The Representation of Individuality in the Old Man and the Sea

Growing old is everyone’s fear. People wonder what will become of them as they reach their “golden years”. In The Old Man and the Sea by Earnest Hemingway, the old man faces the changes and problems of growing old.

In the book The Old Man and the Sea, Ernest Hemingway uses the flashback technique in order to characterize Santiago and develop key themes of the novel, such as Santiago’s connection with nature and what it means to be a hero. Hemingway employs several flashbacks as an effective technique that develops Santiago’s character as he recalls past occurrences in order to renew his strength of will. There are three flashbacks in particular that are critical to the development of this story. The first flashback describes a time when Santiago associated himself with the marlins. The second flashback occurs when Santiago arm-wrestled the town’s strongest

Living in the boat is no easy task for him, and soon suffering and pain seem to take over his entire body. Even after he accomplishes the difficult task of hooking the giant marlin, he finds his skiff being dragged by the fish for over two days. His back begins to be sore from sitting so long against the stiff wood, his face has been cut from fishing hooks, his shoulders ache, and his eyes have trouble focusing. Even when it seems he has no effort left, he exclaims, "I hate a cramp, he thought. It is a treachery of one's own body" (Hemingway 61).  Here is Santiago’s real inner willpower coming through. He has experienced so many obstacles during the past couple days, yet he will not let the obstacles defeat his dream of killing the marlin. Through Hemingway’s characterization of Santiago, he is willful towards the task of catching the fish. Most laborious to endure though is the terrible condition in which he finds his hands. The left one is weakened from a period of being tightly cramped, and both are extremely butchered from the burn of the moving fishing line. While conflicting with the marlin, Santiago thinks to himself, "You are killing me, fish... But you have a right to. Never have I seen a greater, or more beautiful, or a calmer or more noble thing than you, brother. Come on and kill me. I do not care who kills who" (Hemingway 92). The task would

“He did not truly feel good because the pain from the cord across his back had almost passed pain and into dullness that he mistrusted.”(74) Once both the fish and Santiago had reached the breaking point of conflict the story seemed to slow down in time to exemplify the adverse conditions that both characters were suffering from. The old man proves himself worthy of personal suffering with the cuts and scars on his hands and back along with all of the pulling and slipping the cords had upon his fragile body. Hemmingway shows in a big way how an out of proportioned conflict with an old fisherman and an 18 foot long marlin helps to magnify the significance of Santiago searching for his rebirth to manhood. With constant abstraction describing the fish and the sea in relation to brotherhood create interesting questions for Santiago to ponder. His rationalization for his fishing is that he was born to do it. “A man can be destroyed but not defeated.” (103) Hemmingway proves that this fish represents all of Santiago’s built up tension to total the size of a gigantic marlin that is perceived as devastating but not unconquerable. The old man’s hopes and aspirations can overcome the adversity of the marlin’s size, along with the conditions of the old, hungry, and exhausted fisherman. Through outright suffering Santiago achieves a goal above his previous manhood by combating pain and

Life is full of obstacles. The Old man has many, but chooses to push through life. One of his obstacles is the fact that he lives a lonely life. Santiago lost his wife and never remarried. He has no children or family to comfort and support him. The only companion Santiago has is the local boy. The boy is fond of Santiago, but his family is not. The boy’s parent do not think Santiago id good for the boy because the man is unlucky. The boy brings Santiago food and companionship. Even though the boy is a friend to Santiago he still has an empty part that should hold family. The old man continues through life with no wife or children and on to his next journey with the sea.

There is hardly any progress, determination or success without unforgiving struggle and defeat. The road to success is a never-ending battle, but the outcomes of the war are rewarding and the avails are extraordinary. It is just a matter of having endurance when the will to continue becomes impossible and unimaginable. The idea of struggle lies deep within the plot of the novel, The Old Man and the Sea and the motion picture, Life of Pi. In the novel, the old fisherman, Santiago spends a few days out at sea attempting to capture the fish of his dreams. He battles through pain, thirst and hunger in order to bring the Marlin to the shore. However, while losing his prey, he gains a priceless experience combined with pride, respect and

In the novel The Old Man And The Sea by Ernest Hemingway, there is a fish that the old man finally catches after 84 days, but is consumed by Mako shark’s in the process of reeling it in. Santiago, the old man, had a strong connection with the marlin even though he only saw him for a short period of time. They taught each other many things through a tug and war type of play. Catching a marlin fish was a goal of Santiago that he had been attempting to fulfill for a decent period of time, and after being persistent and patient, slowly but surely he was able to succeed. Many symbols in Hemingway’s novel have their own counterparts in my own life, which include a goal, hope, and idolization.

