The role and treatment of women is similar in both Homer’s Iliad and Euripides’ Trojan Women. Both works focus on women as passive and helpless people in the midst of war. Homer’s Iliad portrays the role and treatment of women during the war, while in contrast Euripides’ Trojan Women looks at the role and treatment of women after the war has been won. Both authors highlight that the women are treated less like human beings and more like objects for men.
Homer’s portrayal of female characters in the Iliad shows how women during the Trojan war were treated as mere objects, not as human beings. Homer emphasises this using the few female characters found in the epic, however, focuses on this from the male point of view. The obvious treatment and role of women as merely objects for man was exemplified by the argument between Achilles and Agamemnon in the first book. Agamemnon takes Briseis to replace his war-prize, but also as a lesson to Achilles, “I shall take the fair-cheeked Briseis, your prize, I myself going to your shelter, that you may learn well how much greater I am than you”. He dislikes that Achilles stands up to him, arguing against him, despite his obvious higher status as a greater king. Agamemnon shows no love or desire for Briseis, he simply wishes to take something of Achilles for himself. However, Achilles argues against the removal of Briseis from his possession, choosing to boycott fighting for the Greeks as a result, “With my hands I will not fight for the
In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.
The Odyssey, by Homer, was written with the Greek mindset that women were supposed to be submissive. If the woman in question was not submissive enough, she was depicted as cruel, selfish, a monster, or a whore. This is true for both mortal women, such as Penelope, and immortal goddesses, such as Calypso. Mortal women were expected to be good faithful wives who listened to everything the head of the household said, while goddesses were expected to follow the gods every order and were called sexist slurs if they ever got involved with a mortal man.
The Iliad and The Odyssey are tales written by Homer centered on the drama of the Trojan War. First poem deals with the time during the end of the war, while the latter, which occurs roughly ten years later, explains the disastrous journey of Odysseus fighting his way back home. The character of women in the Odyssey is to exhibit the many and diverse roles that women play in the lives of men. These functions vary from characters such as the goddess ' that help them to the nymphs who trick them. Women in the Iliad exhibit their significance in the lives of the ancient Greeks because they are so prominent in a world so dominated with military relations.
In The Iliad by Homer women in the Ancient World period were seen as possessions and property of men and consequently they were inferior to men. The Iliad begins in the 10th year of the war and starts off with Achilles and Agamemnon fighting over their war prizes, Chryseis and Brieseis. Chryseis’s father, priest of Apollo, asked Menelaus for his daughter back or he would pray to Apollo to send a plague to the Greek camp. Menelaus finally gives Chryseis back because
Women in The Odyssey desire power and equal opportunities, but strict gender roles do not allow them to achieve equality. An example of this is Queen Penelope. Her husband, King Odysseus, has been gone for 20 years and missing for 10 of those, and she's completely helpless against the suitors who have overrun her house. The intention of these suitors being is to marry Penelope (against her will) and take over the thrown. In book two Telemachus calls a meeting of all these men to share his exasperation and anger over the fact that all the suitors have been taking his cattle, wrecking his home, and longing after his mother against her will. Nobody spoke up, except for Antinous. He was a sly man who had discovered Penelope’s secret, and decided
For this informative report I will attempt to point out the roles women and how they are viewed in ancient Greece. I will then show how these views are present in Homer’s "The Odyssey." How are women, goddess or mortal, conveyed in "The Odyssey?"
Many people regard Homer’s epics as war stories—stories about men; those people often overlook the important roles that women play in the Odyssey. While there are not many female characters in the Odyssey, the few that there are, play pivotal roles in the story and one can gain a lot of insight by analyzing how those women are portrayed. Homer portrays the females in contradictory ways: the characters of Athena and Eurykleia are given strong, admirable roles while Melantho, the Sirens and Circe are depicted in a much more negative way. Penelope—the central female character—is given both negative and positive attributes.
