CHAPTER 1
ERHARD BODENSCHATZ AND THE FLORILEGIUM POTENSE
Lutheran church music in its first two and a half centuries can be characterized by the incorporation of a staggering variety of styles and musical genres. Plainchant, imitative polyphony, and chorale hymnody existed alongside one another, and composers such as Heinrich Schütz (1585-1672) and Johann Hermann Schein (1586-1630) were among the first to synthesize elements of Monteverdi’s seconda pratica with a fully German practice. Fruits of this multi-style crosspollination, whether a continuo based melodic-harmonic framework, polychoral textures, use of the solo voice or obligato instruments, all paved the way for the apex of this tradition, the concerted vocal works of J.S. Bach.
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Far from being an element that should be purged from the new forms of worship being developed at this time, Luther allowed for coexistence of both Latin and German. Latin was the language of scholarly writing and diplomacy, and to remove it entirely he believed would be detrimental to the education of youth at the time. In the preface to his Deutsche Messe und Ordnung (German Mass and Order of Divine Service) of 1526, Luther wrote:
For by no means would I have the Latin language completely removed from the divine service, as my chief concern is with the youth. If I could bring to pass that Greek and Hebrew were as familiar to us as the Latin, and offered as much good music and song, we would hold mass, sing and read on successive Sundays in all four languages: German, Latin, Greek, and Hebrew.”
Luther also acknowledged that building up a repertory of high quality German-texted music which could replace the inheritance of Latin hymnody would take considerable time. Referring to the Roman Liturgy in the Diet of Ausburg of 1530, Luther wrote:
“The best feature of these services is the fact that the fine seasonal Latin hymns have remained, although,
In 1522, Luther began to organize a reformed church and was the first to translate the New Testament into German. This New Testament sold almost 200,000 copies and created great appeal for Lutheranism. It allowed many Germanic people to read the Bible because it no longer required the people to know Latin. However, it did not reach everyone as many people were still illiterate. From its beginning, the reformation was tied to political affairs as it was supported by many German
In the Introduction of this document, Luther tried to coax the German aristocracy that the Pope was evil and that they should reliance in God. Martin spoke with anger when he proved his point about the pope and the church. Luther said, “Their malice and wickedness I will now, by the help of God, expose, so that, being known, they may henceforth cease to be so obstructive and injurious.” Luther tried to prove that the Church and the
Bach was able to convince the church and town government at Mühlhausen to fund an expensive renovation of the organ at the Blasius Church. In 1708 Bach wrote Gott ist mein König, a festive cantata for the inauguration of the new Council, which was published at the Council 's expense.
In the article “Why Do Lutherans Sing? Lutherans, Music, and the Gospel in the First Century of the Reformation”, J. Andreas Loewe discusses Luther’s use of music to spread the Gospel, and his influence on music in the Lutheran Church at the beginning of the Reformation. Loewe claims that regarding Luther’s passion for music, he was not only a skilled musician, but he “strongly believed that music was an ideal means to come to know and proclaim the mystery of God,” (69). Luther strongly believed in the changing power of music when combined with the Gospel
Luther was adamant that the church must begin and end with the Word of God and that Jesus was the Word made flesh.2 Luther believed that Jesus Christ created the Bible and the church and therefore it was impossible for the church to create the Bible because it was the inspired Word of God.3 The Bible was the one and only authority of the Church and nothing else compared. His beliefs lead him into conflict with the Catholics who believed that they had the authority over the church. Out of this belief in the Word of God came all of His other theological teachings such as salvation by grace, the sacraments of the church, the law and the gospel, and the cross.4 His belief that he did not have to work for God’s approval but that it was given to him freely by grace and this was a starting point for all of his other views to really take shape. In so doing this he found a boldness to stand up for his beliefs and went down in history when he nailed the Ninety-Five Thesis to the door of the Church at Wittenburg.5 There was new technology taking place namely the invention of the printing press and the world was growing and moving forward.6
It is a widely accepted fact that Luther never actually intended to branch off from the Catholic religion or go against the papacy. He wanted only to change and reform the Church and several of its practices, and he wanted the Bible to be accessible to the common man. To do this, he painstakingly translated the
Though many people may have been puzzled as to why he published books in German, not Latin, it was a smart move. Luther was aware that bibles, books, laws, and political pamphlets were in Latin. After all, only things written in Latin could be considered "serious literature." However, Luther was also aware that no one knew what the liturgies at mass were saying, what the bible was saying, or what laws were saying because only few could actually read and understand Latin. The educated, nobility, and high clergy were the only ones who could read it. So, Luther wrote in common German, which was spoken everyday. This amplified his ideas even more. In time, Latin would be lost and the bible would be published in every other
The second complete change that took place as a result of Luther translating the bible from Latin into German, was that people were given the power of knowledge of God’s words. People were no longer needing the translation of a priest in order to study and discuss the contents of the bible. The word of God became accessible in people’s homes and not only in churches through priests and
Many scholars deem the Lutheran Chorale as “one of the most thrilling chapter in the history of the Reformation”(H.G. Haile Luther; An experiment in Biography H.G. Haile,Author 1980;Doubleday & Company Inc Garden City New York ). Luther greatly appreciated older German hymns from the Middle ages, as can be seen through his works. Luther would find poets to write new hymns in what he deemed as a “proper devotional style”. Luther would often paraphrase Psalms in his hymns. In 1523 several of his hymns and those of his friends were printed and distributed in individual leaflets or broadsheets.
