The Use Of Music In Hollywood Film Music

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Though these aforementioned motifs are used quite extensively in Hollywood film music, the use of music to augment the cinematic scene in Hollywood films is seen most noticeably during instances of grandeur and opulence. To accompany these scenes, the film scorers elect to use large ensembles, with each family of instrument partaking in the production. This correlation has become a staple in Hollywood films, as “orchestral size not only indicated musical choice or financial well-being but became a status symbol for the music director” (Morcom 70). Such an implementation of emotional mimicry is found in the movie The Lord of the Rings: The Twin Towers, when Howard Shore’s “Helm’s Deep” played during the Helms Deep Charge. In the middle of the Rohirrim charge at Helms Deep, Gandalf the White presents himself at the top of the hill on a great white stallion. Gandalf is magnificence personified, so the choice in musical accompaniment simply strengthens the delivery of this fact to the audience. Therefore, as seen from all three previously discussed styles, there exists a pattern in the field of music, where an inherent sense of strategy and intention is employed when selecting the notes in a piece. In American culture, the general view of film music is that “song sequences, seen as distractions, cast doubt on a film's narrative authenticity by limiting creativity, plot development, and characterization, resulting in a genre that appears to lack cinematic realism as compared to

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