A common trend you notice with faith-based movies is that many critics tend to be atheists that don’t like to be portrayed as the bad guys so they will normally dump on these types of films. Pure Flix Entertainment does have a tendency to be too preachy with titles like God’s Not Dead but here they have a film The Case for Christ which aims to tell a different story. Based on the book by Lee Strobel, an atheist award-winning investigative journalist goes into an in-depth research trip to attempt to disprove his wife’s newfound Christian faith. Nonbelievers can relax because there is no “us vs them” in this film but actually a film that focuses more empirical evidence to support faith rather than rustling your jim jams.Read more…
Set in 1980, Lee Strobel (Mike Vogel) is a journalist for the Chicago Tribune, while having dinner out with his family; his daughter chokes on a gumball and nearly dies. A local nurse is here to save the day to the delight of a grateful family. Lee’s wife, Leslie (Erika Christensen) believes that divine intervention saved their girls life and begins to turn to the Church. Lee, a hard-line atheist disapproves of his wife new venture and decides to embark on a quest to disprove Christianity by studying the death of Jesus Christ and debunking whether the resurrection actually happened.
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Vogel and Christensen display two roads of the highway to born-again Christianity. In the film, Leslie takes more of a leap of faith stance as she believes that the nurse that saved her daughter’s life was not there by chance but by an act of God. Lee is much more stubborn understandably so as in his mind, there is no way that Christianity can be legit. Lee becomes troubled by experts that he respects showing that he stance isn’t as bulletproof as he thought and then struggles to accept what’s in front of
During the early years of Hollywood, films had very few regulations on how they can be made. From 1922 till 1930, people were outraged at Hollywood that they have no rules on how they should make films. In response, religious groups were editing movies for their local communities to make them save for their standards. Eventually the government started to talk about enforcing rules that would censor Hollywood movies for the public. To stop that from happening, Hollywood enforced their own rules called the Motion Picture Production Code or the Hays Code.
Big Momma’s House (2000), Bad Boyzs II (2003), Ray (2004), The Blind Side (2009), The Help (2011), Lee Daniels’ The Butler (2013), Straight Outta Campton (2015), are Afro-American movies who knew how to conquer the spectators of diverse horizons. These movies each overtake $200 000 000 worldwide box office . Since the 90s, the American Afro cinema expands in terms of quantity of produced movies, numbers of entrances and touched the Blacks and the Whites. It is a member from now on the film painting. A lot of historians and film journalists agreed that Afro American movies became more profitable and also more popular thanks to Barack Obama.
Catching Faith is a Christian film that wrestles with concepts such as what is and isn’t
Because Hollywood Movies portrayed Muslims negatively, Muslims are disliked in the society. Therefore, Hollywood Movies contributed in formatting of a negative reputation to Muslims, and it led to racism against them
For over a century, Hollywood has given its audience a negative perception of Arabs. With its systematic dehumanization of minority groups, Hollywood has distinguished negative stereotypes of Arabs in their featured films. Most notably, filmmakers have indicated all Arabs as a public enemy. As reported by the article Reel Bad Arabs: How Hollywood Vilifies a People by Jack Shaheen, the stereotypes deeply ingrained in American cinema not only sabotages the targeted group but also gives unfavorable ideologies to those in other groups. Therefore, when certain people think of an Arab, the first thing that comes to mind is someone who looks different and is threatening. Because of the unfair treatment given to Arabs and other minority groups, Shaheen
The movies share a couple similarities although they are different. The main similarity between the two is the depiction of psychology of war on people. In Aguirre, The Wrath of God the opening seen is taking place with a large group of people, who seem to be content and are working well together. But as the journey goes on lives are lost, and people being to turn on one another. An example of this is seen when the horse is causing commotion on the boat, and the others steal the leader’s food when he walks away.
