The Rise and Fall of Decadence Prominent American landscape painter through the Gilded Age, Thomas Cole, argued through his series of paintings The Course of Empire that authenticity may temporarily give way to decadence but when that occurs the natural course of empire will take place and decadence will without fail crumble. This notion of Cole believing that authenticity will overcome decadence is exemplified through his personal disagreements with human vanity, his pictorial style, and his influences. Thomas Cole produced paintings that embodied notions that were an antithesis to the developing ideals of consumerism and decadence in his time. Cole found solace in embracing the authenticity and spirituality of nature like many transcendentalists …show more content…
I want to pay specific attention to how Cole utilizes the complex binary opposition between light and dark as well as the juxtaposition of the colors green and beige to reflect the dichotomy between decadence and authenticity. The first painting in the five-part series is The Savage State (Fig.1) which depicts a place and time where nature is at its most pure form untainted by the follies of humanity. This notion of natural purity is exemplified by his composition balancing shadows on the left with light sky and shore on the right. Through balancing the light and dark he argues that this state of the Earth has the greatest natural balance; light and dark coexist but neither overpowers the other. Second in the series The Pastoral State (Fig.2) juxtaposes the first painting by having more lightness, greenness, and the introduction of a megalithic temple with a beige color. This juxtaposition exemplifies the notion the balance between light and dark is an indicator of natural harmony, and the color beige is an indicator human vanity. The Pastoral State(Fig.2) is lacking natural harmony but, it also lacks vanity so the empire depicted is still relatively ideal from the transcendentalist viewpoint. Following The Pastoral State(Fig.2) is The Consummation of Empire(Fig.3) which depicts an incredibly bright Empire composed of grand architecture and statues. Cole literally depicts the decadence of the civilization by covering it gold colored paint. He also progresses the notion that the beige color alludes to the natural imbalance of the Empire as well as an increase in human vanity. Eventually the imbalance must find a way back to balance and the empire crumbles in a dramatic fashion in Destruction(Fig.4). Once again, the light to dark duality is balanced and the green in the river battles the beige of the carved
I believe color, and in part lack of, is very important to this masterpiece. Cole colors the river valley light green and light brown to show vibrancy and cultivation of the cleared fields. He colors the forest dark green and eliminates colors in the shattered tree trunks and rugged cliffs to show the natural wonder of the untouched forest. These differences in color show how man is destroying the natural wilderness in favor of agricultural advancement.
Cole has no restrain in describing the beauty of all the elements found in the American scenery. He talks about the mountains, the sky, the streams, the sunset, waterfalls, all of which are overflowing in richness, full of magnificence, and unsurpassed by any other. For Cole the scenery and nature are subjects which must be present in the souls of every American. While he considers himself and even others underserving of “such a birthright”, he is thankful for the beauties given to us by nature. Cole suggests to his audience that the reason behind him painting natural scenes relates to the experiencing of a particular emotional response while doing so. This is a response which can only be compared to a “calm religious tone”, full of “tranquility and peace.” Witnessing the beauties of the American scenery, anywhere one goes, makes one realize how “the sublime and beautiful are bound together in an indissoluble chain. In gazing on it we feel as though a great void had been filled in our minds.” Cole places great emphasis on the importance for all members of society to learn how to cultivate “a taste for scenery.” This can be achieved by appreciating the physical beauty of nature and the ability of said beauty to provide mankind with a different perspective about life and with
The Gilded Age was a time where new prosperities and opportunities were forming after the end of the bloody American Civil War. The United States was able to rebuild itself after philanthropists started to help change the country into something superior and steered it away from the dreariness of the last few years. The ultra wealthy entrepreneurs of the time primarily were John D. Rockefeller, Andrew Carnegie, and J. Pierpont Morgan. These men were given the name “captain of industries” coined by Thomas Carlyle in his book, Past and Present, to describe compassionate and important men who made significant impacts on the nation and people of America. The wealthy industrialists of the late 19th century were “captain of industries” because they created new enterprises, they provided jobs for countless citizens, and donated to charitable causes.
From 1870 to 1900 era was called the Gilded Age, a time of immense growth in the United States in transportation, especially in railroads, American workers were paid higher wages than their peers in Europe. In this thirty year span the United States saw twelve million immigrants pass through her golden doors, 70% of these immigrants were English, Irish, and German. Crop failures (potato famine in Ireland), job shortages, and religious freedom were the motivations behind many immigrating to America. Newly arrived immigrants faced a harsh reality in America, employers took advantage of them, the men were often paid less than other native born men and the women were paid even less. Immigrants suffered verbal and physical abuse from employers and other employees because they were different. While researching my Italian heritage I learned that Italians, especially southern Italians were not treated well because they were hired as strikebreakers or scabs by mining and railroading companies. They were called derogatory names such as "dagoes or guineas". Newspapers of the time said the southern Italians were "intellectually inferior and having criminal tendencies" (Laura Teddy Turner, Demand Media n.d.) http://www.emmigration.info/us-immigration-tv
The late 19th century of American history is most commonly known as the Gilded Age, because of its attractive appearance, but underlying corruption. Popular themes during this period were greed and guile. This can most clearly be seen in the nature of city governments and political machine systems. Political machine systems were made up influential men preying on the vulnerable for their own gain. A shining example of this unethical system is Tammany Hall. Tammany Hall was a political force in New York City from its 1789 inception as a benevolent association to its infamous end in the early 20th century (Tammany Hall). Run by William M. Tweed, commonly referred to as Boss Tweed, this political ring gained its popularity by supporting immigrants and the lower class. Tammany Hall pushed for real improvements in hospitals, schools, and infrastructure (Burns). Although these examples are viewed as a good within the system, they are irrelevant and ineffective in the overall upheaval caused by Boss Tweed and his political machine. Tweed 's idea of city government and his political machine was a failure because it took advantage of taxpayers, used political graft and corruption to disparage the Constitution, and set a bad example for future political leaders.
