Theodore Roethke, a prominent poet during the mid-1900s, was greatly influenced by his childhood experiences of being raised near a greenhouse and his psychological condition of manic depression (Long 4: 1387). Roethke’s poetry can be described to have a spiritual undertone because of his experiences. His poetry focuses on the quest for spiritual identity through mostly the use of natural materials. Roethke was able to become a distinguished poet because of his unique experiences. Roethke’s poetry is appreciated by diverse individuals because of his usage of everyday affairs, presentation of clichéd themes, and his variance in mood, while the underlying theme in his poetry is the diminishing of the differences between spiritual and naturalistic materials.
Theodore Roethke’s poetry is elevated by the use of everyday affairs to reflect the negative aspects of life. By using everyday affairs in his poem, Roethke is able to present an abstract topic through the use of common ideas, allowing more people to connect with his poems. According to Jeff Westall, “Roethke does use abstract words; but he connects them so personally to the intimate experience of the poem that he renders them concrete” (25). In Roethke’s “Dolor”, the negative aspects of life are portrayed through the use of commas and paper-clips. Commas and paper-clips are used in the poem “Dolor” to symbolize the routines in life. Since they are widely used, the usage of commas and paper-clips has become part of
Steven Herrick’s verse novel “By the River” is very successful in conveying the significant ideas about human nature. He uses key themes such as grief, environmental influence and coming of age to explore these ideas. To convey the themes Herrick uses multiple techniques such as imagery, repetition, personification and positive and negative influence throughout his text.
Theodore Roethke was born in Saginaw, Michigan on May 25, 1908 to Otto Roethke and Helen Huebner. Along with uncle, his mother and father owned a local greenhouse, where Roethke spent a lot of his childhood days working and playing. He referred to the greenhouse as “my symbol for the whole of life, a womb, a heaven-on-earth” ( ). The greenhouse played a huge role in his poetry. Roethke implies that only after death of the self can people come to realize the true purpose of life, love. Roethke always had stored in the back of his mind “the idea that personal selves were not the focus of time on earth”( ). Therefore, people must experience the death of their selves before they can truly live.
“My Papa’s Waltz” by Theodore Roethke sparks differing opinions within the minds of many. Roethke was influenced greatly by his experiences as a young boy. For instance, his uncle and father both died when he was the age of fourteen. “My Papa’s Waltz” is written in remembrance of his father after this dreadful occurrence. The author’s use of imagery brings light to the his adoration for his father. Notably, his way of stringing together ideas reinforces the fond memories they shared. Roethke’s captivating choice of words supports his purpose to make known the love he has for this man. While the subject of “My Papa’s Waltz” has spurred passionate academic debate from professors, scholars, and students alike, the imagery, syntax, and diction of the poem clearly support the interpretation that Theodore Roethke writes “My Papa’s Waltz” to bring attention to the loving relationship he had with his father.
Roethke's usage of poetic devices place emphasis on the conditions in which the speaker experiences as a young child. Although the whiskey on the father of the speaker's breath is very strong, the speaker continuously " . . .hung on like death" (3) and candidly states that "Such waltzing was not easy" (4). The usage of simile by comparing the speaker's clinging of his father's shirt to death places emphasis on the feelings and emotions that are present in the household. Knowing that his " . . . mother's countenance could not unfrown itself" is an example of imagery that further adds to the turmoil and negative events that exist in the speaker's home by allowing readers to visualize the facial expressions that are present (7-8). Not only do the poetic devices contribute to the meaning of the poem, but it also contributes to the tone as well.
Diction is arguably the most important literary device carried throughout the duration of this poem. Many readers were disoriented by the use of Roethke’s word choice, yet it is arguably the most indisputable piece of evidence used to portray the background of abuse in the author’s poem. Roethke uses words that carry negative connotations such as: beat, battered, death, and more.
In the analysis of Theodore Roethke’s “My Papa’s Waltz,” and Robert Hayden’s “Those Winter Sundays,” both modernistic and highly respected poets similarly write with a sense of reminiscence of childhood experiences. Similarly, both poems are about a memory as a boy looking back at a specific time in their lives and the love they have for their respected fathers. A similar implication is expressed in the way of their lives not being perfect, but still remaining a humble family. This is shown within the first stanza of “My Papa’s Waltz” with an intoxicated father, as well as the first stanza of “Those Winter Sundays” with a hard-working, yet poor and achy father. Both poets’ usage of figurative language is present in ways of metaphorically speaking and alliteration. For example, in Hayden’s “Those Winter Sundays,” the speaker compares the cold to an object that can splinter and break, by insinuating “I’d wake and hear the cold splintering, breaking.” (Hayden, line 5) More so, in Roethke’s “My Papa’s Waltz,” the term “But I hung on like death” (Roethke, line 3) is presented as a metaphor as well. They have some common poetic themes shared between such as love, family, and admiration, however, they are presented in different ways in accordance their tones, making them unique. In analyzing the two, although quite similar, the structure, mechanics, tones, settings, and the interpreted mood of the poem, brings justification on their differences.
