The Two Frida Kahlo Analysis

There is ongoing speculation that Frida Kahlo would have never came to be as well known if it wasn’t for the marriage to another Famous Mexican painter Diego Rivera. Although both had different styles of painting, Frida Kahlo was being rediscovered by many particular women because a lot of herself inflicting paintings connected to a big audience of feminists. After living under the shadow of her husband she was becoming even more famous than Diego Rivera. Frida Kahlo experienced a lot of adversity throughout her entire life. Many of the events she experienced reflected all of her art work. In order to understand who Frida Kahlo was, it is important to understand first, about her accidents , second, her relationship with Diego, Lastly, her Art

Throughout her career, Frida had shown many different themes of her life through her paintings. It seems clear, through analyzation of her paintings, that Frida lived something of a double life. Frida paints herself in distinctly different ways at times, sometimes she is a beautiful woman with strength like iron, and sometimes she is a frail damsel who has been broken already and will be broken again. Contrasting paintings include Self Portrait with Monkeys (Kahlo, 1) and Self-Portrait with Thorn Necklace, Diego and I (Kahlo, 1) and The Love Embrace of the Universe, the Earth (Mexico), Me, Diego, and Mr. Xolotl (Kahlo, 1). All of these paintings show that not only is there a contrast in her personality, in fact, Frida’s is actually two different people, as she paints it.

In “The Life and Times of Frida Kahlo” the focus on art and cultural identity was surely a main focal point. In the video, PBS America addresses Frida Kahlo’s outlook on her cultural identity through her artistic choices. Frida Kahlo was a Mexican artist who painted an abounding of self portraits. As the video states, “She was born in Mexico City in 1907, during the great revolution of the twenty first century.” (The Life and Times). Her art included many dark sides, yet her culture always shined through. Notably, Frida’s clothing in her portraits were painted in flamboyant colors and even included Mexican symbolism into her pieces. One of Frida’s art pieces, Self-Portrait

In the painting of “The Two Fridas” you automatically notice two women sitting down in a bench, holding hands with hearts connected with each other. The background looks as if she was outside since it looks like clouds and the floor is light brown. The first Kahlo has her hair up, has light makeup on, (she is whiter than than second woman, her mustache is shaved, and she put some lipstick.), the dress is white and has two different designs on top (her chest is more vintage while the arms are layer of laces). The middle portion of her dress has blood stains dripping downwards. Then at the very bottom there seems to be flowers like roses and little birds, and the heart she has seems to be damaged with white and black inside. The second Kahlo also has her hair up, now she doesn’t seem to have any type of makeup (she is a bit tanner than the first woman and she actually has mustache) she has a more natural look, the dress she is wearing has color to it, the top of the dress is blue with some yellow around the neck, arms, and in the lower stomach area then on the bottom of the dress it is brown but the very bottom is simple with no flowers, it is white with frills, and the heart she has looks more of a realistic. For the first Kahlo the blood vessels are going around her arm, up her shoulder, and around her neck going towards the second Frida heart. Once the blood vessels reaches

In a world full of pain today, many choice to ignore it or rather bottle it up and showcase it on a shelf which gives it a sort of control over a person. Yet throughout time there have been certain individuals who have truly captured there pain instead of letting their pain control them. One of these individuals would include a certain painter by the name Frida Kahlo and one painting in particular named "Diego and I" showcases her greatest pain, a love that was never meant to be.

More than 60 years have passed since the death of Frida Kahlo, a Surrealist Mexican painter. Frida Kahlo’s many talents were overshadowed by her husband’s fame during the course of her life. Yet, it wasn’t until her death and the early 1970’s where Frida’s artistic effort started to surpass that of her political and creative husband. Her biography is both depressive and particularly interesting. Many of her private moments and experiences are shared in her greatest pieces of art. Some of those valuable masterpieces contain her cherished possessions, in addition to them being the things that established her popularity and appreciation among distinct genders, cultures and ages around the world. Knowing this, it was in my interest to devote some quality time and effort to this woman whose life immediately captivated my attention and inspired me to understand and endure life as a woman.

Frida Kahlo, who was an amazing self-portrait artist, was born during the Mexican revolution. She used her Mexican heritage to paint herself always keeping a tight grasp on her national identity. In order to understand Kahlo and her paintings the historical and political factors that she lived in must be taken in to consideration. Frida’s works of art reflect her life experiences, physical and emotional pain that she felt throughout her lifetime. Frida also utilizes her personal life, health and sometimes even social affairs to relate to her Mexican culture and politics. Kahlo’s paintings are very powerful and relevant to Mexican nationalism and her political views in the social, cultural, and political aspects of Mexico.

