The Red Room Analysis

Faith and religion rests in the core of Jane’s character and actions, but also causes tension with her independence. At Lowood, she struggles to reconcile her desire to rebel against oppression and injustice with the words of Helen saying to submit like Christ. She chooses to submit, experiencing an “extraordinary sensation”, feeling “as if she was a martyr” (67). Through her submissions, she learns to be virtuous. This virtue is challenged when she must choose either to be Rochester’s mistress, or to forsake the man she loves, jeopardizing her happiness. Abiding by God’s law, she leaves, believing that “God directed [her] to a correct choice” (366). Jane faces her fiercest tension when she faces St. John’s proposal to marry him and become a missionary’s wife. She desires to continue in God’s will, telling St. John that “I will give my heart to God”, but knows that marrying him goes against her every desire. She wishes to be free from St. John; she desires her independence. She nearly submits, were she “but convinced that it is God’s will” that she marry St. John (426). She prays for Heaven to “show [her] the path” (426). Jane truly seeks God’s will, and in return, “seemed to penetrate very near a Mighty Spirit” (427). Her devotion to God is rewarded as she prays in her “different way to St. John’s” (427). God releases Jane from a life married to St. John and allows her to return to Rochester and become his wife. Jane’s faith in God allows her to make virtuous

Although the isolation that defines much of Jane Eyre’s life seems only alienating, it also proves to be enriching, for Jane uses that isolation as a basis to truly appreciate the love she discovers when her family is revealed to her after she gains a large inheritance from a distant relative. She would not have been able to truly find and value the love in her family if not for the despair experienced early in life, as that despair led her to her family. She uses her loneliness to gather strength when it is most needed, allowing her to totally heal from the trauma of the red-room and enjoy the eternal warmth her new loving life

These lines exchanged by Jane Eyre and Mr. St John perfectly exhibit the differences in their personalities. Jane Eyre is a passionate, emotional person, while Mr. St John comes off as "cold" and un-feeling. These contrasting temperaments make for an intriguing scene when Mr. St John asks for Jane to marry and move to India with him as a missionary's wife. Jane had a strong emotional reaction to Mr. St John's proposal and St John was taken aback when she rejected him, but he did not have a particularly passionate reaction. In the days and weeks to follow, St. John was by no means friendly or warm with Jane, but he was also not outwardly rude to her. All and all, Mr. St John's disposition can be described as "cold," and Jane's emotions, that had a fire-like intensity, led her to reject to St. Johns final proposal.

Jane is taught at a young age to look down on people not of her caste, and to oppress them the same way that she herself is oppressed as a female orphan. Though Jane is not influenced directly by social status at all times, it is still a constant factor which Brontë makes evident. In Victorian England, a female must either be born or married into her social class, and this is what defines her. The character of Jane served to undercut the popular female stereotypes of fiction: the angel of the house, the invalid, or the whore (Brackett, 2000). Brontë creates Jane as her own force, in which she is neither the angel, invalid or whore, but a young lady who is intelligent and has pride and dignity. In this Victorian society, her unsubmissiveness and independence is her social fault, which Brontë pokes fun at (Brackett, 2000). Male Victorian writers cast women during this time as social, finagling creatures whose goals are to obtain as many friends as possible and throw the most elaborate parties. Brontë opposes this by creating Jane as an opposite of these “defining” characteristics, by making Jane a female who could are less about how many people adore her, a female who would actually enjoy a life with few companions. As mentioned before, Jane’s sense of dignity is evident. As Jane became Rochester’s governess, she is faced with the

Near the novel’s conclusion, St. John attempts to persuade Jane to join his mission to India, but she responds, “If I go to St. John, I abandon half myself: if I go to India, I go to premature death.” The repetition used in this line conveys how, if Jane accepted St. John’s plea to travel to India, she would suffer becoming socially isolated from Rochester. This resolves her conviction to decline St. John and return to marry Rochester within the finale. Chris Bossche comments on Jane’s feeling of exclusion, stating, “[Jane Eyre]’s heroine rebels against social exclusion yet ultimately does not seek to overturn the existing social order.” This interpretation of Jane’s motivations aligns with my own personal understanding of the character who, while not wishing herself to be excluded from Rochester, accepts Bertha’s isolation in the attic of Thornfield. This is demonstrated when Jane describes Bertha through the hyperbole, “I found her nature wholly alien to mine, her tastes obnoxious to me.” This exaggeration of Bertha details how Jane believes that she possesses an eccentric and dangerous nature, providing reason for why Jane does not protest her imprisonment. Yet, since Bertha remains estranged from society, she ultimately burns down Thornfield at the end of the novel. As a result of their perpetual fear of exclusion and social isolation, the actions of characters within the novel are dictated, transpiring in the text’s

The pictures in her book appear to be “bleak” and “desolate” (Bronte 2,3). The independence in the world looks isolating rather than fully freeing, yet Jane is still willing to take the risk. To her, there is nothing worse than being confined, even if escaping means entering a world of isolation. She must grow to be free. Jane finds herself ¨brooding upon her own dilemma: whether to stay in, behind the oppressively scarlet curtain, or to go out into the cold of a loveless world¨ (Gilbert and Gubar 340).

