The Tragic Flaw Of Sophocles ' Antigone

hamartia or tragic flaw is a predominant motif that can be seen throughout many works from the Ancient Greek time period. Hamartia means to “miss the mark” (Merriam-Webster) and is often what leads to the demise of the tragic hero. In the play Antigone by Sophocles, this proves to be true (comma or this idea proves to be true) as the tragic flaw of hubris leads to the downfall of two central characters. Hubris is known as a sense of great pride and through Antigone, Creon and Antigone are shown to

Creons Flaw Throughout the history of tragic novels all heros have a fatal flaw that later leads to their downfall. In the story Antigone by sophocles, Creon the new king of thebes, has a fatal flaw which ultimately leads to his own destruction. Creon’s fatal flaw is his pride or hubris he is so concerned about being respected by the people of his city he refuses to listen to others or break a law in order to protect his people and is in denial of basic human feeling and morals. this is shown when

In Sophocles’ Antigone, the protagonist, Creon, serves as a great example of how recurring themes, such as the realization and recognition of a tragic flaw (hamartia), cause the downfall of the powerful in Greek literature. Sophocles is effective in portraying the concept of hamartia as an essential component in Creon’s downfall and, based on Aristotle’s characteristics of a tragic character, able to create a character that can be accurately and easily identified as the significant tragic character

person that has a flaw. By this flaw, the audience should feel pity and fear. Creon, a character in the Greek tragedy “Antigone”, resembles a perfect example of a tragic hero. This play was written by Sophocles, a historic playwright during the 5th century. It begins with the illegal burial of Polyneices, Antigone’s beloved brother. Creon, the King of Thebes, is coerced to condemn his niece Antigone to death. Being loyal to his city, Creon follows through with his punishment of Antigone. By doing so

tragedy Antigone, the characters Antigone and Creon can both be thought of as the tragic hero of the play. Though Antigone does show some of these characteristics of a tragic hero, Creon demonstrates the attributes more clearly and concisely. Creon is the King of Thebes, as well as the uncle of Antigone. Creon took the throne after a tragic quarrel between his two nephews, Eteocles and Polyneices. Despite his harsh governing and his crude ideals, he is not good or bad. Creon is the tragic hero of

In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when

Antigone, a play that Sophocles wrote exhibits a tragedy. Several factors determine whether or not Antigone could be put under the category of a tragedy. Greek tragedies consist of three elements: the play includes a catastrophic and inevitable resolution; the protagonist, Antigone, causes all the problems; and finally, the tragic hero must have a tragic flaw or hamartia that leads to the catastrophe. To exemplify a Greek tragedy or drama, Antigone must correspond with the three principal characteristics

Creon is the Tragic Hero of Antigone   When the title of a play is a character's name, it is normally assumed that the character is the protagonist of the play. In Sophocles' Antigone, most people probably believe Antigone to be the tragic heroine, even after they have finished watching the play. It may be argued, however, that Creon, not Antigone, is the tragic character. When we examine the nature and concept of the Greek Tragedy and what it means to be a tragic character, it becomes clear

Antigone - The Tragic Flaw                 Antigone, Sophocles’ classical Greek tragedy, presents tragic flaw as the cause of the destruction of Creon, the king of Thebes. This essay examines that flaw and the critical perspective on it.   Robert D. Murray, Jr. in “Thought and Structure in Sophoclean Tragedy” gives the perspective of the Greek audience, and thereby the reason why there has to be a tragic flaw in Sophoclean tragedy: “A Greek of the fifth century would, of course, have

“There's nothing, no pain, our lives are paid, in private shame, no public disgrace, nothing I haven't seen in your griefs and mine”(Antigone 1-8). The Burial at Thebes is a version of Sophocles’ Antigone translated by Seamus Heaney. Antigone is a tragedy by the ancient Greek playwright Sophocles written around 442 BCE. The civil war is over. After the tragic death of the Oedipus, everyone would take the throne from one year to the next. Creon orders Eteocles to be buried with full honors, while