Larger social forces have very much shaped me into the human being I am today. As a Jew, I was born into a religion that has gone through much adversity. We are often stereotyped, and for this reason have been massacred throughout history. It is out ability to constituently overcome adversity that makes me so proud to be a Jew, and to represent my religion on my necklace everyday. It is what has made me want to attend a Jewish Day School, and have a Bar Mitzvah. It is what inspired me to go to Israel, and get connected with the holy land. It is what got me involved in BBYO, an International Jewish youth movement. It is what got me involved in community service and fundraising. Many of my closest friends happen to be Jewish, and
It is impossible at a time like this to act as if nothing is different, as if nothing has happened. The savage terrorist attack in Paris that left 129 people dead and 352 others wounded (nearly 100 of them critically) affects us all in ways we do not completely understand. Events like these remind us of the 9/11 attacks that took place on American soil, and we are taken back to the emotions we felt on that terrible day. Tragedies such as these also tend to erase international boundaries and petty differences and remind us we are allies of all people everywhere who pursue peace and justice and respect the innate sacredness of innocent human life.
“Saturday Night Live” (SNL) recently aired a fake movie trailer titled “God is a Boob Man” mocking Christians and as a parody to the faith-based film “God’s Not Dead 2.”
This photograph represents Hebrews 11:1 “Now faith is the substance of things hoped for, the evidence of things not seen.” (KJV) All of us in this photograph are Christian Women who grew up in the church. This was my mother and grandmother dream of us being educated women, now it has surpassed all their hopes and dreams. The reason I believe is because God is a big God. God will show you a life bigger than yourself. As student affairs professional, developing students, it will be my responsibility to make sure each student realized that social justice is all our responsibility. When one of us is oppressed we all our oppressed. Life is not about just me it is about all of us. Faith and God or in something bigger than yourself will play a very important role when life get difficult and sometimes it will. For me trusting in something bigger than myself like God gives me hope in the tough times in life when I feel more oppressed than privileged. In America the freedom to worship God openly is a privilege.
Amy herself represents another trope of the bad atheist–she is a mean spirited, materialistic, contemptuous person only concerned with worldly success and who persecutes Christians because deep down she envies their Christians’ hope and really wants to be saved. Or atheists are authoritarian bullies like Professor Radisson (Kevin Sorbo) who go beyond atheism to be dreaded antitheists, where antitheism is maligned as the wish for people to be forced not to believe in God rather than give them a choice like Christians do (and like God himself does). (Professor Radisson also gets to be a verbally abusive boyfriend who is dating a former student named Mina (Cory Oliver) whom he forces to call him “Professor” whenever they are on campus together.) None of the atheist characters are given any more nuance than their deep down pain and longing for Jesus. Amy’s cruelty
Despite possible misrepresentation of religions, the facts do not change. People of Christian faith have been persecuted by them. In 2010, in Mosul, a 55-year-old Christian father was shot down in cold blood. In that same year, in Dyie, Nigeria, thirteen more Christian villagers were massacred by Muslim raiders in an overnight attack, including a mother and two children burned to death. Victims also had their tongues cut out. In the city of Dogo, Nigeria, Over five-hundred Christians, mostly women and children, were hacked to death by Muslim raiders with machetes in a night-time attack on their village. The killers yelled 'Allah Akbar,' as they chopped. In Lahore, Pakistan, a Christian family is terrorized in their home by a Muslim gang. One
On December 23rd, 2016 a movie directed by Martin Scorsese was released in theaters. Since the movie premiere, there has been a whopping uproar in the religious community on the movie. One Christian believes that the movie portrayed Christianity as weakness (Roys, 6). While another person felt as though, “Silence transcends any simple definition and ascends to the realm of masterful beauty” (Goble, 6). The movie “Silence” is based on the 17th century Portuguese missionaries who traveled to Japan, to witness that Christianity was forbidden and people had to go underground if they wanted to praise their Lord and Savior (Peterson, 1).
The film was recorded on the island of Malta and was released in 2009. At that time and continuing into the present day, entertainment media contained a noticeable anti-religious sentiment. That sentiment is clearly expressed in this movie as religious people are consistently portrayed as stupid, unthinking, and
In a country where the non-belief in a supernatural creator is almost unthinkable, "Honor Thy Father" is very brave indeed. If director Erik Matti were a politician, this movie would be career suicide...although there is a running conspiracy online that the disqualification controversy concerning the film is caused by people who weren't enthusiastic about the portrayal of The Church of Yeshua.