The Red Convertible by Louise Erdrich

The car was in good shape before Henry went off and joined the Marines but Lyman wanted it in perfect condition for when his brother arrived at home. The red convertible to Lyman is everything that he wants his relationship with his brother to be once he returns. Lyman wants everything to go back to the way things were like the summer before Henry left. When Henry finally does arrive at home, however, Lyman describes him as being "very different" and "jumpy and mean"(367). Henry no longer seems to have any interest in the car or in Lyman any longer. In desperation, to retrieve his old brother, Lyman goes out one night when Henry had gone out and "did a number" on the red convertible(367). This desperate act of Lyman is in order to try to bring the brothers together. Lyman feels that since they were connected through the red convertible in the past that it would bring them together now. When Henry sees the car messed up he becomes upset and instead of bringing the brothers together Henry becomes fanatically obsessed with fixing the red convertible. This event in the story shows how the war has changed their relationship from close knit to distant. However, once Henry gets the car fixed up he asks Lyman to go for a drive once again showing how the car and their relationship are hand in hand. The red convertible continues to bring the brothers together even in the worst of times.

The Red Convertible by Louise Erdrich is more than an emotional story about the lives of two brothers who grew up together on an Indian reservation. She uses a writing style that allows the reader to understand the text, while providing the opportunity to read into the story. Erdrich uses metaphors, symbols, imagery to describe and define the brothers Henry and Lyman’s relationship.

From this point on, Henry did not even look at the car that he and Lyman owned together. Obviously, they did not travel anymore or went anywhere together as before. This bothered Lyman, and attempting to bring him back to his own self, Lyman destroys the car and waits for Henry to find it. When Henry finds it, he begins fixing it, and as months passed by, he begins to act a little different. He was not as jumpy and disturbed as he was when he returned from the war. He finishes with the car, leaving it almost as good as it was before. He invites Lyman to go on a ride as they used to do before. They arrived at the river and begin drinking beer and laughing together. All of a sudden, Henry says, “got to cool me off” and troughs himself in the river, and let the current take him. Before he was gone he said, “My boots are filling”. He probably meant that he was tired of living, waiting for his dreams and hopes to be fulfilled and being stuck in two different cultures. After Henry says this, he finally disappears, separating what was once a relationship between two brothers.

“The Red Convertible” is a story of Henry, the American Indian man, about how he was suffering from the experiences at the Vietnam War. The story begins when he and his brother purchased a red convertible car. This story indicates that how cultural ties and the brother’s precious memories helped recover Henry. Actually it is more about the importance of family. By

Looking at the plot of the story, one can see that the story deals with a psychological conflict. Before Henry had left for the Vietnam War he and Lyman had a close relationship and since coming back he changed significantly because of what he saw and experienced. Lyman explains, “Once I was in the room watching TV with Henry and I heard his teeth click at something. I looked over and he’d bitten through his lip. Blood was going down his chin” (Erdrich 129). This example shows how Henry is dealing with the post war stress and how he cannot get what he went through out of his head. As he sits and watches the replaying war videos, he is unable to get past that he can live again and go back to the way things were because psychologically he is still at war and fighting.

Lyman soon realized he was wrong. The war had torn Henry to the point that he would stare lifelessly at a television screen for hours on end. He had not said more than a few words to Lyman for some time. Angered, Lyman purposefully damages the red convertible to get the attention of his brother. The damaging of the car represents the anger felt by Lyman that the relationship with his brother had been destroyed by the war. By destroying the car, Lyman is metaphorically changing the condition of the red convertible to match that of their brotherly bond. “Now I don’t even know if I can get it to start again, let alone get it anywhere near its old condition.” (Erdrich 328) Henry states about the car, symbolizing his feelings towards their relationship.

In The Red Convertible, LouiseErdrich uses the red convertible to symbolize the theme of change in two brothers relationship. The changes in the car parallel with the changes the brothers go through. As the car evolves, so does the relationship between Lyman and Henry. The two brothers have a close bond until Henry is sent off to war. Upon his arrival home, the changes in Henry and how he relates to his brother is apparent.

