The Role Of Realism In 'If I Were A Man' By Charlotte Perkins Gilman

During the late 19th and early 20th century in America, the rise of Feminism challenged the traditional gender roles. The female authors of this time period represented realistic aspects of women’s struggles, which often reflected limitations from society and their own lives. The three female authors who advocated women’s struggles in their writings were Sojourner Truth, Willa Cather, and Edith Wharton. In the speech to the American Equal Rights Association, Truth reveals that women do not have rights to present their voices in the court. Cather addresses women’s devastating labor life after the marriage in “A Wagner Matinee.” Likewise, in “April Shower”, Wharton portrays men’s criticism upon economically successful women. American female authors of the late 19th and early 20th century demonstrates the ideas of Feminism by men objecting to representation in politics, prohibiting career over marriage, and criticizing economic self-sufficiency.

In this essay I will discuss and analyze the social forces that influenced American women writers of the period of 1865 to 1912. I will describe the specific roles female authors played in this period and explain how the perspectives of female authors differed from their male contemporaries.

Throughout the history of American Literature there has been a common theme of male oppression. Especially towards the end of the 19th century, before the first wave of feminism, women were faced with an unshakeable social prison. Husband, home and children were the only life they knew, many encouraged not to work. That being said, many female writers at the time, including Emily Dickinson and Charlotte Perkins Gilman, were determined to examine the mind behind the American woman, through the lens of mental illness and personal experience.

The American literary canon presents a one sided view of women, due to the dominance of male authors. Classic American books generally present images of women in a male-centered viewpoint, creating a biased representation of women in literature. In “Feminist Literary Criticism: From Anti-Patriarchy to Decadence,” Anne Barbeau Gardiner states that the American literary canon is “strikingly narrow…prepared by white men whose judgment was prejudiced and whose language was full of gendered meanings.” (Gardiner 395). Gardiner

Throughout American Literature, women have been depicted in many different ways. The portrayal of women in American Literature is often influenced by an author's personal experience or a frequent societal stereotype of women and their position. Often times, male authors interpret society’s views of women in a completely different nature than a female author would. While F. Scott Fitzgerald may represent his main female character as a victim in the 1920’s, Zora Neale Hurston portrays hers as a strong, free-spirited, and independent woman only a decade later in the 1930’s.

In an article titled, “Why I Wrote The Yellow Wallpaper”, Gilman talks about her personal experience with the rest cure, also denouncing the diagnosis as a whole. “For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond.”(Gilman). While this ailment would not be handled as heavily today, Gilman would actually be subject to the rest cure by Silas Weir Mitchel himself. Mitchel would tell Gilman to “live as domestic a life as far as possible”, “(to) have but two hours intellectual life a day”, and “never to touch pen, brush, or pencil again.” Like the fate of her stories protagonist, the treatment would almost drive Gilman

America witnessed the birth of the Women’s Rights Movement over 150 years ago with the Seneca Falls Convention in 1848. Since this historic event, American women have not ceased fighting for equality and free will in every aspect of their lives. While first-wave feminism involved suffrage and political equality, second-wave feminism combatted social and cultural inequalities. Despite limitations to their personal freedom, women have overcome adversity to advocate for and acquire a more equal position in society. Among these progressive women stands Zora Neale Hurston, whose works are viewed as essential to the continuum of American feminist literature. One of the first great American black female writers, Hurston refused to concede to

In Charlotte Perkins Gilman’s short story “If I Were a Man” she successfully shows the subconscious thinking of a young woman who wishes with her heart and soul she would become a man. The story is based on a young woman named Mollie Mathewson, who ends up becoming her husband due to her wishes to be a man. She then goes throughout the day as her husband, Gerald. “She was Gerald, walking down the path so erect and square-shouldered, in a hurry for his morning train, as usual, and, it must be confessed, in something of a temper” (Gilman 50). Gilman successfully brings this story to life by taking a third-person limited omniscient point of view, which allows us to see inside her innermost thoughts.

