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The Rise And Fall Of Decadence In Thomas Cole's Gilded Age

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The Rise and Fall of Decadence Prominent American landscape painter through the Gilded Age, Thomas Cole, argued through his series of paintings The Course of Empire that authenticity may temporarily give way to decadence but when that occurs the natural course of empire will take place and decadence will without fail crumble. This notion of Cole believing that authenticity will overcome decadence is exemplified through his personal disagreements with human vanity, his pictorial style, and his influences. Thomas Cole produced paintings that embodied notions that were an antithesis to the developing ideals of consumerism and decadence in his time. Cole found solace in embracing the authenticity and spirituality of nature like many transcendentalists …show more content…

I want to pay specific attention to how Cole utilizes the complex binary opposition between light and dark as well as the juxtaposition of the colors green and beige to reflect the dichotomy between decadence and authenticity. The first painting in the five-part series is The Savage State (Fig.1) which depicts a place and time where nature is at its most pure form untainted by the follies of humanity. This notion of natural purity is exemplified by his composition balancing shadows on the left with light sky and shore on the right. Through balancing the light and dark he argues that this state of the Earth has the greatest natural balance; light and dark coexist but neither overpowers the other. Second in the series The Pastoral State (Fig.2) juxtaposes the first painting by having more lightness, greenness, and the introduction of a megalithic temple with a beige color. This juxtaposition exemplifies the notion the balance between light and dark is an indicator of natural harmony, and the color beige is an indicator human vanity. The Pastoral State(Fig.2) is lacking natural harmony but, it also lacks vanity so the empire depicted is still relatively ideal from the transcendentalist viewpoint. Following The Pastoral State(Fig.2) is The Consummation of Empire(Fig.3) which depicts an incredibly bright Empire composed of grand architecture and statues. Cole literally depicts the decadence of the civilization by covering it gold colored paint. He also progresses the notion that the beige color alludes to the natural imbalance of the Empire as well as an increase in human vanity. Eventually the imbalance must find a way back to balance and the empire crumbles in a dramatic fashion in Destruction(Fig.4). Once again, the light to dark duality is balanced and the green in the river battles the beige of the carved

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