One example is during the dance, when Henry and Rafas, a member of the Downey Gang, get into a fight, Henry eventually gains the upper hand and Rafas is at his mercy, however, instead of harming him, Henry just tells him to leave. Then, Bertha, Henry’s old girlfriend says “The old Hank would have slit Rafas’ belly like a fat pig.” (Valdez 47). This shows that Henry used to be much more ruthless than he was in the play. This is because he realizes that any violence that he does, no matter how small, will come up again, and could stop him from joining the military or from getting a decent job after the war. Because he realized this, he began to think about what effect his actions may have on his future. Another example is when Henry decided to back out of the appeal (Valdez 70). Instead of fighting the racist and corrupt justice system that put him in jail, Henry thought that, by accepting the punishment, he would be viewed as more American, and perhaps he would get out of jail early for good behavior. When Henry decided that he was going to join the navy he was thinking about his future as well. In the play Henry says, “I was all set to come back a hero, see? Me la rayo. For the first time in my life I really thought Hank Reyna was going someplace.” (Valdez 30). Henry knew that the only way he could gain respect from the police and the white Americans was by

There was no actual evident mention of their American part of lifestyle until this point of their life, dealing with Henry after war. In the end, the reader can see that red convertible is a bigger representation of Henry and his individual changes after the Vietnam than anything else. It is his changes that affect his whole family and thus his strong relationship with his brother and thus why the car also counterparts their brotherly relationship. Further as the red convertible re-introduces itself throughout the story, it is the first and foremost object that shows the lifestyle of Henry and Lyman as Chippewa and American members of society.

Towards the middle of the story we see how Lyman damages the car and this is to regain his brothers interest in the car. He wants his brother back and by having Henry fix the car it would be as if he were fixing the bond between the two. Lyman describes how he “did a number on its underside. Whacked it up… and waited for Henry to find it”(891). He wanted to“bring the old Henry back” (891), and what better way to do this than to have Henry focus on the one thing both brothers enjoyed which was the convertible. He thought that the car would make Henry return back to his old

Henry Fosdick once said, “The tragedy of war is that it uses man’s best to do man’s worst.” In “The Red Convertible” by Louis Erdrich, there is a conflict amongst two brothers, Henry and Lyman as ones awareness towards reality is shifted upon the return of the Vietnam War. Henry’s experience fighting in the Vietnam War is the responsibility for the unexpected aftermath that affects their brotherhood. The event of Henry fighting in the war through fears, emotions and horrors that he encounters is the source of his “Post Traumatic Stress Syndrome [PTSD].” It has shaped his own perception of reality and his relationship with his brother Lyman and the strong bond that they had shared.

Both Erdrich’s, “The Red Convertible”, and O'Brien's, “The Things They Carried” reflect the effects of psychological trauma left by war; specifically, the Vietnam War. In Erdrich’s piece, she uses the red convertible as a metaphor for Henry. The fact that the two brothers purchased the convertible together is a serves to symbolize their bond. Yet, when Henry returns from his tenure as a soldier, his mental health has deteriorated into an apparently depressive state. I believe that Lyman’s act of wrecking the car represents how the war has devastated Henry’s emotional state. In Henry’s attempt to restore the car, he is indirectly trying to mend himself. Indeed we see that in his effort to do so, he exhibits signs indicative of his previous

In Karen’s ‘The Red Convertible,’ the story is narrated by Lyman Lamartine who is the younger brother of Henry Junior who had just got back from Vietnam after the war was over. The whole story is narrated in a flashback unlike Tim’s ‘The Things They Carried’ where the story moves back and forth in time. For example when the author describes the things that the soldiers carried in the very beginning of the story, he mentions Ted Lavender carrying six or seven ounces of premium dope until he was shot. Karen emphasizes more on the relationship between brothers and compares the state of mind in which they were before and after the war. The younger brother Lyman hadn’t changed much where as the elder brother Henry was completely a different person after he got back from Vietnam.

Other stories, perceived as unrealistic, often are posited so because they contain elements we do not see in the real world; metaphoric fantasy, symbolism, abstractness. These concepts are all based on our own filters of perception – we discern what is historically accurate and what is legend, or myth, based on our position in culture and the lenses which we view ourselves. In “The Red Convertible”, we can see these concepts at play – Lyman, narrating the story of the relationship with his brother Henry, tells a story that flows very effortlessly. Things that happen around him seem to brush off of him, as if they are no big deal.

They didn?t have a plan. This gave them a destination and they went with it. Henry also showed his silly side when Susy showed them her long hair. He asked her to jump on his shoulders. Once she did it he declared, ?I always wondered what it was like to have long pretty hair? (366). This all ended when Henry got drafted. Lyman compared the old Henry to the new one. ?He?d always had a joke then, too, and now you couldn?t get him to laugh, or when he did it was more the sound of a man choking, a sound that stopped up the throats of other people around him? (367). Henry?s attitude had done a complete one-eighty. He was the exact opposite of his old self. According to Lyman, ?Henry was jumpy and mean.? (367)