Gilman wrote her short story, The Yellow Wallpaper in 1892 after undergoing S. Weir Mitchell’s, a popular neurologist of the 19th century, “rest cure” treatment where she was to “live a domestic life as possible” (Perkins. 4). Through her short story Perkins utilizes gothic fiction, a type of horror fiction, to vocalize her private and personal traumatic experience so that no other woman would have to. The format of the story is written from the perspective of a woman with an unnamed nervous condition, who writes a collection of journal entries to record her daily thoughts, while she is being treated for her

Gilman’s most famous work was “The Yellow Wallpaper”, since it stirred quite a response from a large number of people. After its publication in 1890, families began questioning the “rest care” treatment and countless women were saved from the insanity it causes. Gilman herself stated in her short article “Why I Wrote The Yellow Wallpaper” that she was on the brink of insanity when she made the decision to

Prior to the late 19th and early 20th century, women were often criticized for deviating from what society deemed as normal. Women authors, as an attempt to avoid judgemental comments, often changed their name to resemble a male’s in order to get their books published. As a result of this action, many Americans were beginning to witness what females had to offer in the world of literature through their ideals of Feminism. Three authors who supported the Feminist message are Edith Wharton, Sojourner Truth, and Kate Chopin. In “April Showers”, Wharton exhibits the oppressive nature of males and their input on triumphant women. In Truth’s speech “Speech to the American Equal Rights Association”, she reveals the deep split between men and women economically. In “The Story of an Hour”, Chopin tells of a woman who was being oppressed in her marriage. American authors of the late 19th century reflected the ideals of Feminism by displaying male thoughts on successful females and showing female oppression; as well as demonstrating the wage gap between men and women at the time.

It is impossible to discuss the role of women in literature without mentioning the influence of feminism. The later in the timeline one reads, the more prominent it becomes. Each new wave of feminism brings with it its own goals, yet it also continues to strive for some of the same goals as past generations because not everything is accomplished all at once. Although “The Well of Loneliness” by Radclyffe Hall and “Rubyfruit Jungle” by Rita Mae Brown, are two starkly different texts that strongly reflect the feminist eras in which they were written, they have some similarities as well.

For centuries man has created this patriarchal society in which women have been treated as the lesser entity, having no sense of self-being or worth. These feelings led women to feel repressed in their everyday life. It was in the late nineteenth century when literary writers started to expose this female repression. Guy de Maupassant and Kate Chopin clearly express definitive examples of female repression in their stories, The Necklace and The Story of an Hour.

In the early nineteen century, women were not explicitly part of literature. they were used male pseudonym to publish their works. However, later in the century, there was a shift in women’s implication in literature. women began to be publicly recognized as writers, and they were using their writings to advocate for women’s rights and to reject stereotypes that were commonly associated with them. For example, in the early nineteen century, books and novels were mostly describing “piety, purity, submissiveness, and domesticity” as attributes of a good woman (Fortin). Writings by women were describing women that where rejecting values of the patriarchal society; women that wanted freedom and independence. The writings of Kate Chopin and Charlotte Perkins Gilman exemplify the features of the Feminist phase of female literary tradition. Published respectively in 1892 and 1895, “The Yellow Wall-Paper” by Charlotte Perkins Gilman and “The Story of an Hour” by Kate Chopin are the quintessence of feminist literature. They both used characterization, setting, ad irony to protest a misogynistic society and to request women’s rights and autonomy.

During Victorian era novelist had to develop ways to avoid posing as threats to the order of the society . Something which even make the look anti-feminist, but still many of female writers of that period are known today for their early feminist agendas embedded in their works. Elizabeth Gaskell was one of Britain’s best known female writers, She was a conservative women. Although she was not the part of “the women question” a movement started in mid nineteenth century and gave rise to what we today called feminism, But still