Authors all have different ways of displaying the inner turmoils of a protagonist in a novel. When displaying a complex quality of a character such as the torturing of a character's soul must be delicately executed. Ernest Hemingway, author of The Old Man and The Sea and Robert Pirsig author of Zen and the Art of Motorcycle Maintenance both take a similar metaphorical approach to conveying a tortured soul. A tortured soul has no definition but is seen as a character who is presented with a depressing tone. This character may make reference to a troubled past, while not mentioning a brighter future. Robert from Zen and the Art of Motorcycle Maintenance and Santiago from The Old Man and The Sea both exhibit these qualities.

In the novel The Old Man and the Sea, Ernest Hemingway uses the literary device of metaphors. Hemingway uses the metaphor of the ocean to symbolize life, and to depict the role that individuals play in life. Hemingway uses the metaphor of the lions to signify people who live their lives as active participants. The tourists in the novel represent the individuals, who in observe their lives and are not active participants. In the novels that Ernest Hemingway writes, he uses metaphors to reflect his life experiences and opinions. The ocean in The Old Man and the Sea is a metaphor, which represents Hemingway 's personal view of life. Hemingway believes that in life everyone must find their own niche and uses the metaphor of the ocean and the

Have you ever thought about how everything that you’ve accomplished and learned in your lifetime can eventually be forgotten about once you pass away? That all the knowledge you’ve consumed will no longer be passed around to help others? Ernest Hemingway explores this topic in his novel, The Old Man and the Sea written in 1952. Set in Cuba near Havana, the novel revolves around Santiago and his struggle to catch a marlin, the biggest fish he’s ever dealt with. Santiago’s only companion is Manolin, a young boy who Santiago taught how to fish.

Biblical is a type of allusion used in this book because the old man carries the mast up the hill to his shed and Jesus carried his cross up the hill where he got crucified.

succeed. He uses his hands and he uses his instincts to master the art of

Using the quick tests for locating errors, find the error in each of the two questions below. Describe the type of error, explain how you discovered it, and make corrections.

The purpose of life is to be happy; to seek a microcosm of something, and there find the slot where your piece fits. Once a person has become a part of something, happiness is achieved - and life is fulfilled; the priest finds the parish, the athlete finds the field, and the baker finds the bakery. Happily do they continue on with their lives, and to them, life is fulfilled. A haze of joy and mirth shields the everyday man from the reality of their insignificance; some admit it and manage on, but others crash and crumble under the weight of the truth: for what it is worth, the deeds of a man matter as much as the grime on a snail’s shell. This truth is not entirely grim; however, it does allure. Many have been drawn to find, for themselves, the truth of human worth. Existentialists focus on the question that is a concrete human existence, and the conditions of such existence; they do not dwell on a hypothesis for human essence, instead they stress that this essence is determined by an individual’s own life choices. Although humans live in the world, a distance is created in order to add meaning to the disinterested world; however, this meaning is fragile and can be disturbed by tragedy or insight. When this disturbance occurs, and humans’ precarious lives crumble, the true nature of the world is revealed; a nature that shows little importance for humans; this way of

     In the timeless novel The Old Man and the Sea, the hero is undoubtedly the old man, Santiago, whom us as readers become very acquainted with. Santiago is a hard-worker and perseveres through every problem nature brings to him. He is in the midst of a horrendous fishing drought, during which the townspeople laugh and ridicule him. Santiago just lets the criticism pass him by because he is confident that the fish of his lifetime is coming soon. In a sense, Santiago represents the ideas of honor and pride. He is also a hero to a young boy named Manolin who conveys the image that the old man is whom he would rather live