The Struggle for Identity in A Doll's House

In Long Day’s Journey into Night, there are several characters that display the literary term “Naturalism”. Mary is a mother figure (one of the main characters) who was an extremely troubled individual, with conjugal issues, sibling oppositions, and substance abuse. This specific character was unable to move past all of her troubles, nor was she able to move past the fact of what others have done to her. For example, Mary being the drug addict has issues with her children who infected her other child with measles, who had died long ago. “None of us can help the things life has done to us”(O’Neill 1651). This quotation is an ideal example as to how the author made the characters in such a way where they have realized their life is set in a way that nothing will be able to change. In other words, the social and physical environment impacts on one’s life significantly, also known as Naturalism.

Nora’s refusal to stay in the marriage, however, does not give us a sense of a liberated woman. By the end of the play we are concerned for Nora as she leaves the warmth of the family home for the cold outside as a single woman since we have seen Christine so desperate to get into the ‘warmth’. This ‘warmth’ can be defined as being a person being accepted for fulfilling the gender roles which society constructs for both men and women. Women appear to be reliant on the existence of a husband in their life in order to have a respected status within society and therefore feel fulfilled. Christine feels unfulfilled without anybody in her life: ‘I only feel my life unspeakably empty. No one to live for anymore’ (9). Christine is an independent woman but we can see that she is unhappy at the fact that she has not met the social stereotype for her gender. She functions to show how difficult it is for a woman to survive on her own. Christine realises she will be far more comfortable and regarded better by society with a husband and we believe that she feels that any husband will satisfy the expectations of her gender better than being single. This explains why she settles for a dubious moral character. Faced with only two possible decisions Christine settles for the lesser of two evils.

In Henrik Ibsen’s A Doll’s House, Nora Helmer is a traditional “angel in the house” she is a human being, but first and foremost a wife and a mother who is devoted to the care of her children, and the happiness of her husband. The play is influenced by the Victorian time period when the division of men and women was evident, and each gender had their own role to conform to. Ibsen’s views on these entrenched values is what lead to the A Doll’s House becoming so controversial as the main overarching theme of A Doll’s House is the fight for independence in an otherwise patriarchal society. This theme draws attention to how women are capable in their own rights, yet do not govern their own lives due to the lack of legal entitlement and

visual description of naturalism within the story. In the story Crane uses many examples to show

Naturalism is a very intense style of literature that an author can use. With naturalism, the author is trying to convey knowledge acquired through the senses and experiences they them selves have been through. In the novel of Mice and Men, by John Steinbeck, he portrays elements of naturalism through his very own sights and experiences. During the depression John Steinbeck got a first hand dose of what it meant to deal with sordid aspects of life. Just like his book, he portrays his accounts using highly realistic settings, and brutal characters with foul mouths that deal with depressing issues of life. In the real world things happen, but in the world of Mice and Men, nothing ever seems to happen the way the characters hope.

Henrik Ibsen’s “A Doll’s House” is a controversial play focusing on the marriage of Nora and Torvald Helmer. The play is filled with symbols that represent abstract ideas and concepts. These symbols effectively illustrate the inner conflicts that are going on between the characters. Henrik Ibsen’s use of symbolism such as the Christmas tree, the locked mailbox, the Tarantella, Dr. Rank’s calling cards, and the letters allows him to give a powerful portrayal to symbolize aspects of characters and their relationship to each other.

Commonly, we see female characters in literature completely at the discipline of their male counterparts. However, some females challenge the notion that subservience to the patriarchy is absolutely ‘necessary’. A Doll’s House by Henrik Ibsen and Thomas Hardy’s Far from the Madding Crowd both create interesting female characters in Nora Helmer and Bathsheba Everdene respectively. Whether these women are truly either independent or dependent, is ambiguous in their pieces of literature.