This paper will set out to explore the implications of what it means to be liturgical in our current time and space while considering the history of the church. More specifically, I will consider the role of music and how it can aid as well as inhibit a congregation’s worship life. To do such a task I will focus on issues related to cultural specificity, didactic and evangelical effectiveness, and catholicity and confessional faithfulness.
To combat his dilemma, Luther wrote his notable “Ninety-Five Theses,” in 1517. These publications illustrated by Luther would then be sent to the hierarchy of the church and would begin The Protestant Reformation. Thereafter, Luther was excommunicated from the church three years later in 1520. Luther continued to develop his movement through translating the Bible into German which would promote literacy and inspire a new denomination of his own known as Lutheranism. Luther inspired poor citizens of Germany to uproar. Many German princes sided with Luther and further pushed his ideology. As soon as the emperor of the Holy Roman Empire, Charles V, attempted to ban Lutheranism, the separation of the Christian Church finalized. Anyone who was not Eastern Orthodox or Catholic, had become known as a Protestant. This final division changed the face of European culture by not only putting into question the authority of faith, but also by challenging the authority of the Catholic Pope. New Christian denominations resulted from the split caused by the Reformation, which led to significant religious changes that also weakened the power of the Church.
At the beginning of the reformation, the viewpoint that started to develop was that anything which was not included in the bible could be regarded as insignificant and therefore permissible. For example, he noted that there was nothing in Scripture requiring celibacy and therefore permitted, in fact it is encouraged that preachers are married so that they aren’t tempted by sin. During the Reformation more emphasis was placed on the individual and the church’s interpretation was starting to be questioned. Luther describes in his Preface to the First Volume of His Latin Writings how he came up with his “solas” of salvation by soteriology by reading a sentence from the Bible. “‘In it the righteousness of God is revealed’ that had stood in my way. For I hated that word “righteousness of God,” which, according to the use and custom of all the teachers, I had been thought to understand philosophically…with which God is righteous and punishes the unrighteous sinner” (Hillerbrand 29). He had determined that people could not be saved by good deeds or sacraments but by “faith alone” or Sola fide. This meant that followers rejected some of the traditional teachings of the Church and resulted in a theological dispute with the Church. Furthermore, Luther thought of Scripture being divided into two parts “…that faith alone, without works, justifies, frees and saves; …Scripture is divided
Although there was only one instrument that I could hear (an organ), this service seemed to have a strong focus on music. Most of the time, a small choir or individual at the altar was singing in Greek, with occasional “readings”
J. S. Bach's B Minor Mass with its great chorale fugues, elaborately ornamented arias, and orchestral accompaniment, may very well be the greatest chorale work ever composed; however, liturgical music is ill conceived as a great art form. Accessibility is paramount and, at its finest, liturgical music remains natural, unpretentious, and
“Martin Luther wrote his “95 Theses” and challenged the church on the sale of indulgences in 1517”. Martin Luther argued that “the church’s rituals did not have the power to save souls and denied priests had any spiritual power” (Green). “Luther translated the bible into German and for the first time allowed common people to read the Bible without priests. This eventually lead to different opinions between people and their ideas about salvation and created different branches of protestant churches such as the Anabaptists, Calvinists, and other denominators Puritans, Quakers, Methodists, and Baptists”