A successful economy is perhaps the most key ingredient leading to a successful nation. An economy is a delicate balance of many different conflicting and coexisting elements. Naturally, an economy’s success can often be measured by the amount of wealth it contains, not to mention the effectiveness or ineffectiveness of its distribution of the wealth. Effective distribution of wealth is no easy feat. Wealthy and poor people will always need to coexist- this is an inescapable truth. The government’s job in many cases becomes that of a referee. Naturally, perfect peace and harmony between two totally different classes would be a utopia, and probably will never be completely achieved. A government must, therefore,
When you are young and even well into your adult years people will tell you there will always be somebody who is smarter, faster, happier, or better at something than you are. This is true for all periods of time but in the Gilded Age those who were better gained more and more crushing the people below them with unprecedented greed, corruption, and power. The few exploited the many by way of opportunity. Something our nation was built on, yet the avaricious elite used it for evil methods.
The St. Louis Art Museum has many intriguing pieces of artwork, but my eyes seemed to navigate towards Thomas Cole’s pieces. Research has shown that Thomas Cole was best known for his landscape art, but through the portal of America’s wilderness and it’s association of God. Nature, human life, and mortality were the key viewpoints
Daniel Ridgway Knight was an odd American artist who loved to paint relaxed French peasants in luscious landscapes. Ironically, he lived during a stressful time when the Industrial Revolution displaced numerous farmers and polluted the environment. He seemed to ignore the harsh truth and shut himself in his imaginary serene world. For instance, In the Premier Chagrin, translated as The First Grief, Knight paints two healthy girls conversing on a stone wall in front of gorgeous fields. At first, it appears as merely a pretty painting that is nicely contrasted to show depth and realism. Yet, with a closer look, this contrast in the colors and lines of the landscape and the figures creates tension to suggest the painter’s conflict between longing for serene freedom and feeling trapped within the stiff society.
To be gilded is to have an appealing quality which covers an unappealing quality. Throughout the late nineteenth century, several economic, social, and political advancements occurred, such as a rapidly expanding railroad industry, wealth spread throughout the country, and all time high voting turnouts. Meanwhile, the lower class expanded, children endured grueling working conditions, and political corruption occurred. The latter issues were overshadowed by the former economic, social, and political advances, causing the late nineteenth century to be called the Gilded Age.
The Gilded Age was the last three decades of the nineteenth century, when America’s industrial economy exploded generating opportunities for individuals but also left many workers struggling for survival. With the many immigrants, skilled and unskilled, coming to America the labor system is becoming flooded with new employees. During this period, the immigrants, including the Italians, were unskilled and the skilled workers were usually American-born. There was also a divide in the workers and the robber barons. Robber barons were American capitalist who acquired great fortunes in the last nineteenth century, usually ruthlessly. There was much turmoil throughout the business and labor community. Two major organizations, the Knights of
From 1865 to 1900, the American industry paved the way for an era like none that has been seen before. The country built and invented more supplies and materials than anyone had thought possible. Even though, this time in history seemed progressive on many fronts, it was known as the “Gilded Age”. The Gilded Age was a three decade time in America that involved an expanding economy and a useless government. The thought of going to an American city, getting a job, and getting paid was ideal to most outsiders. The problem was, once they arrived and found a job, it was not as wonderful as it seemed . It was called the Gilded Age because, from the outside, everything looked wonderful, but on the inside it was spoiled. During America’s
Throughout the history of the United States, the Gilded Age is regarded as a period that spanned the last three decades of the 19th century. This period starts from the Civil War came to an end in the 1865 up to 1900. The term Gilded Age was formulated by writers Charles Warner and Mark Twain in The Gilded Age: A Tale of Toady in 1873. They did this since they believed it to be an era that would be characterized by a variety of severe social problems that were camouflaged by a minute gold gilding.
The first American group of painters, The Hudson School of Romantic Landscapes, was lead by Thomas Cole, who was born in 1801 in England. He went to Philadelphia and Ohio as a traveling portrait painter in 1819. In addition, he traveled to Europe where he painted many Italian subjects, and later many of the scenes in his paintings came from his European studies. He died in 1848 at the age of 47. Cole’s artwork represents the Romantic style of painting, especially in his famous work The Oxbow (Fulwider 618). In the life and time around Thomas Cole, three things stand out. The major themes in Cole’s artwork, what was romantic about the Hudson River School’s art, and why landscape was a national religious symbol for Americans.
Cole’s first major painting, “The Course of the Empire,” was a symbolistic illustration showing the five stages of an empire; which were the savage state, pastoral state, consummation of the empire, destruction, and finally desolation. The different canvases display the relationship between man and