The Tempest By William Shakespeare

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

A society consists of diverse cultures, looks, values, and beliefs. In a world with one predominant culture, those perceived as different from the norm are associated with negative images and treated inferior to the superior culture. The negative images associated with color, specifically blackness, has a detrimental effect on the victims who are racially stereotyped. The character Othello is a unique character in English literature, because unlike the other members of society, Othello is an outsider in Venice. He is a black man living in a white world, married to a white woman, and a leader of white men in battle. Othello is persuaded that his wife, Desdemona, is cheating on him, leading him to murder her. Some argue that because Othello was the typical black stereotype he killed Desdemona, but evidence suggests that Othello viewed his own racial identity as undesirable for Desdemona and killed her out of honor and self-hatred. Henceforth, the long-term psychological effects of racism affects an individual’s self-identity and his or her relationship with others.

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

In Césaire’s A Tempest one of the main characters, Prospero, decides to remain on the island with Caliban and live out the rest of his life there. He remains there because he thinks the island needs him to be its ruler. As time continues, we see the deterioration of his mind and body. He becomes feeble and weak. He appears to see opossums overrunning the island and he attacks them to "protect civilization". Prospero seems to be hallucinating, and because of this can be seen as a crazy old man who has reached the end of his life. However, in this paper, I will argue that the opossums and other things he experiences aren’t just hallucinations he creates from being in a weakened state, but actually the realization of what he 's done in the

Tragically, this pure, innocent love obsession more often than not, develops into a bitter and resentful obsession that will spite one or both parties. This is clear in Shakespeare’s Othello. Desdemona’s and Othello’s harmonious marriage is warped by the Machiavellian villain Iago, who is insanely jealous and obsessed himself. Othello finds true contentment in Desdemona; she truly comprises his ‘other half’, as a spousal cliché states. She provides serenity in the life of a soldier who has known war since the age of seven. Unfortunately, this serenity and this union is what Iago seeks to undo. Expert in his understanding, he seizes upon lines previously spoken: “Look to her, Moor, if thou hast eyes to see:/ She has deceived her father, and

Throughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of someone's unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the words of Iago. Even Emilia, Iago’s wife, tells Othello that Desdemona and Cassio are not having an affair and their interaction is business only, however; he does not trust her. Without Othello’s jealousy he would not have made these horrible decisions.

In Tempest, Caliban and Prospero are of contradictory natures. Their characteristics are notably different as well as other characters have different opinions and attitudes to them. However, both of them have the same master and savior Prospero.

Shakespeare’s retirement play ‘The Tempest’ mainly focuses on the used of power; the will to control over others. Power seems to be the main theme throughout the play as it is manifested by different characters either in a good way or as the case may be, bad. The protagonist Prospero is the main character that holds majority of the power, both magical and political. Tempest, which was written in the early 1600s, shows how characters like Prospero, Antonio and even Caliban plus others exert power over the weak and the willing. The significance of the different elements of power; Political power, Magical powers and most of all, the Power of Love is examined in Shakespeare’s The Tempest.

Desdemona, son of a Venetian senator, grew up as any privileged young girl would in the seventeenth century: obedient and submissive. Her mother and father, both loyal to each other, were her only exemplars of marriage and love. Thus, when she is swept off her feet by the valiant Moor of Venice, Othello, she naively dreams of an immaculate matrimony in which quarrels, dominance, and violence are absent. In Shakespeare’s Othello, Desdemona’s imprisonment by her domestic life gives rise to damaging innocence, causing her to be blind to guilt and desire a perfectly requited yet unrealistic love; she submissively forgives Othello’s every insult until her dying breath as a result.

entertain and to teach us a lesson about man 's control over the elements and

Both Desdemona and Daisy are repetitively referred to as objects by the male characters in the texts. From the offset Desdemona is continually objectified by the male characters. Both Rodrigo and Iago refer to her as belonging to Brabantio (her father) where she is aligned with his ‘bags’, Brabantio states that; ‘she is abused, stolen from me and corrupted’ (1.3.61). This highlights his patriarchal dominance, it seems that he is more concerned about his reputation, rather than his daughter. This would have been accurate and expected of a woman, as they were seen as the property of their fathers and husbands. Shakespeare structurally objectifies Desdemona through the symbolism of the handkerchief. The handkerchief in Othello and

Trust is often indicative of the intimate relationship between two people: husband and wife or two soldiers, for example. In Shakespeare’s drama, “Othello,” the main character and general of the Venetian army, Othello, is forced to choose between trusting his first wife, Desdemona, or his reputable honest ensign, Iago. Iago tells Othello that Desdemona is having an affair with Cassio, his lieutenant. Although he does not know of anyone more honest than Iago, Othello cannot easily believe that the women he so ardently loves would cheat on him and betray their marriage. Othello is forced to believe Iago’s accusations and punish Desdemona and Cassio or believe his innocent, fair wife. He decides to believe Iago’s false tale of Desdemona’s

“By my so potent art. But this rough magic I here abjure,”(V.i. ). Throughout Shakespeare’s play The Tempest, the main character Prospero refers to his magic, and it is through his magical abilities that the story is set in motion. In the play, Prospero controls characters and events, much like a playwright does. Shakespeare created Prospero as a guise for himself, through similarities in personality, manipulation abilities, and environment, to demonstrate and reflect on his literary abilities before bidding farewell to the theater.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

The Tempest by William Shakespeare was introduced during King James I’s time of power, in 1611. Although it was not then acknowledged as post-colonial work, it is evident now that post-colonial elements are present throughout the entire play. There are many events that occurred during Shakespeare’s time that are thought to be the inspiration of the play. Henry David Gray, in his essay The Sources of The Tempest said “it had been Shakespeare’s unvarying custom for many years to dramatize some story which had already been told, it is customary to suppose that he did not invent even the very slight plot about which The Tempest is built.” The discovery of Roanoke in 1584 ignited the period of colonization. Although this mission failed, Jamestown had been established in Virginia and the Sea Adventure was headed for the shores of the New World. During this trip, the Sea Adventure was shipwrecked off the coast of Bermuda. It is possible that this event had inspired Shakespeare in the writing of The Tempest.