The Role Of Women In Hedda Gabler

Many of Ibsen's plays contain criticism regarding marriage, which portrays a dominant and complex female character that are generally trapped in unhappy and unsatisfied marriages due to the Victorian era traditions (Richard Chang and Richkie Chiu). Hedda Gabler (1890) is one of his well known plays, that contains a family's character with that role. Hedda plays the role of the primary female character, she struggles to find her spot in her new life, and adjusting to her dominant side, due to that she will never become

The desire for power is the main driving force for many characters. A power struggle is a common recurring event in literature, whether it is a character trying to escape someone else’s power, gain power for themselves, or both. In Hedda Gabler, the main character, Hedda struggles with having power over others and her position in society. Hedda has not only a struggle manipulating those around her, but also trying to free herself of those that try to “own” her.

While Puritan women are weak and dependent upon their husbands, Hester Prynne is empowered and self-reliant. A character designed by Hawthorne to show 19th century women that women’s work could be valuable, Hester supports herself and her daughter by needlework. “For, as the novel unfolds, the letter, intended by the Authorities to signify harsh but just condemnation, is made by Hester to signify something entirely different—able, admirable.” (Bell 109) All aspects considered, the ability of Hester, a woman who committed sin and was publicly punished for this crime, to manipulate this punishment into a virtue

The mind and mental processes can affect and shape human behavior. Some of the subtlest actions are outcomes of a person’s emotion, treatment, and provide underlying messages unknowingly exhibited and communicated. This occurs internally and is exposed through accidental or unintentional conduct. Hedda Gabler is an affluent European woman living a life of nobility and service. Pampered and easily neglected by her companions, she is unfulfilled by the amount of praise she receives in her household. Her strange and awkward behavior reveals the lack of foundation in her marriage. In Hedda Gabler, Henrik Ibsen uses stage directions to portray Hedda as a furtively vexatious, manipulative, and discontented woman trapped in marriage and in doing

Hedda tears down everyone throughout the play, with Lövborg and Brack as the only exception. After being born to a high standing family, her expectations of power are high, but due to her biologic form as a woman she is trapped and unable to take control, “because Hedda has been imprisoned since girlhood by the bars of Victorian propriety, her emotional life has grown turbulent and explosive” (Embler). However, after succumbing to marriage with Tesman, whom she only marries for money and respect, she loses her place in society as she, as a mere woman, cannot retain it. This slowly unwinds Hedda and eventually leads her on to her fatal path. By

Hedda Gabler is a play in which the author, Henrik Ibsen, demonstrates the heavy shackles of society and the burden it impinges on women through the words and actions of the protagonist, Hedda Tesman. Hedda is a woman living for her own pleasure. At twenty-nine-years-old and having been recently married, she is under enthused with her surroundings and yearns for titillating experiences. Obsessed with the aesthetics of the world, she wants to lead a poetic life filled with lust and luxury, yet is too frightened by what her Victorian values deem proper, to do so. Ibsen constructed a brilliant character that simultaneously arouses both sympathy and scorn from the reader through Hedda’s own words and actions.

One way these women are oppressed in the bourgeois society is by having their values and beliefs belittled by those around them. In Ibsen’s play, Hedda Gabler is belittled by having her fathers’ pistols taken away from her. Hedda takes pleasure in using her father’s pistols. After discovering that George Tesman, her husband, is unable to afford the things Hedda wants, she says, “…at least I’ve got one thing to amuse myself with. My pistols, George... General Gabler’s pistols” (800). However, her husband George Tesman immediately expresses his disapproval by saying, “No, for the love of God, Hedda, dearest, don’t touch those dangerous things.” Women are not supposed to associate themselves with pistols. Pistols contain masculine traits, such as power and aggression -- all of which a woman should not be in a bourgeois society. Not only does this reinforce the stereotype of femininity, it inhibits Hedda from her pleasures, which is oppressive in itself.

In Henrik Ibsen’s Hedda Gabler, the author reveals the oppressive qualities of minority groups who seek to express individuality rather than conformity. The most critical population that Ibsen chooses to address in the play are women living in Western Europe during the Victorian era. When considering Norwegian culture during the 1800s, Ibsen refers to his surrounding society as an environment where women are unable to look forward to anything other than marriage and motherhood (Lyons 164). Ibsen’s country is inclusive of issues relating to alcoholism, prostitution, exploitation, and poverty (Lyons 128). As a result, the only respectable lifestyle for many women is domestication. To confront these issues,

This passage from the denouement Henrik Ibsen’s play, Hedda Gabler, before Hedda’s suicide, is an illustration of the vulnerability and defeat of the impetuous and manipulative titular character. Ibsen develops Hedda’s character by uncovering details about the conflicts between Hedda and the other characters, Judge Brack, Mrs Elvsted, and George Tesman which highlight Hedda’s transformation from an individualistic to despairing individual, conveying the theme of freedom and repression in society.

