Critical Analysis: “The Virgin,” by Sappho
Bearing a child is the biggest responsibility that will happen in life. Providing time and protection of the child is a major part. But the most important thing is that they do not become lonely and forgotten. When being a parent, this is their job, to keep them welcomed and to never forget about them. In the fragment titled, “The Virgin,” Sappho uses vivid imagery to show how an apple tree has a relationship like mother and child. How the tree would be the mother, and the child would be the apple. Like a mother and child, it is the responsibility of the tree to hold on to the apple and make sure it gets taken care of, no matter what. Sappho uses imagery right away when she uses the words,
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Critical Analysis: “The Virgin,” by Sappho
Bearing a child is the biggest responsibility that will happen in life. Providing time and protection of the child is a major part. But the most important thing is that they do not become lonely and forgotten. When being a parent, this is their job, to keep them welcomed and to never forget about them. In the fragment titled, “The Virgin,” Sappho uses vivid imagery to show how an apple tree has a relationship like mother and child. How the tree would be the mother, and the child would be the apple. Like a mother and child, it is the responsibility of the tree to hold on to the apple and make sure it gets taken care of, no matter what. Sappho uses imagery right away when she uses the words, “Like a sweet apple ripening” in line 1. It is saying that since the apple is ripening, it is then growing like a child does. How in the beginning of life it goes through changes in its appearance and size and grows out to who they are today, and become more mature as time goes on. They become a delightful blessing as they come into the world and grow up.
In line 1, when Sappho uses the words, “on a high branch,” it is showing that the apple may be forgotten about because it can be hard to see, since it is so high. It will especially be forgotten when people from below see the tree. They will not notice it sitting there. Also, in line 2, when Sappho uses the words, “on the tip of the topmost branch and forgotten,” since it is on the tip of
To This Day is a non-fiction poem by Shane Koyczan. I think that the depiction of the tree contains symbolism. When it shows the tree with the flower on it when it says “grafted onto a different family tree” the flower symbolizes how he survived(Koyczan).
| “Nothing endures, not a tree, not love, not even a death by violence.” Ch. 1, Pg. 14
Throughout the fragmented poem, Sappho expresses how someone else’s degrading words affect her and how she handles that pain. She is quick to judge and takes action after being put down. With the descriptions of her pain in movements, she tells a story of what caused her pain.
The father knows that his dream of knowledge and university will never be fulfilled, and consequently, tries to accomplish this goal through his children. In doing so, he also sacrifices his relationship with his wife who despises him and his “room and all it stood for” (MacLeod 266). They both try to maintain a positive atmosphere in the house, regardless of their differences, by working hard to raise their children. As the only boy in the family, the narrator idolizes his father and eventually begins to believe that “it was very much braver to spend a life doing what you really do not want rather than selfishly following forever your own dreams and inclinations” (MacLeod 274). As a result, the narrator promises to help and protect his father until he dies, and the father, in return commits to the ultimate sacrifice of death to set his son free. The author is showing that true love goes beyond life itself and that no sacrifice is too great for a parent in order to give their children the chance of a better life. By implementing the seed of knowledge in his children, the father knew that his sacrifice is not in vain,
The reiteration increases the emotional intensity of the mother, and it is effectual in implying the various responsibilities that follow independence. The daughter’s independence may be bittersweet for the mother but she states, “If I defer the grief I will diminish the gift” (49). This line contains two alliterations, and the words signify the diction and the parallelism between the phrases. The natural inclination of a mother is to protect her offspring. However, it is evident in the mother’s assertion that she fully realizes the negative consequences of over protecting her daughter from pain and suffering. In spite of her innate desires, the mother is willing to put herself down and grant the gift of independence as well as the opportunity for her daughter to learn from real
The spacing and structure of the poem is set up to allow flow and momentum in the poem and its narrative. The speaker’s voice is present with emotion as emphasised in a natural rhythm of thought offering an honest and bare interpretation of motherhood. The open “blank space” of the poem encourages a calm and breathy atmosphere, fulfilling a mood of tranquility and bliss. Each stanza is short with a couple quick fragmented thoughts before closing each section with the power of a single word. Each stanza breaks apart a separate thought filled with a loving passion the speaker uses to stress the beauty, wonder, and over-flowing love present in motherhood. To better the structure, the poem itself is broken into three parts, each representing a stage of motherhood. The first segment of motherhood that is represented is during the moments while the baby is still in the womb and the mother waits in anticipation for the baby to arrive. This “honeymoon” phase is expressed with a tone filtered through a perception of rose-coloured glasses and excitement as the mother is in utter bliss to carry a life into the world. The
Sappho’s poem, entitled Fragment 16, is of the lyrical style instead of the epic style we are used to in Homer’s Iliad. The lyrical style of poetry got its name because it was usually accompanied by a lyre while it was recited. It also was used to express more emotion rather than telling a story. This form of poetry seems to be more artistic rather than the story telling of epic poetry of the time. In this poem we are able to use the comparison of different imagery to understand a common theme within the poem itself. The reason for the interesting title of the poem is because most of Sappho’s poetry is now only found in fragmented forms. Most of Sappho’s writing is from 600 B.C.E.
