The Seven Rooms In Masque Of The Red Death By Edgar Allan Poe

The author, Edgar Allan Poe, using illusion or misdirection keeps the reader is suspense throughout this story called "The Masque of the Red Death". Symbolism such as the colored rooms, the impressive clock, the feeling of celebration being at a party all makes this story feel like a fairytale. Poe used this fairytale style and converts it into a nightmare in disguise.

In “Mask of the Red Death”, Edgar Allan Poe uses setting and symbolism to deliver the theme that no one escapes death. The story follows the naïve and pompous Prince Prospero, and his feeble attempt to escape dying from the Black Plague. As the plague spread through his kingdom, the prince called one thousand of his closest friends to reside within the safety of the castle in order to seclude themselves from the horror and death going on outside. During the last months of their seclusion, the prince decided to hold a masquerade ball in order to amuse his many guests living within the confines of the rather odd castle. The dance takes place in a variety of unusual apartments within the castle, spaced apart so the guests would only see one room at a time. The apartments flowed east to west, each decorated in a different color and theme while following a pattern of blue, purple, green, orange, white, violet and finally ending in black. During the ball, guests enjoyed a dreamlike atmosphere as they danced through the many colored apartments, each of them avoiding the final black room. This final dark patterned room contained a large ebony clock which chimed eerily every hour, causing the party goers to pause their merriment for a few moments of uneasy silence. As midnight drew near, a new guest arrived, sporting a costume more ghastly and morose than any other. The mask he wore resembled that of a plague victim, and his clothes resembled a funeral shroud. Prospero became angry

In the story “The Masque of the Red Death”, Poe expresses the theme that death is inescapable or inevitable. He expresses this theme through rhetorical devices such as symbolism and allegory. For example, Prince Prospero’s chambers were allegorical because of the rooms’ arrangement which was from east to west. The east represents the beginning of life, while the west represents the end of life. The Darkroom, which was at the end of the hall, symbolized death. It was the room that the guests didn’t want to go in and eventually was the place that they were killed by the Black Death. Another example of symbolism is the clock which as a symbol of the time-lapse of life as a human being. It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony...and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour the musicians of the orchestra were constrained to pause, momentarily (Poe 374). This sentence expresses how compelling the clock is and how it attracts the attention of the masqueraders. The author also uses imagery to build suspense upon the reader. An example would be how the author describes the Red Death. His vesture was dabbled in blood-and his broad brow, with all the features of the face, was besprinkled with the scarlet horror (Poe 378). This describes the dreadful

Everyone fears their own death, thus why some people will do anything to escape it. In Edgar Allan Poe's short story, “The Masque of the Red Death”, this fear is experienced by all. In the story, a prince named Prospero and his people try to elude the Red Death through seclusion and isolation in the prince's abbey. However, no walls can stop death since it is unavoidable and inescapable. Throughout the story, Poe uses symbols such as the rooms, the masked figure, and the clock to convey the theme that no one can escape death.

“The Masque of the Red Death,” a short story by Edgar Allan Poe, tells the story of Prince Prospero and his futile attempts to prevent death. During his masquerade party, the prince notices an unusual figure, dressed as the Red Death, and, enraged at the sight of it, Prospero tries to kill it. Poe uses the seventh room, the ebony clock, and the Red Death itself as symbols of death throughout his story.

The fires in each of the suite rooms serve as a representation of death. Poe depicts

Edgar Allen Poe's, "Masque of the Red Death" also has many gothic themes. A bloody disease called the Red Death has ravaged a country. Prince Prospero thinks he can hide from this plague and throws a ball to celebrate his victory over it. First, Poe uses several words in this play conveying horror such as fatal, bleeding, blood, redness, and chambers, which are all clue to death.

He had published several other literary works, but these had not brought him fame and a reputation in the horror scene. With Poe’s writing of the poem, The Raven, with its darker setting and inclusion of death brought him more recognition from the general public as well as fitting into the gothic horror type of writing. The Masque of the Red Death, which is another of Poe’s short stories, had direct inspiration from Walpole’s novel, The Castle of Otranto, with its setting and ending to the plot. The Masque of the Red Death is set in an abbey owned by the main character, Prince Prospero, here all of the wealthy and powerful people go so that the Red Death can’t get to them. There are seven rooms which are all different colors, the last one being painted black with a scarlet light lighting up the room, giving the room a sense of being covered in blood, and in the corner a frighteningly white ebony clock. Very few people went into the room due to the room being “decorated in black and illuminated by a scarlet light, ‘a deep blood color’”, because of this combination these people were not brave enough to step into that room. Later in the story a figure comes in and wreaks havoc, Prince ended up chasing this figure only to find out that this figure is the Red Death itself, and when everyone comes to see who it is they end up dying soon after

Isolation is a main component in Poe’s writings. In “The Masque of the Red Death,” the Prince Prospero isolates everybody

“The Masque of Red Death” is considered an allegory because it is made of many different symbols, from the clock to the colors of the seven rooms. All of the forms of symbolism come together to make the short story. The allegorical meaning of “Red Death” is in fact, death. Even though there was a castle and a dagger to protect the Prince from the inevitable, he still died in the end with the rest of the characters. The allegorical meaning behind the colors of the seven rooms, are the stages of life. From blue being birth to black being the end, death, Poe illustrates to his readers that the castle is setup to include death even though that is something that is not necessarily wanted by Prince

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

The story your about to read about is the story of a horrible disease called the Red Death that is ravaging the countryside. It starts out with shooting pains, seizures, bleeding from all the pores, and then a slow painful death. And it all happens within half an hour. He writes tragedy’s and is widely known in the horror genre, but he is also known as a pioneer and the inventor of the modern detective story. Much of Poe’s writings are dark and weird and must of them are mysterious because that was what was in his mind some of his stories were very twisted and scary. Poe's main reason for writing "masque of the red death" is to create a growing sense of fear and dread in his reader. In the opening sentence and straight through to the dark climax.

Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is

As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.