The Tragedy Of Othello By William Shakespeare

Othello is a loyal, honest, brave hero, and he won Desdemona’s love with his own performance and the legendary hero life; however, his low self-esteem causes his doubt for himself about his black skin, age, and manhood, his rudeness, reckless, paranoid personality seized him and

Desdemona believes that Othello is, in fact, a noble for the heroic acts that Othello has performed. As Bell suggests: "It is the heroic character Othello has made for himself that achieves his success in his wooing. He makes Desdemona put aside the prerequisites of class and race assumed for her appropriate suitor" (4). Iago,

A “tragedy, for Shakespeare, is the genre of uncompensated suffering” (Dutton and Howard, 2003, p. 9). To really understand the play Othello is to truly understand a tragedy; thus, this researcher will analyze Aristotle’s view point and compare it to phrases (or quotes) from Shakespeare’s Othello.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

A tragedy is typically explained as a type of drama that displays pain and suffering, and where the main character, the protagonist, experiences a life changing event that alters his fortune from good too bad. William Shakespeare’s play, Othello, the Moor of Venice is classified as an Aristotelian classical tragedy based on the guidelines Aristotle sets when examining a tragedy. Othello is a general in the Venetian army, and the husband of Desdemona, and well respected by society. The play describes how Othello’s fate has an undesirable change in fortune, the reversal. In brief, Othello is portrayed as a happy, powerful man in the beginning of the play, and by the end of the play he endures pain and suffering from his own misfortune

William Shakespeare’s 16th century play Othello is a duplicitous and fraudulent tale set alternatingly between Venice in act 1, and the island of Cyprus thereafter. The play follows the scandalous marriage between protagonist Othello, a Christian moore and the general of the army of Venice, and Desdemona, a respected and intelligent woman who also happens to be the daughter of the Venetian Senator Brabantio. Shakespeare undoubtedly positions the marriage to be viewed as heroic and noble, despite Othello’s hamartia and subsequent downfall that inevitably occurs. Their marriage is then sabotaged by the jealous Iago, Othello’s ensign and villain of the play. While Iago’s ostensible justification for instigating Othello’s demise was his failure to acquire Othello’s position as lieutenant, Iago’s motives are rarely directly articulated and seem to derive from an obsessive, almost aesthetic pleasure in manipulation and destruction. Through the genre of the play, being a Shakespearean tragedy, and the structural devices employed by Shakespeare such as plot development, exposition, foreshadowing, dénouement, dramatic excitement, and catharsis, the key ideas of jealousy, appearance vs. reality and pride are developed and explored.

The renowned play of Othello was written by William Shakespeare in the 17th century. The drama follows the life of Othello, a well-respected and admired Venetian general, and the lie he gets tangled up in. Othello is deceived by his “trustworthy” friend, Iago, who confidently convinces Othello that his honest wife, Desdemona, committed infidelity upon him with his honorable lieutenant, Cassio. At the start, Othello doesn’t quite believe Iago because he knew his wife would never do such a thing. Although, as the play progresses so does Othello’s trust in Iago. The audience is able to witness Othello’s mental deterioration and Iago’s personal motive for the deception. Towards the end of the tragic play Othello confronts his wife and mistakenly smothers her. Everything starts to fall into place, but not exactly the way Iago had in mind. Othello would be considered a tragic hero due to the fact that he had his entire life ahead of him, but it unfortunately falls apart because of his easy to manipulate personality, insecurities, and emotional vulnerabilities.

On the face of it, Othello seems to be the tragic hero of the play. However, it can be argued that Othello is shown to be a proud man who eventually becomes a beast, a murderer and hence in a way fulfils the prejudices with which his enemies brand him. They also argue that Othello is portrayed as devious because he 'steals' Desdemona from Barbantio and then announces he has a clear conscience,

Aristotle states that a tragic hero, “first, and most important […] must be good” (Aristotle 6). He further explains that, “any speech or action that manifests moral purpose of any kind will be expressive of character: the character will be good if the purpose is good” (Aristotle 6). Othello’s goodness is displayed when he defends himself from the accusations made by Senator Brabantio about his recent marriage to Desdemona, Brabantio’s daughter. Brabantio argues that Othello, “practiced on her with foul charms, abused her delicate youth with drugs or minerals that weakens motion” (I, ii, (line number)). To which Othello responds, “she loved me for the dangers I had passed, and I loved her that she did pity them. This only is the witchcraft I have used” (I, iii, (line number)). Othello justifies his actions by stating that he told her about the stories of his adventures which won Desdemona’s interest and love. This speech portrayed Othello’s good character, which Aristotle mentions as a requirement for a tragic hero. The second requirement noted by Aristotle for a tragic hero is that he/she must be, “highly renowned and prosperous” (Aristotle 4. Othello despite being black is a successful general in the Venetian army and is well respected by everybody. The Duke of Venice and the Senators refer to him as “valiant Othello” (I, iii, (line number)). His high status is also noted when the Duke asks him to go to Cyprus, “Othello, the fortitude of the place is best known to you, and though we have there a substitute of most allowed sufficiency, yet opinion, a sovereign mistress of effects, throws a more safer voice on you” (I, iii, (line number)). Even though Montano, the Governor of Cyprus, is present there the Duke still trusts Othello with its protection, indicating that he is highly respected by the Duke. Finally, Aristotle notes that for a tragic hero to exist, “The change of fortune

Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Throughout the play,

Othello, the Moor of Venice is one of the major tragedies written by William Shakespeare that follows the main character, Othello through his trials and tribulations. Othello, the Moor of Venice is similar to William Shakespeare’s other tragedies and follows a set of specific rules of drama. The requirements include, following the definition of a tragedy, definition of tragic hero, containing a reversal of fortune, and a descent from happiness. William Shakespeare fulfills Aristotle’s requirements in this famous play.

In the beginning of the play, Shakespeare illustrates Othello as a benevolent military noble who shares an intellectual love with his young wife, Desdemona, that is of utmost purity and innocence. At once the evil character of Iago is introduced and uncovers the hero's tragic flaw; ultimately that of naiveté. Although Othello is usually a very even-tempered man, as can be seen when he refuses to let Iago persuade him to get angry at Roderigo, (I, ii, 6), an exteriour opposing force characterized by Iago, perpetuates the tragedy of the play by provoking the interiour opposing force, or the hamartia of the protagonist. Near the beginning of the play, Shakespeare's clever demonstration of dramatic irony allows the reader to realize Othello's tragic flaw in the fact that he hands his full trust over to a man who is "Janus-faced" and dishonest. "...my ancient; a man he is of honesty and trust. To this conveyance I assign my wife". The irony from this line lies in Othello's misconception of his ensign, Iago, who is already plotting against him for his own means. After witnessing Iago's conspiracy with Roderigo at the ruination of Othello in the previous act, the reader immediately sees Iago's villainess, however in innocence, Othello is blinded to it and by it. From this we see, as in many tragedies, the tragic hero's flaw is not actually a defect in itself, but rather an excess of a virtue. In the case of Othello, this perilous virtue

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

Othello is a military hero, widely respected and admired by most. Even his enemies have a grudging respect for him. He has taken the loveliest lady as his bride, and has a seemingly great life. He is seen as a very good man, as proven by the words of the Duke of Venice: “..If virtue no delighted beauty lack, your son in law is far more fair than black.”(Page 47, Line 285-286). Despite all this, Othello does have a fatal