The Snake: Iago in Othello Essay

You have told me she hath received them, and returned me expectations and comfort of sudden respect and acquaintance; but I find none” (IV, ii, 186-190). Roderigo started to see that Iago is cheating on him, but Iago is smart enough, and Roderigo is dumb enough for Iago to confuse him. In the second act during the party after the defeat over the Turks, Cassio becomes very drunk and easily taken advantage of. He then runs into the room where everyone is and attacks Roderigo. Montano intervenes and is then wounded by Cassio; Othello is forced to demote Cassio from his position of Lieutenant. With Cassio devastated he asks for advice from Iago, he then informs Cassio the only way to gain his position back is to talk to Desdemona. Cassio then leaves “good night, Honest Iago” (II, iii, 306). Shakespeare put in those two extra words on purpose; he is trying to show how Iago is already able to play with people’s minds and how manipulative he can be. Us, the audience knowing what Iago really wants to do, but Cassio puts trust into Iago with his position and future. The last person to believe Iago is honest and to trust him is Othello. Iago started to tell Othello of how Desdemona might be sleeping with Cassio, and how she is cheating on him. Othello does not believe him as there is no proof, “I’ll see before I doubt; when I doubt, prove; and on the proof there is no more but this” (III, iii, 190-191). Othello knows

Shakespeare is universally revered for his characterization of flawed and psychologically unstable protagonists. Hamlet is a crazed, murdering prince, Lear is narcissistic, senile, and a verbally abusive father, and Macbeth is a murderous traitor to his king and country. These unfavorable and evil attributes serve Shakespeare's main characters by presenting them as realistically written men, and there always seems a degree, however small, of sympathy associated with their respective downfalls and tragedies. Othello, however, is an anomaly.

Iago attempts to discredit Cassio is the eyes of Othello (II.iii). He enables Cassio to become intoxicated and then later Roderigo picks a fight with him. Othello finds Cassio at fault for the fight, which he seems to be at first glance., and removes him from his office. Even after it is done with, neither have any idea they were manipulated by Iago, but think he is a wonderful person, better, in fact, because of this incident.

Iago also knows that Roderigo will do anything for Desdemona’s love. Iago says, “Thus I do ever make a fool my purse” (1.3.355). Iago tells this to Roderigo which means that he is willing to manipulate anyone as long as he gives him jewels and money. This quote makes him look brilliant because he knows that Roderigo has a lot of money and will do anything to be with Desdemona. I agree when D. Madison says, “In Othello, he knows just what to say to sound innocent. Iago is the ultimate master of manipulation”. Iago uses his knowledge wisely and uses it to manipulate others for his own satisfaction, and knows how to manipulate them because he has analyzed them before, and that is what makes him so good at being evil. Iago is fully aware what he is doing and has no sympathy for anyone like he says himself; “And what’s he then that says play the villain, When this advice is free I give, and honest” (2.3.299).

Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.

Roderigo also plays as a pawn in Iago's plan when he is lied to by Iago about getting married to Desdemona. For example when Iago says to Roderigo, "Plague him with flies"(I,i,71). Iago uses this metaphor to manipulate Roderigo into going to Desdemona's father and telling him that his daughter is married to the Moor, Othello. Iago wants Brabantio, Desdemona's father, to dislike the Moor because Othello did not make Iago his lieutenant. Roderigo is told by Iago that if he tells Brabantio that Othello and Desdemona are married than Brabantio might get them divorced or break them up. This way Roderigo will have a chance with Desdemona and express his love to her. Another metaphor that helps Iago with his plan is "Thus do I ever make my fool my purse"(I, iii, 375). Iago had been convincing Roderigo that money can buy him anything, even Desdemona's love. Roderigo believes him, blinded by his love for Desdemona, and sells his land to get money for gifts. Iago had been using Roderigo for his money and none of the gifts and jewels Roderigo gave Iago to give to Desdemona actually reached her. Roderigo who is crazy about Desdemona gets so carried away with himself that he is too late to realize that he had been tricked and used for his money. Roderigo is deceived by Iago whom he trusted so dearly

8ahlmeier 5characters so well, Iago uses ethos to effectively ;udge which method of persuasion to use based on a character’s 0ualities, flaws, motives, and desires, and Iago’s relationship to him or her.Iago easily evokes "assio’s emotions through pathos. #e recogni%es the honorable and valiant virtues "assio e2hibits and uses these virtues to fashion "assio into a pawn. Iago, knowing alcohol to be the counteragent of "assio’s virtues, encourages the sport of drinking to the point where "assio rela2es his conduct and allows his emotions to overcome him, breaking out in a fight which causes him to forfeit his position as officer !II.iii.465-$. "assio has a strong desire for redemption and reinstallation, and Iago suggests "assio beseech

Roderigo argues that he deserves to take Desdemona's hand in marriage. His secret love for her drives him crazy inside at every sight he sees her and Othello together. During this Othello is described as an old black ram, "Even now, now, very now, an old black ram". Iago thinks that Othello is too old and that he will not be around with his job for long. The play would have opened up with this conversation in the dark.

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins

In act One, scene one we see Iago's conversation with Roderigo about Cassio being promoted ahead of him and how Iago believes that this is because of favourtism. This suggests one of many reasons why Iago plots against Othello. From this conversation we see that Iago is envious of Cassio being promoted ahead of him, and plotting against Othello as a means of seeeeking revenge. “I follow him to serve my turn upon him”. Iago believes that he

     Iago, the villain in Shakespeare’s Othello, is a round character of great depth and many dimensions. Iago works towards an aim that is constantly changing and becomes progressively more tragic. Yet, at times, "honest" Iago does actually seem honest. This essay will explore the complex character of "honest Iago.

William Shakespeare’s Iago is often thought of the devil in the story. As the villain, Iago manipulated multiple characters countless number of times, used his intelligence to slip away from problematic situations and to create illusions for many characters, as well as having dreadful intentions for reasons that don’t justify his purpose. For many viewers, this causes a stir of emotions, including hate, disgust, sorrow, and surprisingly, admiration for Iago. How can a man with Iago’s intentions and his cold-hearted soul could be admired in this story? Why should the audience applaud the villain, instead of looking-down upon with shock? In Shakespeare’s Othello, Iago‘s immoral character compels the audience to acknowledge his ambition through

How does one create the perfect villain for a story? What qualities are needed in such a character? A good place to start when constructing a villain is to look at William Shakespeare’s villain in Othello, a man called Iago. Iago is wonderfully devious. Throughout the play, he not only poisons Othello’s vision of Desdemona, he does this with no one, excepting Roderigo, the wiser. There are several reasons that make Iago such a terrifying villain. Shakespeare gave certain qualities to his creation that made Iago more than just a evil character. These qualities transform Iago into the truly insidious character seen in the play. From the beginning of Othello to the time that Iago is revealed as the culprit, everyone trusts Iago and looks to

    Who can compare in depth of evil to the villainous Iago in William Shakespeare’s tragic drama Othello? His villainy is incomparably destructive on all of those around him.