The Truth In The Things They Carried

In “The Things They Carried,” by Tim O’Brien the theme of “carrying” both physical and emotional objects by the main characters can be found in the novel. While these men carry the same standard physical army gear, they differentiate with personal tangible and intangible items. From Lieutenant Cross’s responsibility of his men, to Henry Dobbin’s girlfriend’s pantyhose for its magic, each man faced the war with these things attached.

One example of when the author causes us to be unsure of the truth is when he talks about the vietnamese man he killed. Then we find out that it wasn’t O’Briens fault from Kiowa to leave us in an even more confused state. He wrote this because he wanted to describe to us that even if he didn’t kill the man, it felt like he was responsible, because in a way he felt like the mysterious man was him. This particular event increases our understanding of the story because this is what it felt like to be in the war. You would blame yourself for the death of a fellow soldier or imagine your own self dead.

The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot

In The Things They Carried by Tim O’Brien, O’Brien uses many short stories to describe his experience in Vietnam. The story that captured many aspects of writing was “How to Tell a True War Story” because it acts as a guide to writing a true story. O’Brien uses many different rhetorical strategies, narrative techniques, and establishes a theme in this story to help develop his characters and story line.

This quote helps O’Brien to portray the theme of motivation by shame. Curt Lemon fainted in a scene before the last one where he got a good tooth pulled out. He was afraid of the dentist that was on sight, and because of this he was embarrassed because he fainted. He didn’t want to face the other guys because he knew that they

     In “How to Tell a True War Story” O’Brien explores the relationship between the events during a war and the art of telling those events. O’Brien doesn’t come to a conclusion on what is a true war story. He writes that one can’t generalize the story as well. According to O’Brien, war can be anything from love and beauty to the most horrid

“War is hell, but that’s not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.” (80)

All primary sources are subjective; they are based on the source’s recollection and how it is remembered in their own memory. The importance of storytelling is one of the main premises in the Things They Carried. Telling a story is an illustration of memory, and memory is prejudice. "By telling stories, you objectify your own experience. You separate it from yourself. You pin down certain truths" (158). Each soldier is going to have different memories, but most of their experiences are so similar they seem to form a universal truth and a collective memory of all their stories.

The text, ‘The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. ‘The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war

Telling a war story will be changed for everyone depending on their experience and the different wars they been to. In The Thing They Carried telling a true war story is different because O’Brien says that it needs to be a heroic and noble and very specific “In any war story, but especially a true one, it’s difficult to separate what happened from what seems to happen. What seems to happen becomes its own happening and has to be told that way. The angles of vision are skewed” (pg.67-68) it shows how O’Brien wants to impress the audience with his stories that makes one wonder if it is real or not. He wants to sound heroic which makes part of the purpose of the story, his side

In the novel The Things They Carried by Tim O'Brien the author tells about his experiences in the Vietnam war by telling various war stories. The quote, "It has been said of war that it is a world where the past has a strong grip on the present, where machines seemed sometimes to have more will power than me, where nice boys (girls) were attracted to them, where bodies ruptured and burned and stand, where the evil thing trying to kill you could look disconnecting human and where except in your imagination it was impossible to be heroic." relates to each of his stories.

     According to the author Tim O’Brien, people tend to readily accept the ‘facts’ presented of what happened during a war. People do not consider the existence of fallacies regarding the actual stories of what happens in wars, few consider that the ‘facts’ of an incident often change through people’s words. The film ‘Saving the Private Ryan’ by Steven Spielberg features both facts and seemingness part of the war story. Since it is so difficult to fully describe a war using human language, Spielberg ended up revising his stories to make sense out of it. Spielberg included parts that did not occur or exclude parts that did occur in order to make their stories seem more credible. According

"The difference between fairy tales and war stories is that fairy tales begin with 'Once upon a time,' while war stories begin with 'Shit, I was there!'" (Lomperis 41). How does one tell a good war story? Is it important to be accurate to the events that took place? Does the reader need to trust the narrator? In The Things They Carried, Tim O'Brien examines what it takes to tell a good war story. He uses his own experiences in Vietnam in conjunction with his imagination to weave together a series of short stories into a novel.

“This is true.” (O’Brien, 420) – with this simple statement which also represents a first, three-word introductory paragraph to Tim O’Brien’s short story, “How to Tell a True War Story”, the author reveals the main problem of what will follow. “Truth” – when looked up in a dictionary, we would probably find definitions similar to sincerity and honesty on the one hand, and correctness, accuracy or reality on the other hand. When looking at these definitions, one can make out two groups of meaning: While sincerity and honesty are very subjective, correctness or accuracy are supposed to be objective by nature. One can be sincere and still not report the truth, due to the simple fact

Throughout Tim O'Brien's short work "How to tell a true war story" O'Brien has two reoccurring themes. One is of the desensitization of the troops during their hardship regarding the events of the Vietnam War, and the other is of the concept of truth. Truth may seem simple enough to explain, but is in fact endowed with many layers. The story is chalked full of contradictions, as well as lies, and embellishments, and yet O'Brien claims that these are the truth. The truth, whether it be war or society's, is in fact a concept that can be conveyed many times and in many ways. Whereas each is independently untrue, the combined collaboration of these half-truths is in essence the only real truth.