Essay The Talented P.T. Barnum

     We will look into the life of James Brown. He is known for his music. In his life, he had to face many obstacles, but through determination, he changed his life cycle. We will touch on the influences in his life, developmental stage and theories that best fit his personality.

Similarly, in the 1920s flourishing American economy of flashy cars and ostentatious mansions and extravagant parties and overpriced attire, there are those who believe money is the key to glee. Gatsby, born into a family of “unsuccessful farm people” trades in his “torn green jersey” for a “shirt of sheer linen” and dedicates his life to amassing the fortune he believes will help him accomplish his dream (Fitzgerald 5.92 & 6.98). Deceit becomes his best friend as corruption murders his once innocent dream and meretricious promises replace his morals. He, to rise to the top and near his dream, cheats the poor, the people that are so much like his own family.

Willy, a 60 year old man who views himself as the greatest salesman of all time, sees himself as a hero and the man who provides for his family at all times. He goes on long roadtrips trying to bring in money for the household so they can achieve “The American Dream”, risking his mental health. As a result, others viewed him as a successful, and ambitious man that will risk any and everything to get to the top. Therefore, Willy tries to bring in as much money as be can, and he even tries to persuade his boss to give him better work, instead of traveling. Willy states, “I averaged a hundred and seventy dollars a week in the year of 1928!.” In other words, Willy is insisting a salary raise, and a non-traveling schedule so he continue providing for his family.

In both, The Great Gatsby by F. Scott Fitzgerald and Death of a Salesman by Arthur Miller, the main characters Jay Gatsby and Willy Loman manifest themselves in their illusions of success and popularity and are unable to face their bitter realities. Within both texts, this idea of false perceived success is portrayed. First, the character Gatsby creates an illusion of success by lying about his source of wealth. He does not want anyone to realize that he is not actually successful and has relied on illegal business in order to achieve the idea of wealth in the American Dream. This is evident when Tom Buchanan investigates Gatsby’s mysterious wealth and says:

F. Scott Fitzgerald’s famed novel The Great Gatsby incorporates many dynamic characters and situations into the world of the Roaring Twenties. Given the title, many readers will argue over whether the main character, Jay Gatsby, a mysterious man who throws elaborate parties, was truly great or not. The true definition of great is one who is selfless, pure of any illegal actions, and who doesn’t lie. Gatsby rebelled against all of these characteristics. Gatsby was selfish, committed illegal actions and lied about his overall past. Using these three reasons, one can prove that Jay Gatsby was not as great as some believed him to be.

In F. Scott Fitzgerald’s The Great Gatsby, Fitzgerald presents Jay Gatsby as an immoral man who acquires his wealth through corruption. He associates Gatsby with felonious characters such as Meyer Wolfsheim, who fixed the 1919 World Series. However, readers still receive Gatsby favorably. Although Gatsby acts dishonestly, he captures the reader’s sympathy because of his ambitious, romantic, and genuine personality.

During the 1920s, many people thought money was the key to happiness. They thought money could only have a positive impact on their lives and keep them content. However, these people neglected to realize the negative effects that wealth would have on both themselves and the large impact that it has on society. Amidst their joy, they were unable to see that and wealth does more harm than it does good. F.Scott Fitzgerald’s novel, The Great Gatsby, illustrates his perspective on the 1920s. This story takes place on Long Island in the Summer of 1922 and follows the life of narrator Nick Carraway and the many interesting encounters he has with his friends, such as Jay Gatsby as well as Tom and Daisy Buchanan. Fitzgerald is able to convey these negative

