that leads into adulthood. When Steven was about four years old, something had happened that would change his life forever. After his dad suggested to “play”, Steven was sexually abused by his own father. Thinking this was normal, Steven kept on

Poverty and hardship are shown to create vulnerability in female characters, particularly the female servants, allowing powerful men to manipulate and sexually abuse them. Kent illustrates how poverty perpetuates maltreatment and abuse in a society like Burial Rites using the characters of Agnes’ mother Ingveldur and Agnes. Agnes’ mother is forced to make invidious choices as her children are “lugged along” from farm to farm, where she is sexually exploited by her employers. In spite of these circumstances, Agnes’ mother is commonly referred to as a whore in their society which abhors female promiscuity yet disregards male promiscuity as a harmless character trait; as in the case of Natan, who is merely “indiscreet” despite all his philandering. Born into poverty, Agnes experiences similar sexual coercion and manipulation from her “masters” and yet is labelled “a woman who is loose with her emotions and looser with her morals”. The severe poverty of Agnes is explicitly demonstrated to the reader by Kent through the intertextual reference of her entire belongings - a very dismal, piteous list to be “sold if a decent offer is presented”. Furthermore, Kent contrasts the situation of Agnes, a “landless workmaid raised on a porridge of moss and poverty”, to the comparative security Steina has experienced using a rhetorical question from

Every day begins with fear; every night ends with a different strange man. In a touching novel about the horrific life of a thirteen year-old Nepalese girl, Lakshmi, Patricia McCormick uses a fictional story to portray the lives of real girls. McCormick introduces the reader to the harsh truth about the existence of sex slavery. She paints a vivid picture in the reader’s mind of the brothel, where deceitful adults take an unknowing Lakshmi, called the Happiness House. Sold tells the struggles and perseverance of young girls to make the reader consider what life is like for women living in brothels or with pimps and how it affects them after their release or rescue. Having an optimistic outlook can get one far in life, but when considering

In “The Laws That Sex Workers Really Want,” Toni Mac discusses the reality of legalization in regards to sex work and their effects. Mac’s purpose is to show the audience the four legal models that are being used around the world and demonstrate why they don’t work. Then, explain the model that sex workers themselves think would work best, decriminalization (“The Laws”). She shares her own stories and experiences to help make her argument and to add to the effectiveness of her use of the rhetorical strategies. She uses all three of them, at least to some extent, but with a heavier focus on pathos and ethos over logos.

The short story presents women as aware but misunderstood by men through use of narrative point of view. In society women are usually seen as inferior to men, and therefore often don’t get the acknowledgement they deserve. “The women held their secrets because when they mentioned it to their husbands or brothers they were laughed at….Instead of sympathy, the husbands and brothers now had a secret weapon”. This shows that women did not share their fears as it gave others ideas to torment them further. Women in the short story are also shown to be fully aware of the boy’s behaviour early on in the story. “The men of his home town said, but how

I choose this story for several different reasons. The first reason I choose this story is I like a good psychological thriller. I like being taken on a journey into someone’s mind, and discovering all the twists and turns during someone’s break of sanity. Second is I am interested in what goes on inside the human mind. The human mind is complex and ever changing, and today we only understand a small percent on how it works. Two people can look at the same exact thing, and have two different thoughts about it. It is very intriguing how people come to conclusions, and why they think the way they do. The most important reason I chose this story is because I feel somehow connected with these women in my own life experiences. I grew up in a traditional Italian family, and I was taught at a young age that a woman’s place is at home cooking, cleaning, and being a housewife. My dad worked everyday while my mom stayed at home. Which is fine, but that shouldn’t be forced upon. I was taught to be a slave to my husband and children. I was never taught how priceless an education is; consequently, I was never pushed to expand my knowledge. Like many 18th century when women were confined in their home and forced to be the man 's “slave” and If they got any type of idea on their own the men would make them feel like they were idiots and it would spiral into depression and then they would have to suffer the “rest

Women in history stood best known for a less ascendant sex in the mid-nineteen centuries. Since times have gone by women had fought for their equal rights and freedom. There had been many stereotypes, where the women were considered as a slave to the men’s because the women’s position was to be the homemakers and a mother to their children, while the men’s are out socializing with others. If they were not happy with the marriage, they cannot just walk out or complain because a women role is to endure all these pains without a word coming out of their mouths. Two out of the ordinary short stories, “The Yellow Wallpaper” and “The Story of An Hour,” mostly focused on a women’s dilemma that they faced near the 19th century. The two main characters in the short stories show some resemblances in some ways, but both characters portrayed them in different ways of how they dealt their sorrows in their marriages.