Throughout past times, women have been assumed to be inferior to men. They were refused human rights such as education. Some civilizations view women as a surmised evil. Others believe women were to birth, attend worship, and agree with their husband. Nonetheless, the promoting of women’s rights in regards to political, economic, and social tolerance prevailed within society. Such feminists anticipated to fight for their power. One intent for the protest of inequality could have possibly resulted from the strict regulations of society put in place by the government. These regulations had a direct impact on the conformity of women. Women were directed to avoid self-loving reasoning, which led to the questioning of political and societal leaders. “It was an age in which the human intellect had taken a more active and a wider range than for many centuries before” (Hawthorne 154). This quote emphasizes the uprising of change in peoples’ minds regarding abuse towards women. Hester serves as the face of the crowd that thinks freely. She is unsatisfied with the destiny a puritan society has in place for. She demonstrates this by challenging the female role and attempting to reconstruct the patriarchal society she lives in. The other women that live in the town are shocked by Hester’s actions. This shows how they are afraid that if other women start acting out, the society structure

The reflection of women in literature during the late eighteen-hundreds often features a submissive and less complex character than the usual male counterpart, however Henrik Ibsen’s Hedda Gabler features a women who confines herself to the conformities that women were to endure during that time period but separates herself from other female characters by using her intelligence and overall deviousness to manipulate the men in her life and take a dominant presence throughout the play. Hedda challenges the normal female identity of the time period by leaving the stereotype of the “quiet, subservient housewife” through her snide and condescending remarks as well as her overall spoiled aristocratic demeanor.

Hedda has been interpreted as an “unreal, as a defective woman, as vicious and manipulative in nature, as a failed New Woman, or as a woman who is afraid of sex” (Björklund 1). She also could be seen as a woman who is afraid of sex or her own sexuality because homosexuality wasn’t accepted like it is today. According to Björklund, “Hedda’s masculinity defeats the dysfunctional masculinities of Tesman and Lovborg, but, in the bathe with Brack’s hegemonic masculinity, Hedda’s female masculinity becomes absorbed into the dominant structures. Hedda desires masculinity as represented by Brack—power and control—but, in the end, that masculinity is what kills her; she shoots herself with one of her father’s pistols, and her masculinity is absorbed into the patriarchy. Hedda’s masculinity is rejected, but what it represents—power and control—is mirrored by Brack, whose masculinity is reconstructed: he is the one cock of the walk” (Björklund

Hedda Gabler is a text in which jealousy and envy drive a woman to manipulate and attempt to control everyone in her life. The protagonist, Hedda, shows her jealousy in her interactions with the other characters in the play, particularly with Eilert Loveborg and Thea Elvsted. Because Hedda is unable to get what she wants out of life because of her gender and during the time of the play, her age, she resorts to bringing everyone else down around her. Hedda lets her jealousy get the best of her and because of this she hurts many of the people around her as well as ultimately hurting herself.

These feminists aimed to defend their silenced voices. One motive for the dissent of inequality could have resulted from the strict government regulation of conformity. Everyone was trained to evade individualistic thinking, which in turn, led to the questioning of leaders. “It was an age in which the human intellect had taken a more active and a wider range than for many centuries before,” (149). This quote illustrates the possibility of a change in people’s mind regarding the injustice towards women. Hester represents the story’s population that thinks freely. She is not content with fulfilling the pre-determined destiny of a silent wife under Christ, and demonstrates it by challenging that role and attempting to reorganize the archaic system in which she lives. The women of the town are outraged by her actions, demonstrating that they are afraid that if women start acting out of passion, the entire structure they depend on would dilapidate. Hester made it clear that it is possible to survive outside of prejudice, which is still exemplified today. She displays that the idea of feminism and the reasons leading up to it have not changed for decades.

Hedda Gabler - (married name: Hedda Tesman) Daughter of an aristocratic general who spoiled her. She’s used to a life of luxury in which she gets anything she wants. She is bored with her life because there’s nothing new for her to see or experience. She marries George Tesman so that she won’t be an oddball in society. She’s nearly thirty and realizes that she’s not getting any younger or desirable. He’s the only one of her suitors who grovels for her hand in marriage, so she chooses him. She immediately sees that she will be able to manipulate him into giving her anything she