Does Homer exhibit gender bias in the Odyssey? Is the nature of woman as depicted in the Odyssey in any way revealing? Upon examining the text of the Odyssey for differential treatment on men and women, it becomes necessary to distinguish between three possible conclusions. One, differences in treatment reflect the underlying Homeric thesis that women are "different but equal in nature," Two, different treatment of men and women in the text reflect a thesis that women are "different and unequal in nature" -- arguments about misogyny fall in here but a host of other interpretive possibilities are possible too. Three, the different treatment reflects simple ignorance. How much do we attribute what we discover to male authorship -- or
Homer’s epic, The Iliad, highlights the influence and jurisdiction that beauty provides. The prizes and glory a man accumulates from war measure his power, while beauty measures a woman’s power. Since conquering a woman is the ultimate prize to a man, her beauty represents ultimate power. Though the beauty of mortal women has the power to turn men against each other, mortal women have no influence over this power and are instead objectified by men. Immortal women, however, have authority over their beauty and are able to control men with their power. Helen, on the other hand, though mortal, has the beauty of a goddess. Yet, Helen is bound by her fate to Paris, making her power obsolete. By presenting Helen’s hopeless power and supplying the reader with insight on her suffering through her thoughts, Helen is portrayed as a tragic hero.
Women form an important part of the folk epic, written by Homer, The Odyssey. Within the story there are three basic types of women: the goddess, the seductress, and the good hostess/wife. Each role adds a different element and is essential to the telling of the story.
Women are important to the plot and overall theme of the Odyssey. In fact, without many of the women there would not be a complex plot to this epic poem. In the narrative and in Greek society women played a variety of roles, as mothers, herons, and many other strong roles yet, they were treated as less significant, and were made to be loyal and submissive to men. The women were required to wait on and sulk for love, as Penelope did for 20 years. In Greek society, the women had very little authority but the little control that they did have was sort of a sexual power, which at times they could use to outwit the men. Obvious examples of this sexual power would be Circe and Calypso. Calypso and Circe however, are not the
The Iliad and Odyssey present different ideals of women, and the goddesses, who are presented as ideal women, differ between the two epics. The difference in roles is largely dependent on power, and relations to men, as well as sexual desirability and activity.
The role of women in Greek literature has demoralized them and showing them in a maligned light. The women are portrayed as frail, cruel, insensitive, or as seductresses. These characteristics have been integrated into today’s society and [have] built the standards and defined the moral outlook of women. However, in Greek mythology, powerful and strong women are not as well celebrated, such as Athena. Homer’s The Odyssey construes the positive and negative role of women through the epic poem. The women in the poem are depicted through the contrasting actions of Penelope and the maids, in addition with the opposite personalities between the goddess Athena and the nymph Calypso.
Women in ancient Greece had very few rights in comparison to male citizens. Women were unable to vote, own property, or inherit wealth. A woman’s place was in the home and her purpose in life was to rear children. Considering this limited role in society, we see a diverse cast of female characters in Greek mythology. We are presented with women that are powerful and warlike, or sexualized, submissive and emotionally unstable. In many myths, we encounter subversive behavior from women, suggesting, perhaps, the possibility of female empowerment. While produced in an ostensibly misogynistic and oppressive society, these myths consider the possibility for a collapse of male power and the patriarchal system. In Homer’s epic poem The Odyssey,
Women have always been recognized for their strong influence on the actions of men. Because of his love for Delia, Samson told his secret of his power and ended up losing it. In Shakespeare's Macbeth, Lady Macbeth urged Macbeth to commit murder. More recently, Eleanor Roosevelt strongly influenced the decisions that Franklin D. Roosevelt made. Women of Homer's epic, The Iliad, were considered primary instigators of the Trojan war. The characteristics attributed to women in ancient Greek mythology may have been key to the outbreak of the war. But many ask why Homer would choose to reflect so deeply on the feminine roles of this war fought by men.