Although Bertha’s seclusion is a result of her insanity and unacceptable behaviour, Jane’s isolation seems to be the cause of some mental illness, throwing her into a panic attack in the red room where she believes her Uncle Reed’s ghost dwells. It must be noted, though, that Jane is a child at this point in the novel, with an active imagination. Bronte may be making a point then, that children should not be shunned for their inventiveness and imagination, as was so common in her day. However, there is a fine line, and socially acceptable age, that separates a healthy imagination from madness. There is a clear lack of this knowledge in Bertha, whom does not appear to have a firm grip on reality. Madness, however, does not merely deal with concepts of reality in “Jane Eyre.” Jane has bouts of uncontrollable speech, in which she must say what comes to her mind. Jane first loses control of her tongue in chapter IV, in which she accuses Mrs. Reed of wishing her dead, and later exclaims “I am not deceitful: if I were, I should say I loved you; but I declare, I do not love you: I dislike you the worst of anybody in the world except John Reed,” and goes on to evaluate the terrible treatment Mrs. Reed has given her, and the lack of love and compassion she has been shown while at Gateshead. In this instance, madness works in Jane’s favour. This temporary bout of mania allows Jane to finally express the

St. John, Jane’s other suitor in the novel represents a different kind of religious man than Mr. Brocklehurst but his actions in the text are still patriarchal in nature. St. John is genuine in his belief systems and truly wants to make a difference and save the world, a stark contrast to the misguided hypocrisy that Brocklehurst carries out in the name of religion. St. John wants Jane to accompany him on his mission trip as his wife. When Jane objects telling him “you have hitherto been my adopted brother: I, your adopted sister; let us continue as such: you and I had better not marry” (924) he tells her that “adopted fraternity will not do in this case. If you were my real sister it would be different” (924).

It instead shows Jane’s inner struggle to do what is “right” versus what she desires. The separation between the voice of herself and her thoughts exhibits her helplessness to change her path from what her mind has already decided. This displays the heavy influence society has on Jane, which is further proven by the personification of Jane’s two strongest rivaling emotions. The heavy influence of a patriarchal dominated society is evident in her “Conscience” being a strong male figure, whereas her “Passion” is a weaker, feminine figure. Similarly, the strongest reasoning for Jane to leave Thornfield is driven by the patriarchal demand for a female to remain “pure” until holy marriage, rather than Jane’s own desire to leave, further solidifying the idea that the voice given to her mind is not just her own internal thoughts, but also the demands and expectations of

Jane endured a harsh life in the home of her guardian, her cruel aunt Mrs. Reed. One of the punishments that Jane remembers immensely is her internment in the isolated and abandoned red-room, formerly belonging to Jane’s deceased uncle. Jane is forced to inhabit the chamber on her own while she is in a state of pain and fury. As the night begins to fall, the red-room begins to have an effect on Jane as the lonesome aspect of the room and its supernatural qualities begin to take their toll on Jane’s imagination. Jane begin to recall on the red-room, “I had heard what I had heard of dead men, troubled in their graves by the violation of their last wishes, revisiting the earth to punish the perjured and avenge the oppressed; and I thought Mr.

Women were described as “in all ways subordinate to male authority” (Marsh). This patriarchal thinking is shown in the novel when a maid comments, “What a shocking conduct, Miss Eyre, to strike a young gentlemen, your benefactress’s son!” (Bronte 15). Though Jane was punished for her actions, it ends up being in her favor as she collapses from hysteria after being thrown in the red-room, where her uncle died, and a doctor tells the family to send her off to school, where her quality of life is improved as she makes friends and is encouraged to become a governess. Bronte is proving that rebellion is rewarding as Jane was freed from the Reeds.

John, an aspiring missionary whom takes her in at Moor House. St. John’s problem is not so much hypocrisy, but an overzealous attitude toward religion; an attitude which causes him to manipulate Jane for his purposes. When he sits her down to propose marriage he tells her, “God and nature intended you for a missionary's wife. It is not personal, but mental endowments they have given you: you are formed for labour, not for love. A missionary's wife you must — shall be. You shall be mine: I claim you — not for my pleasure, but for my Sovereign's service,” (Bronte, 428). He feels no romantic desire toward Jane, however, he wants her hand in marriage to appear as the perfect male missionary with a wife. Jane rejects this proposal, not only on the basis of rejecting his ‘religious’ motives, but also because she believes only in true, romantic

Calgary musician Krzysztof Sujata’s Valiska project makes music that toes the line between ambient and drone - often relying on peaceful soundscapes dotted with piano to set a framework, then occasionally building to a towering crescendo with a web of static. It’s all very naturally motivated, though - fittingly for its album art, Repetitions is sparsely organic, with plenty of room to breathe chilly and cozy breaths. It’s a record that challenges you to take much from very little - over 40 minutes, there is rarely any rhythmic movement. It’s true ambient music, and while it sometimes falls into uninspired territory, Repetitions is still quite an interesting, minimalistic world to explore.

Human beings have been known to survive harsh environments such as natural disasters all throughout history and now. Survival is an essential part of our lives and it’s the reason why we’re all here today. People you might not expect in real life have gone through much harder times than we have. Some humans have been in a natural disaster so dangerous, that they would have to resort to cannibalism.

There are at least two reasons for climate change. Car pollution , and factory pollution are two of the major for this.