Essay on The Superego Behind the Id in Ozymandias

Shelley’s poem and depiction of Ozymandias could be a symbolic way of promoting his views against the monarchy, as he depicts Ozymandias as a tyrant with harsh descriptions such as “a sneer of cold command” and mocks him with the juxtaposition of “king of kings” and “colossal wreck”. However, instead of obviously putting forward his views and risking negative exposure, Shelley distances himself from the poem with intriguing use of multiple perspectives. The poem begins with “I met”, a first person introduction, but quickly switches to the traveller’s perspective as Shelley depicts what the traveller saw. In this way, he subtly puts across his socialist views without incriminating himself through symbolism and distancing himself from the narrative. In this way, the poem presents two powerful rulers, with Ozymandias symbolising King George.

The life of a dominant king who got lost in the things of the world, resulted in him losing focus on his destiny through power and time. It is a battle between man and the natural world he faced. Percy Shelley’s poem, Ozymandias, demonstrates that no matter the position one holds, in time, power can be arrogant and ruling, but cannot ultimately last for an eternity.

Percy Bysshe Shelley wrote this poem "Ozymandias" to express to us that possessions do not mean immortality. He used very strong imagery and irony to get his point across throughout the poem. In drawing these vivid and ironic pictures in our minds, Shelley was trying to explain that no one lives forever, and nor do their possessions. Shelley expresses this poem’s moral through a vivid and ironic picture. A shattered stone statue with only the legs and head remaining, standing in the desert, the face is proud and arrogant, "Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read"(lines, 4-6).

Often through great literature, there is an epic hero. In the Odyssey, Homer tells the journey of one man’s journey home from the Trojan War. The protagonist of the epic poem Odysseus is often regarded as a great hero. However, Odysseus is not quite the glorious soldier that people often see him as. Odysseus shows that he is an antihero through his pride, disloyalty, and bloodthirstiness.

Romanticism is composed of several different themes, all of which are definitive of what Romanticism entails; one of the most prevalent and important of these themes is that of alienation, whether it be from oneself or from the world. Several poets in the Romantic period wrote on this theme, but one who imparted the most meaning in the fewest amount of words is Percy Bysshe Shelley in “Ozymandias.” Shelley tackles the idea of separate existence from yourself in a unique way: as opposed to the way William Wordsworth would tell his audience what they needed to do in order to avoid alienation, Shelley presents to his audience an example of alienation causing a person to fade into past. In telling the story of Ozymandias, King of Kings, Shelley

In this essay, I will compare and contrast two different sculptures from two different contexts of art. The first being an Olmec Colossal head (monument 1), from the context of “Art of the Americas,” and the second sculpture being ahead from Rafin Kura. The head from Rafin Kura comes from the context of “Art of Africa.” Both sculptures come from two different time periods and parts of the world. They also are both made with natural materials and have their own symbolic meaning.

The poem "Ozymandias" is one of the best sonnets of Percy Bysshe Shelley. In this poem Shelley described a mighty king who was striving in his whole life for his possessions and got involved in worldly assignments so much that he forgot his ultimate destiny. Beside this, Shelley reminds the readers of their mortality through the realization that our earthly accomplishments, so important to us now, will one day be finished. By drawing these vivid and ironic pictures in readers minds, with different symbols, Shelley was trying to illustrate that no one lives forever in the

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

In Ozymandias, the narrator speaks of an “antique land” that he’s travelled to and comes across a statue which is the King Ozymandias (who is the Egyptian pharaoh Ramesses II.) The structure of the poem is written in an petrarchan

Percy B’s poem “Ozymandias” captures the belief that the King’s words still remain powerful after all this time. The statue is surrounded by desert and is eroded and broken but the belief is still intact that he is powerful and mighty.

A poem about a statue that has far outlived its boastful inscribers, albeit shattered in pieces. This discrepancy is seen between the lines 10-12, “My name is Ozymandias, king of kings/ Look on my works, ye Mighty, and despair!/ Nothing beside remains. Round the decay…” Clearly, these people thought they were mighty and great, but instead, they are gone and all that remains are the shattered statues. When we die, we cannot take anything with us. It doesn’t matter how rich and important someone is in life; They are nothing but a memory when they are

The two sculptures presented for this assignment are the Statue of Gudea, which dates back to 2090 B.C. (“Statue of Gudea,” 2000) and The Royal Acquaintances Memi and Sabu, which dates back to 2575–2465 B.C. (“The Royal Acquaintances Memi and Sabu,” 2000). Both statues represent people; however, they depict different types of people from completely different time periods and cultural backgrounds. The Statue of Gudea shows the ruler of southern Mesopotamian, Gudea, whose reign was from 2144-2124 B.C. (“The votive statue of Gudea: A formal analysis,” 2011) sitting in a praying position with his hands locked and his eyes forward. He is dressed in what appears to be a lavish robe with an inscription that clearly depicts what Gudea thought of himself and his successes during his time as ruler. The Royal Acquaintances Memi and Sabu represent what is thought to be a married ancient Egyptian couple who are lovingly embracing each other. Aside from looking at

 The poem "Ozymandias" tells a story about a traveler, who reveals his or her story to the narrator of the poem. The author of the poem is Percy Bysshe Shelley. He keeps the interest of the poem by using constant sounds and images that are clear and concise, by supplying mystery with words that have more than one meaning, and by using a spectrum of words that capture the interpreters attention.

Shelley’s version of “Ozymandias” pays particular attention to the details of what remains of Ramses’s statue. Shelley conveys to the reader that no matter how powerful a ruler may be, their influence will fade with time. The description of what Babylon looks like when the poem was written gives the reader a clear

By calling himself “king of kings”, he alludes to God and believes he is greater than all other men. He ruled his kingdom solely on the fear of those beneath him. The intimidating language on the pedestal and the statue made for him display that Ozymandias possessed almighty power. To end the poem, Shelley writes, “Round the decay of that colossal Wreck, boundless and bare The line and level sands stretch far away.” As time passed, the sand literally destroyed the symbol of what was once the greatest man alive.