In Gwendolyn Brooks’ poem “The Mother”, the author expresses a lot of her thoughts and feelings in order to share her experience. It is written in the first person and the narrator is adopted by the author herself, Gwendolyn Brooks, who embodies a weaken mother. In this poem, Gwendolyn Brooks tries to portray what abortion is for a woman and to describe the harsh truth about how women feel afterwards. Thus, this poem is mostly targeted to aim females and their feelings. First of all, abortion is the deliberate termination of a human pregnancy. First, the narrator uses many imageries, description, and a precise choice of words to explain this emotional topic of abortion. Second, her use
This “preview” to the overall bigger picture that the story is trying to tell demonstrates the power of abortion and the ripple effects that it can have. The authors utilize ethos, pathos, and logos in this example. The purpose of this portion of the chapter is to “preview” the main idea of the chapter, even if the reader does not know it yet. The author’s also use a historical example to help establish precedent and to help establish credibility for themselves – a prime example of ethos. The emotional appeal in this portion of the chapter is certainly present; one cannot help but feel for the parents and children living under the harsh conditions of Ceausecu’s regime. Whether or not the reader knows it at the time, this “preview” section is used to establish the main idea of the entire chapter in a unique way.
It is possible that the narrator is trying to reassure herself in this passage by claiming that the child was never made, but then why write the poem to her unborn children?
"Blessed is the mother who is able to help her child, at whatever age. This truth about parental happiness is surly known by any loving parents who has been compelled to watch impotently while his child is suffering." The example to prove this statement can be seen all through the story. "The forest is my house, but you may cut of my branches and build a house. Then you will be happy. And so the boy cut of her branches and carried them away to build his house. And the tree was happy." On the other hand, the boy still stays inconsiderate and selfish. He never even once mention to the tree how thankful he is or even a simply "thank you". "The love of the tree for the boy or the man is a selfless love, while the love of the boy for the tree is a selfish love. The boy never tries to help the tree (by pruning, feeding it, et cetera), while the entire being of the tree is devoted to helping the boy meet his most recent need, whether trivial or essential."
One similarity between Sappho and Catullus is their use of neutral to formal diction. Both use phrases that, although seem simple and of neutral diction, are chosen to express their own form of love. However, where Sappho uses a word choice to show a fondness of her daughter and her innocence, Catullus transforms words from the same diction level to show his adoration and longing towards his lover. “I have a small / daughter, called / Cleis,
The look of the tree is compared to the old man by the use of personification. Although the man knew that the tree had to be much stronger because if the man took the trees place he wouldnít be able to stand alone.
What did that tree, leaning out from the bank, all white and lacy, make you think of? She asked. Well now, I dunno, said Matthew. Why a bride, of course- a bride all in white with a lovely misty veil.” (Montgomery, 65-66) It is identified here how nature pleases Anne’s eye. The way in which she is able to take a tree branch and bring it to life by imagining that is connected with something beautiful like a bride. It doesn’t only suggest her inquisitive imagination, but also her intellect. With using the enjoyments of nature to foster a desire, and with her perceptive vision she is capable of imagining the branch as something else. Through its beauty and emphasis on colour she can make a connection that the tree branch can be compared to a bride. It is crucial how Anne doesn’t take the natural sights of Avonlea for granted, because she values the power of self-expression in nature. Through her imagination with nature she is able to seek comfort. This is seen on her first night in Avonlea, when she’s afraid no one will come for her, so she turns to a tree as her home, where she can sleep. She states, “I had made up my mind that if you didn’t come for me and to-night I’d go down the track to that big wild cherry-tree at the bend, and climb up into it to stay all night.” (Montgomery, 64) This scene represents how Anne is reliant on nature. Instead of being afraid that no one has yet to pick her up she uses nature to occupy her time. She is inspired by nature to
The emphasis on fertility in Ulysses also indicates the significance of motherhood. Stephen expresses his concern for the "Godpossibled souls that we nightly impossibilise, which is a sin against the Holy Ghost, Very God, Lord and Giver of Life" (p. 389). One of the narrators in 'Oxen of the Sun' echoes this sentiment with "Copulation without population! No, say I!" (p. 423) In this same episode, Mina Purefoy, the mother of numerous children, is currently in labor. The narrator of the episode and Stephen's acquaintances at the hospital beatify Mina Purefoy's husband for being a fountain of fecundity and for performing his "man's work" (p. 423). The reference to Molly as "Marion of the bountiful bosoms" by the anonymous narrator of the 'Cyclops' episode again emphasizes the focus on fertility (p. 319, italics mine). Finally, the importance of fertility is epitomized in the analogy between death and the woman who is no longer fertile: "Dead: an old woman's: the grey sunken cunt of the world" (p. 61).