Sadly, to this day, women are still treated like objects in various parts of the world. Whether forced into marriage or used for inhumane acts, it is a shame that changes towards the treatment of women are only starting to take place now. An insightful look into the worlds of poorly treated women is seen in the short stories “Another Evening at The Club”, and “The Leaving”. Alifa Rifaat, the author of “Another Evening.” depicts the life of an eastern teenager that was forced into marriage and is controlled by the actions of her husband. While the main character, Samia, seems to act as an evil accomplice of her husband, her actions are driven by the need to serve a purposeful life for the sake of survival, and their image together. Similarly,

Living as a Latina in the United States of America is tough. Racial stereotypes follow minorities everywhere they go, even in the classroom. The average American has a typical image of what a professor should be like; which most refer to this image as a white graduate male. These perceived images should not exist because professors come in many different genders, sexualities, and races. In “A Prostitute, A servant, and a Customer-Service Representative: A Latina In Academia,” professor in the department of Critical Culture, Gender, and Race studies, Carmen R. Lugo-Lugo, uses emotional appeals and language to inform and create awareness of social and racial stereotypes, as well as how profiting is a priority amongst universities.

A number of the stories, graphic memoirs and poems we discussed in class have introduced us to women who have been trapped in some way in their lives. Henrik Ibsen’s A Dolls House (1879) and Charlotte Perkins Gilman’s “The Yellow Wallpaper” (1892) both demonstrate women being trapped by men in a patriarchal society in the nineteenth century. However, Joyce Carol Oates’ “Where are you going, where have you been?”(1974), Jamaica Kincaid’s short story “Girl” (1978) and Marjane Satrapi’s graphic novel Persepolis (2005) are about social norms and girls being sexualized at a young age in the 20th century.

In The Book of Night Women by Marlon James, James shows readers the Jamaican sugar plantation that occurred during the 19th century. James shapes his plot as close to the ruthless actualities of slavery it imposes on people, and there are two perspectives that touch on this idea too: “A revenge tragedy for our times” by Donna Bailey Nurse and “RACISM IN THE BOOK OF NIGHT WOMEN” by VS Agami. In James’ novel, the protagonist, Lilith, is a dark-skinned slave who struggles to surpass the violence into which she is born. Through the motif of circles and Lilith’s slave experiences, James portrays a structure of human oppression in slavery, achieved through his writing style, which leads to violence being the only outcome.

The author starts the book with the story of her aunt. This story was a well-kept family secret being that her aunt’s actions were of great disappointment to the family. The “no name woman” as the story names her, was forgotten by all her family because she had a child that was not from her husband. This story gives a clear

The telling of a story is never easy, especially when the topic is racy, emotionally charged, and highly taboo. Rachel Moran deftly covers all aspects of her life in prostitution in “Paid For: My Journey Through Prostitution”, from addiction to abuse, and every moment in between. Moran utilizes macro level structure by dividing her memoir into three parts, and further dividing her book by chapters organized by topics concerning factors that contribute to prostitution, all in order to create a cohesive story that is compartmentalized for easy access to specific information, and creates a story that is used as a support system for a deeper message about the need for social and legislative change regarding prostitution.

At this point she simply finds no other way but to accept the stereotypical view of a young innocent girl in a relationship with an experienced man, another example of women being victims of male authority. The key to the bloody chamber is the key to her selfhood and subjugation that will ultimately kill her. ‘The protagonist’s husband clearly considers her an object of exchange and plans to inscribe upon her his continuing tale of punishment for wives’ disobedience’[viii] again showing how women make themselves victims of their own behaviour, Helen Simpson’s interpretation is that ‘I really cant see what’s wrong with finding out about what the great male fantasies about women are’ [ix] The heroine fights against the victimisation, and indeed reverses role with the male in the story, as it is Marquis who dies and it is the female who leaves this chamber and finds happiness.

An unforeseen story of a prostitute and a soldier sharing a night together. The woman recalls a time in her life when an unknown soldier knocked on her door in the night but not to engage in a sexual intercourse rather, the soldier simply wanted to talk. They talked about every significant subject that they could, both seemingly questioning the others’ morality-the woman questioning the man’s principles and the soldier questioning her life decisions. As the night gets deeper, both uncover each others’ stories as to what lead them to their situation, gaining a deeper understanding and coming up with the conclusion that they are similar in a lot of