As I mentioned earlier as a child Theodore Roethke spent a lot of his time in the greenhouse his father and uncle owned. He observed nature and its true beauty in unique ways. The years he spent in that greenhouse truly helped him become successful in his writing career. A good number of his most famous works, as well as his less notable works reference nature in some way. I will discuss some of these poems showing the references to nature and repeated themes. Roethke tends to relate life and death to nature using imagery and detailed descriptions to captivate the readers.
Theodore Roethke utilizes his harsh childhood and love for nature to connect man’s spirituality to the outside world in “Night Journey,” “In a Dark Time,” and “Journey Into the Interior.” In order to fully comprehend Roethke’s poems and his writing’s roots, having knowledge of his personal life is crucial. His life within the greenhouse affected his outlook on the rest of the world and on himself. Theodore’s father, Otto Roethke, and uncle, Charles Roethke, had immigrated to the U.S. and built his florist business, including the greenhouse. Theodore grew up following the two around, gaining knowledge about plant life, which would later affect his writing in his poems.
The poem "My Papa's Waltz" by Theodore Roethke is a moving representation of childhood spent in a working middle class family. The speaker of this poem is a man recalling his childhood, his father and his mother through the means of a waltz. The following essay will present a detailed analysis of the dramatic situation and speaker through the explanations of the various poetic tools used in this poem such as similes, choice of words and style.
By analyzing the deeper level meaning in the images presented, the reader’s sympathy increases. Primarily, Decaul uses the beginning of his poem to grasp the reader’s attention by explaining the tragic activity occurring on his birthday. In doing this he uses traumatic imagery, such as “black smoke rising” and “artillery strikes” to further describe the scenery upon his “birthday.” These meaningful descriptive images bring the reader in creating a connection between us and the inner feelings of the soldier. The idea of providing mental images, supports the distressing activities encountered on the soldier’s birthday. Even though the poem does not bluntly tell us Decaul is frightened at the setting, words, such as “tapping” and “reminds”, inform us of how he has taught himself to stay “safe.” Decaul has to
Theodore Roethke was raised in Michigan, where cities and towns are woven with lakes, streams, and rivers. This atmosphere gave Roethke a “mystical reverence for nature,” (McMichael, 1615) and allowed him to take a grotesque image and transform it into natural magnificence. A great example of this is Roethke’s poem “Root Cellar.” The poem describes a cellar, which most people would consider to be a death-baring, cold place. Instead, Roethke gives the dungeon life and enchantment. The first line gives the reader an idea that the cellar is awake. In the second line, there is a description of the plants left in numerous boxes that search for a bit of light to help them continue their existence. The
Theodore Huebner Roethke was an American poet who grew internally from the experiences that shaped him and transferred them to works that became immensely famous and influential (Theodore Roethke). The poet’s adolescent years were harsh and jarred. He spent most of his childhood playing in his father’s greenhouse and surrounding himself with nature. The emotional events that presented themselves into Roethke’s life because of his father’s death and his uncle’s suicide made him feel isolated and abandoned during his time spent at several different colleges which subsequently influenced him to create one his works, “In A Dark Time,” representing the war between a man and his madness by emphasizing the use of a paradox, personification, and natural imagery.
“Wish for a Young Wife”, by Theodore Roethke, may seem to be more than just a simple epithalamium, for the way the poet presents his writing compels the reader to question his true intentions. Nevertheless, although it is easy for the reader to trip down this path, a closer reading, in which one pays particular attention to aspects such the poem's imagery, rhyme scheme, meter, and parallelism, allows them to acknowledge that as the poet appreciates his wife and elaborates on what he wants for her, it is in fact the ambiguity of the poem that doubles the effect of his sincerity and love for his young wife.
“Roethke was a great poet, the successor to Frost and Stevens in modern American poetry, and it is the measure of his greatness that his work repays detailed examination” (Parini 1). Theodore Roethke was a romantic who wrote in a variety of styles throughout his long successful career. However, it was not the form of his verse that was important, but the message being delivered and the overall theme of the work. Roethke was a deep thinker and often pondered about and reflected on his life. This introspection was the topic of much of his poetry. His analysis of his self and his emotional experiences are often expressed in his verse. According to Ralph J. Mills Jr., “this self interest was the primary matter of
“In a Dark time” by Theodore Roethke gives a retrospect into the inner turmoil’s of finding oneself through a haze of doubts in till reaching a moment of clarity. Each section of the poem describes a different emotion, or inner thought that spirals from fear of death, to emotions of desire. The use of imagery between nature and uncertainties of the narrator give a glimpse into Roethke’s own mind during the time he wrote this poem. Without hundreds of pages Roethke created a poem that connects readers to their own self-doubts and struggles of finding ones way again.