Marie de France, supposed author of the series of Lais, recounts her stories through short texts, which are centered on women and their place in the 12th century. There are several supernatural elements throughout her work, which are mainly and explicitly present in ‘Guigemar’ and ‘Yonec’. This can be defined as ‘events or things that cannot be explained by nature or science and that are assumed to come from beyond or to originate from otherworldly forces.’ It is not however the only narrative device she has used in her written pieces. It is with the combination of the supernatural with the self-propelled ship or the transformation of the hawk into a knight, and the natural, the symoblisation of the stick and the rossignol, that Marie de France explores human relations between her characters.
The supernatural in ‘Guigemar’ is evident right from the start when Guigemar’s fate is determined by his encounter with the talking doe. As all knights from the time, the young man was due for an adventure in which metaphorically refers to his need to mature, which meant in this case finding love. As he is confronted to the talking doe, a natural being with supernatural characteristics, he is cursed and confronted with the dilemma to find love, or to be forced into finding death, ‘De si ke cele te guarisse Ki suffera pur te amur’. His first reaction: ‘De ceo k’il ot est esmaiez’, proves to the readers that love is to him a foreign concept. ‘Commencat sei a purpenser En quell tere
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The
A medieval romance is a kind of writing that has a mysterious, supernatural setting, idealizes chivalry and courtly love, and may involve masking a character's real identity. Usually the hero of a medieval romance is a knight who takes an unusual challenge and whose triumph brings glory to the king and the nation. This paper will be an analytical essay, I will examine the writing “Sir Gawain and the Green knight” and show how it fits into the medieval romance genre.
Prior to and throughout the late middle ages, women have been portrayed in literature as vile and corrupt. During this time, Christine de Pizan became a well educated woman and counteracted the previous notions of men’s slander against women. With her literary works, Pizan illustrated to her readers and women that though education they can aspire to be something greater than what is written in history. Through the use of real historical examples, Christine de Pizan’s, The Book of the City of Ladies, acts as a defense against the commonly perceived notions of women as immoral.
The purpose of this paper is to introduce, discuss, and analyze the book "The Return of Martin Guerre" by Natalie Zamon Davis. Specifically, it will discuss the life of the peasant during the Middle Ages. This book is a fascinating account of a true case that happened during the 16th century in France. The book is also an excellent example of how the peasants lived in the Middle Ages, from what they ate, to how they traveled and what their family lives were like.
In the world of medieval literature the supernatural is a consistent theme, presented in extraordinary encounters, mysterious experiences and with magical objects such as potions, spells, and the prominent image of the green girdle of Lord Bertilak de Hautdesert’s wife in Sir Gawain and the Green Knight. Magic and the supernatural is seen as the driving force behind several narratives and acts as a method by which we might judge human achievement against that of a species that appears to be greater than us, akin to
Plot Summary: “Candide” is a tale told in a fast-paced series of episodic adventures. The opening chapter establishes the Edenic innocence of the background in which the protagonist, Candide, is raised. Leading a privileged, isolated existence in a Westphalian castle, Candide finds himself in love with Cunegonde, daughter of the Baron of the castle. He is also eagerly indoctrinated with Leibnizian optimism by his tutor, Pangloss, who, in turn, is in love with Paquette, the chambermaid of the castle. After openly showing his affection for Cunegonde, Candide, not being of noble enough blood, is promptly expelled by the Baron, and involuntarily sets out upon his own into the world. Candide’s first major adventure is his unintentional recruitment into the Bulgar army, which exposes him to the terrors of physical and sexual abuse, as well as the shocking violence of warfare. After managing to escape the army, Candide comes across a kind Anabaptist, Jacques, as well as Pangloss, who has been rendered
Marie De France’s Lanval is a remarkable short narrative that engages the reader into a world filled with unrealistic elements, but enhances on the true meaning of romance, chivalry and nature during the years that King Arthur reigned. “Sir Gawain and The Green Knight” unfortunately does not have an author that can be recognized but this epic poem demonstrates the ghastly adventure of a knight who decides to defend the honor of young King Arthur against a supernatural being in this malicious game of cat and mouse. Both of these pieces of literature have enchanting characteristics that define them as a masterpiece of their era and that’s why they both are easily compared and contrasted. In addition, both Lanval and “Sir Gawain and The Green Knight” can be classified as similar through their themes, style and plots, although they are different through their language and diction. Even though both of these literatures can be viewed as similar as well as contrasting, in the end, each of these tales have illuminated the realm of fantasy throughout the court of King Arthur.