The attached painting is called The Two Fridas and is her most famous work. She painted it in 1939 during her divorce with her husband. On the right, she painted herself wearing a European costume, and one the right she is wearing a Mexican Costume, representing her Mexican background. She also holds a locket with a picture of Rivera. The picture also show her bleeding heart. The painting was purchased by the Natinal Institute of Fine Art in Mexico City in 1947 for about $1000.

In 1889, soon after her divorce from Diego Rivera, Frida Kahlo produced the self-portrait The Two Fridas. This emotionally disturbing, surreal painting features two symmetrically composed women seated on a sickly green bench. The holding of hands between the women emphasizes their unison. A stormy sky of distressed grey clouds ominously consumes the background of the portrait. Cool tones of color fill the frame to mimic the cold gazes of the women.

I have chosen the artwork, Las Dos Fridas, of Magdalena Carmen Frida Kahlo Calderon, also known as Frida Kahlo. In the artwork, Las Dos Fridas, Frida Kahlo expresses a lot of naked emotions through her painting about her despaired marriage with ex-husband Diego Rivera. The self portrait shows the two identical interpretations of Kahlo. In her painting, Frida used many type of lines and contour. She uses ruffled lines in her clothing, scattered clouds in the sky, and texture of her hair.

When I visited the Museum of Fine Arts I saw several art sculptures and pieces that were interesting. Two pieces of work spoke to me the most. The work I like the most is called Moises by Frida Kahlo, this piece was made in 1945 and the mediums are masonite and oil. The work I dislike is called Niña Madre also known as Girl Mother by David Alfaro Siqueiros. It was made in 1936 in the mediums are pyroxylin and masonite. I will be analyzing both pieces closely and giving my interpretation of both pieces

Frida Kahlo’s representational painting, The Broken Column, depicts a self-portrait of her alone in a dry, barren landscape with a column that has replaced her spine. In comparison to Kahlo’s other well-known self -portraits, she is completely alone, in which the background is bare, containing no other elements other than cracks in the ground. This is portrayed as Kahlo realizing that her pain and suffering has to be dealt with on her own. It also reveals her isolation and loneliness that has resulted from the bus accident that gave her numerous severe injuries. Thus, being an inspiration to the central themes of this artwork including pain, suffering, loneliness, strength, sexuality, and isolation. A few important symbols displayed in the

Since Frida spent most of her time in hospital beds, she used that time to create paintings that documented the major events in her life. In 1937, Kahlo created My Nurse and I, in this painting, a nurse with a mask covering her face has in arms a baby with an adult face of Frida. The backstory of this painting is that Frida’s mother due to complications couldn’t breastfeed her. Her family hired a nurse to breastfeed her. This eventually affected their relationship because she never felt a bond with her mother. There are no connections between her and the wet nurse, you can tell the distance between them, there is no love in this painting. It implies Frida’s feelings of loss and separation form her own mother. In 1940, Frida painted Self Portrait with Thorn

Pedro Lemebel is a Chilean artist who is Marxist and gay. There was a picture of his painting himself at Frida Kahlo and people can identify the work because Kahlo has a unibrow. This show an example of Power of how he has the freedom to who uses his body to express the medium of art. His artwork is unique since he uses his body than painting on an art paper. Another artwork that he did on his body was a Marxist logo on his face. This shows an example of subjective violence because the logo symbolizes Communism and how it had been portrayed negatively in the society over the centuries. From that artwork, people can tell that his siding toward Marxism. There was another work where he and his friend was fully naked and riding a horse through

Frida is a 2002 film by Julie Taymor that mirrors the life of esteemed artist Frida Kahlo. The first scene of the movie serves only to foreshadow the last scene of the movie, depicting Kahlo lying on bed, being loaded onto the back of a truck. The movie then flashes to the Kahlo’s younger days in 1922 when she was around fifteen years of age. She is shown in a school where she gathers friends to watch Diego Riviera work, this yet again portrays an important facet of Kahlo’s future. We then learn of Kahlo’s relationship with a boy named Alex, a both Physical and emotional relationship. A following scene shows Frida admiring the photos of a photographer who is shortly revealed to be her father. In true fashion Frida is then seen observing a mural on the walls of the school. Alex comes to get her before the two miss the bus, shortly after the film shows Alex and Frida catching up to a bus and jumping on. When the bus they are on passes another the two busses collide and the bus holding Kahlo is propelled into the side of a stone building, breaking a multitude of her bones, and leaving her in a sleep state for three weeks. The doctors inform Frida and her family that she will most likely not walk again and it is a miracle she survived. When Kahlo is released from the hospital we get the first glimpse of Frida creating her own art, and see her heart being broken when Alex informs her he is leaving. Kahlo then begins to fill her cast with paintings of butterflies. When she is