to encode lessons for other women. After a while, Cary was unable to continue to fight society’s expectation, but in this exchange, she equips Mariam with her belief that women should not have to disguise their true emotions with false smiles and hidden messages to be accepted. Cary channels the struggle of female writers into Mariam’s relationship with Herod and plays out the decay of a writer’s passion with Mariam death. Throughout the play, Mariam fights with her beliefs and feelings about Herod
grievances, or aspirations. The platform women established through their writing allowed them to preserve a record of the mistakes they made and turn them into stories that would inspire other women to make better choices. With their writing, authors, Elizabeth Cary and Isabella Whitney motivate women to put themselves first so that they are not remembered as simply someone’s sister or someone who conforms to the desires of others. Much of the information that is known about Isabella Whitney has been gleaned
Aemilia Lanyer and / or Elizabeth Cary. The Tragedy of Mariam focuses on Elizabeth's Cary's desire to develop a platform from which women can speak, thereby offering a fuller understanding of women as individuals. By examining issues of public and private language, Cary shows her interest in female voices. As an early-17th-century female playwright, Cary was described by the Earl of Clarendon as `a lady of a most masculine understanding, allayed with the
In the play Tragedy of Mariam by Elizabeth Cary, we perceive Herod, the king, as a possessive man. During this time Herod highlights the importance of his throne in a Jewish society. Herod briefly appears at the end of the novel yet has a confounding impact throughout the novel and this proves the significant presence of his character to other characters. This is seen in almost all characters in the play, with Mariam and the thought that she could be killed, Salome and the idea that Herod can get
authors explored, analyzed, and detailed in reading, research, and extrapolation, few had come to interest me as particularly as Elizabeth Cary’s, The Tragedy of Mariam, The Fair Queen of Jewry. What has come to pique my interest in this specific work, is in trying to understand the underlying motif of the work, I have come to discover, and explore in my own writings, that Mariam is not only significant for having the first publicly published female playwright, but that the work brings into focus the domestic