Although the Lais of Marie de France may seem to be ordinary tales of knights and chivalry, each explores the complicated issues surrounding love, loyalty, and gender. Marie uses four stories in particular to make statements on the relationships between men and women of that time.
The main focus of the story is on Bertrande de Rols and her place in sixteenth century society, especially as a wife. At the age of nine, Bertrande was married to Martin Guerre who was a
Often times in literature the body becomes a symbolic part of the story. The body may come to define the character, emphasize a certain motif of the story, or symbolize the author’s or society’s mindset. The representation of the body becomes significant for the story. In the representation of their body in the works of Marie de France’s lais “Lanval” and “Yonec,” the body is represented in opposing views. In “Lanval,” France clearly emphasizes the pure beauty of the body and the power the ideal beauty holds, which Lanval’s Fairy Queen portrays. In France’s “Yonec,” she diverts the reader’s attention from the image of the ideal body and emphasizes a body without a specific form and fluidity between the forms. “Yonec” focuses on a love not
In her poem "Lanval," Marie de France shares a fantasy with her readers, telling the tale of a mysterious woman who journeys from a distant land to be with Lanval, a dishonored knight of King Arthur's Round Table. Marie's portrayal sets Lanval's mistress apart from the maidens and ladies in waiting at King Arthur's court, as she eclipses even Queen Guenever. Much like an editor of a modern woman's fashion magazine, Marie targets her audience of mostly aristocratic twelfth-century women. She describes a mysterious lady whose retinue, meadow pavilion, clothing, figure, cultured sentiments, deportment, and conduct depict her as a superior being. Lanval's mistress is a model Marie's readers
Furthermore, what would love be if one could not gather any satisfaction from this event? In The Lais of Marie de France the happiness of love is a very significant factor, it is the determination that drives the passionate relationships that flourish within the lais. In the story of “Laustic”, the lovers are never in physical acquaintance but seem to gaze at each other every night
An unlikely candidate to dispute the unfair, misogynistic treatment of women by men and society, Christine de Pizan successfully challenged the accepted negative views that were being expressed about women by the all-male literary world of her era. Part of Christine’s uniqueness stems from the time in which she lived, the middle to late 1300’s. The lack of a positive female role model to pattern herself after made Christine a true visionary in the fight for the equal rights of women. Her original ideas and insight provided a new and more intelligent way to view females. Pizan’s work, The Book of the City of Ladies, provided women much needed guidance in how to survive without the support of a man.
1 The Grail Quest in the Play At the Hawk's Well by William Butler Yeats A search for that which gives meaning to life has always occupied human minds. The ancient scholars, philosophers, writers and intellectuals devoted many years of their lives to find the answer. They created various theories – religious and philosophical – to explain the system of the universe and find the source of all things. On example of William Butler Yeats' play At the Hawk's Well and Chretien's romance Le Conte du Graal I shall show the way the both authors concern this subject. First, I shall give the historical background of the play and explain the symbolic importance of Cuchulain for Yeats. Second, I shall find and interpret the Celtic symbols in the play,
Gothic literature’s desire to explore the unknown, the unexplainable, inexplicable and the terrifying can be seen as a reaction to the Enlightenment’s emphasis on the rational and knowable. The Enlightenment rejected the belief in superstition, and religion. Reason, deductive logic, and observation were the methods of examining the world. A clash of these two approaches is noticeable in Otranto. The novel violates 18th century