Fitzgerald displays Gatsby as man who came from nothing, with an unrelenting passion to obtain material success, or the 1920’s American Dream. Radical transformation was one of Mr. Gatsby’s most outstanding characteristics, taking his desire to change from the once impoverished man to the point of changing his name. Certainly Gatsby possesses admirable traits, as his will power is once again displayed through the longing for his lost love, Daisy. The misconceptions of the time period are illustrated as Fitzgerald displays that Gatsby’s underlying desire for money is to win over Daisy through impressing her with his wealth. Within Adam Cohen’s piece “Jay Gatsby Is a Man for Our Times”, Cohen discusses the worthiness of Gatsby’s goal: “The callow Daisy, whose voice is ‘full of money,’ may not be a worthy goal. But Gatsby’s longing for her, and his willingness to sell his soul to pursue her, are the purest thing in this sordid tale.” Essentially, Fitzgerald demonstrates that Gatsby, nor his relentless will to succeed, are not the issue. It is the time period, along with the misconceptions of a dream, which corrupt the character. Gatsby’s wealth is obtained through unethical ways, like many others who followed the path of easy money. The corruption of bonds does bring Gatsby the wealth he had always longed for, along with extravagant and lavish parties at his mansion. Consequently, we learn that reaching the goal of obtaining wealth ultimately does not lead to

F. Scott Fitzgerald, in the Great Gatsby, portrays the greed and dominance of the 1920’s upper class lifestyle through the novel’s antagonist, Tom Buchanan, who asserts himself into the high societal game of New York’s East Egg. Not only does he control gossip circulating, and disparages acquaintances, but he covers up any emotion with intimidation to raise his status; specifically, Tom willingly gains control of situations when he talks to his wife and friends, so he never has to be subordinate, advancing his own agenda.

Gatsby’s mentality of obtaining wealth through illegitimate means adds to the idea that such ambition results in a loss of human morals and identity. Jay Gatsby, once a poor farmer of the Midwest, transforms himself into a wealthy and charming man living amongst the rich in Long Island, New York. As a child, Gatsby dreams of a future where he will become someone better, more specifically someone richer. Over time, his wish manifests in him transforming himself into an entirely different person. In fact, Jay Gatsby is not even his real name, rather James Gatz. The truth is “that Jay Gatsby of West Egg, Long Island, sprang from his

Discovery can provoke contrasting ideologies of society to the audience. The Great Gatsby explores the corruption of what the American Dream had become by the 1920’s. It was perverted into a desire for wealth by whatever means deemed necessary; it is the mistaken fallacy that money would bring happiness. Set in the height of the Roaring Twenties in New York state, the physical advancement of obtaining the American Dream is personified by Gatsby. Through Gatsby’s character arc it is evident that he resolved to a life of crime

His appeals to common sense, the thrifty consumer and internet shopper are echoed across the advertisement, and the preverbal “icing on the cake” was a cynically patriotic ploy that mocked monopoly figures such as Cornelius Vanderbilt, all the while sarcastically promoting America’s affliction with creating new jobs:

Like Tom Buchannan, Gatsby, a son of poor farmer contributes to the decline of Franklin’s vision because he believes that money can solves all of his problems. Instead of achieving his wealth by “hard work, determination, and devotion,” Gatsby earns his wealth from doing illegal work. For example, “[Gatsby] and this Wolfshiem brought up a lot of side – street drug – stores here and in Chicago and sold grain alcohol over the counter” (Fitzgerald 110). Gatsby, whose

A blurb by Frank Lentricchia on the back of Chris Messenger's book calls it "a landmark in the study of popular culture." Most readers recognize academic hype and know that even the most cautious of scholars will risk indiscretion on a book jacket. But in this case the hyperbolic claim may be understated. Messenger's book is a phenomenon. I am at a loss to think what manifestation of The Godfather narratives (book, film trilogy, related movies, television programming), or what aspect of authoring, filming, marketing, or what theoretical perspective or intellectual framework Messenger overlooks in this comprehensive, intelligent, and definitive study of what is surely the twentieth century's most telling fable of the complex intersections of work and family in American

—frequency and location of exhibitions and the numbers who attend them; Popularity vs. income. In order to survive in our media based society, new elites today are those who reap the