A Doll’s House, by Henrik Ibsen, portrays a young married woman, Nora, who plays a dramatic role of deception and self-indulgence. The author creates a good understanding of a woman’s role by assuming Nora is an average housewife who does not work; her only job is to maintain the house and raise the children like a stereotypical woman that cannot work or help society. In reality, she is not an average housewife in that she has a hired maid who deals with the house and children. Although Ibsen focuses on these “housewife” attributes, Nora’s character is ambitious, naive, and somewhat cunning. She hides a dark secret from her husband that not only includes borrowing money, but also forgery. Nora’s choices were irrational; she handled the

The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate

Ibsen’s “A Dolls House” is a story about a wife who forges her father's signature to obtain a loan that can save her authoritative husband from a life-threatening illness. Unfortunately, her husband’s co-worker Krogstad discovers the forged document and threatens to reveal her which would bring shame upon both Nora and her husband. Krogstad’s motivation to blackmail Nora begins when he finds out Mrs. Linde is now an employee at the bank. Believing Mrs. Linde was hired to replace him, Krogstad need’s Nora to influence her husband to retain his position.

Towards the beginning of the Act, Nora adheres to Torvalds’ orders by asserting that her behaviour and actions are as so because “Torvald says [she] should” (37). Nora further praises him, “Torvald certainly knows how to make things pleasant about the place,” conveying his role as a dominant male figure in the society who dictates her actions and improves her life (37). However, as the Act develops, Nora is braver in terms of her use of a more inquisitive nature. This is presented as she questions Torvalds actions, “surely [he is not] serious” (43). This side of Nora exhibits a calculated independent and thinking woman. Ibsen shifts Nora’s initial focus from her wonderful life to an unfulfilled and dissatisfying struggle with her husband, created from the pressures exerted on her as a woman of the 1800’s society. Furthermore, Nora separates herself from her children and questions leaving them, portraying her thoughts of independence from her family. This is represented when she asks the Nursemaid if she “think[s the children] would forget their Mummy if she went away for good” (36). Ibsen conveys Nora’s encumbering independence by displaying her thoughts of leaving her responsibilities as a mother, and woman of society, behind. Furthermore, Nora is not the quiet, “pretty little pet”

In 1879 dramatist Henrik Ibsen released his social drama playwright based on critiquing the bourgeois marriages entitled, A Doll’s House (Davis, Harrison, and Johnson 1058, 1061). A Doll’s House addresses social issues and shows the progression of feminism in marriages still remains in today’s society and has since contributed and reproduced in television and films. The play being reproduced many times since the 1920’s was last updated in 1973, however Director Charles Huddleston plans to release his version of A Doll’s House later this year starring Michele Martin and Matthew Wolf (A Doll’s House). On January 17, 1904 dramatist and fictional author Anton Chekhov produced his masterpiece playwright based on the passing of the old order and

The representation of deception and social oppression through the use of symbols in Henrik Ibsen’s A Doll’s House

In “A Doll House” by Henrik Ibsen was created during 1800s time period. This play helps shine a light on the gender roles of the 1800s while also creating a twist that was uncommon for this period. During this time period, women were left home to oversee the domestic duties, while men went to commuted to work (Hughes). Men were seen as physically superior but morally inferior to women; which is also portrayed within this book (Hughes). This play marks the beginning of Henrik Ibsen’s realist period, which he explored the ordinary lives of small-town people (Kirszner and Mandell 881). This “modern tragedy” helped make Ibsen famous internationally because of the real-life story it captured (Kirszner and Mandell 882). Henrik Ibsen uses an array of literary devices to help keep the reader captivated from beginning to end. Three of the most prominent literary devices used by Henrik Ibsen are symbolism, foreshadowing, and an array of themes. These literary devices help transform a basic play into a complex story of lies and deception.

A Doll’s House was published in Norway in 1879 by Henrik Isben. He is known as the father of Modern Theatre. He is also referred as the father of realism. The play is very interesting because of the funny dialogue, the unique characters, and Ibsen 's view of the place of ladies in the public eye. The main characters of the play is Nora Helmer and her husband Torvald Helmer. Imagine what it would be like to live in a doll 's home? It 's a house in which you are controlled and have no energy to settle on any solid choice; It 's a house in which you are a play thing for another person 's amusement. This sounds a ton like an awful marriage, so it 's a house in which your husband holds the satchel strings, in a manner of speaking, and abandons you with no influence over your family 's accounts. In fact, your husband keeps you on a tightrope. Such is the perceived life of Nora Helmer.