The Working in Man in Tennessee Williams´ The Glass Menagerie

Amanda belittles Laura’s self-ownership which makes Laura immature and helpless as an adult. When the subject of gentleman callers comes up, Amanda addresses Laura, saying, “How many do you suppose we’re going to entertain this afternoon? [...] [reappearing, airily] What? No one — not one? You must be joking! [Laura nervously echoes her laugh]” (Williams 18). Amanda is caught up in her dreams of marriage for Laura, made clear by her enthusiastic tone and body language, but Laura’s uncomfortable laugh shows how she is not amused by her mother’s aspirations. Amanda is only focused on what she wants for Laura, but she should really be concerned with what Laura wants for herself. In addition, Amanda cannot accept the fact that her daughter is not going to have any suitors; she denies reality and tries to bring Laura into her world of illusions. This irresponsible parenting causes Laura to become the childish adult that she is. When Amanda questions where Laura was going instead of business college, Laura explains that, “I went in the art museum and the bird houses at the Zoo. I visited the penguins every day! [...] Lately I’ve been spending most of my afternoons in the Jewel Box, that big glass house where they raise the tropical flowers” (21). Laura is twenty-three years old and she is getting excited about visiting attractions meant for kids. She would rather explore the Zoo, an art museum, or a greenhouse than attend college, exhibiting her immature and irresponsible mindset. This juvenile behavior is what leads to Laura’s helplessness. While on the fire escape, Amanda tells Laura to make a

The Glass Menagerie by Tennessee Williams is a celebrated and cherished play that has affected generations. Written in 1945, the play very well may have been an outlet for Williams to accept what had happened to his own sister. Rose Williams had been lobotomized due to schizophrenia, affecting her brother greatly. While Williams’ family may be real, his characters are over dramatic and eccentric. The characters of Amanda, Tom, and Laura make up an extremely dysfunctional family living together in a 1930’s Saint Louis. By the end of the play, each character has affected themselves and each other. The characters spend the majority of their lives inventing someone who will make the rest of their family members happy, and when these facades crumble,

If there is any signature kind of character that marks Tennessee Williams’s plays, it is without a doubt the faded Southern belle. The Glass Menagerie’s Amanda Wingfield, the mother of Laura and Tom, is a perfect representative of this type, not unlike Blanche DuBois in A Streetcar Named Desire, also by Williams. A proud and effervescent woman, Amanda passionately holds on to memories of a happier time, of days long gone by. Generally, a faded belle in a Tennessee Williams play is from a wealthy Southern family, raised by parents with traditional beliefs, and has suffered an economic or social, or both, downturn of fortune at some point in her life. Like Amanda, these women all have difficulty accepting a status in society different than what they are used to, as

In The Glass Menagerie, Tennessee Williams uses the theme of escape to help drive the play forward. None of the characters are capable of living in the real world. Laura, Amanda, Tom and Jim use various methods to escape the brutalities of life. Laura retreats into a world of glass animals and old records. Amanda is obsessed with living in her past. Tom escapes into his world of poetry writing and movies. Jim also reverts to his past and remembers the days when he was a high school hero. Mr. Wingfield is referred to often throughout the play. He is the ultimate symbol of escape. This is because he has managed to remove himself from the desperate situation that the rest of the family is still

Williams’s play is a tragedy, and one of quietude. He once expressed that “Glass Menagerie is my first quiet play, and perhaps my last.” It is a play of profound sadness, and through relationships between characters, portrays the “cries of the heart.” There is no cry more powerful that the cry and inner desperation of the heart. Williams’s has very little social context, but rather focuses on the conflicts within a domestic family. Such a focus is powerful, and the playwright expresses this power and importance implicitly through the estranged relationship between Amanda and Tom Wingfield.

There is not one comic or movie, where Superman fails to save the day, where in the end he does not win. The Harry always defeats the Voldemort. This is because when a Christ figure is developed, there are certain expectations that go along with that. However, what happens when a Christ figure fails to fulfill their duty? In The Glass Menagerie, a play by Tennessee Williams, Laura’s mother Amanda wants Laura to have a suitor. Finally, Tom —Laura’s sister— invites Jim O’Connor, one of his friends from work over to have a meal. Amanda goes into a frenzy preparing for him, and when he arrives he appears like the perfect suitor. As the night goes on, Jim eventually seduces Laura and then leaves in a rush. In Tennessee Williams’s play, The Glass Menagerie, Williams uses a ironic Christ figure to demonstrate how illusions tear a family apart.

Everyone in the family sticks to their societal role, Tom takes care of the Amanda and Laura, Amanda does some work, but she does do a lot of work in the house, and Laura is attempting to find someone to marry so she does not have to go to work. When Amanda was younger, she tells the reader that she always had gentleman callers, and she is always hoping that Laura will get gentleman callers. An example of Amanda projecting this belief onto Laura is when Amanda says “"Resume your seat, little sister – I want you to stay fresh and pretty – for gentlemen callers! (1.14)”. However, having to take care of his sister and living with Amanda causes tension in Tom’s life. Tom works in a factory, as most men did in the 30s, and this meant that he worked long hours for little pay. Tom wanted to be a poet, but he had to keep working because he had to support his family. Amanda puts a lot of pressure on Tom to be there for his sister, to be his older sister’s guardian, and she gets upset when Tom is out late drinking and going to the movies as his

   Tennessee Williams' play, The Glass Menagerie, describes three separate characters, their dreams, and the harsh realities they face in a modern world.  The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Williams' use of symbols adds depth to the play. The glass menagerie itself is a symbol Williams uses to represent the broken lives of Amanda, Laura and Tom Wingfield and their inability to live in the present.

    Tennessee Williams has a gift for character. Not many playwrights do, and even fewer possess the unique ability to craft a character as paradoxical and complex as Amanda Wingfield. In The Glass Menagerie, Amanda is a very difficult character to understand because of her psychological disposition. Williams realizes this and provides the reader with a character description in hopes of making the character more accessible to meticulous analysis.

Wright’s personality and relationship with his wife plays a major key role in her state of mind when she decides to end his life. Glaspell hints and foreshadows the possibility of marital conflict between the couple when Mrs. Hale retaliates to the County Attorney’s conclusion that Winnie didn’t have the ability to make a place feel like a home, by stating that Mr. Wright didn’t obtain the “homemaking instinct” (p. 945, Schlib) either. Her simple statement declares that the differences between the husband and wife were undeniably present because it is hard to create a cooperative and stable home environment when two individuals cannot satisfy one another. John Wright is described as a good person when it comes to paying taxes and debts, but personality-wise he is a “hard man” who chooses to close himself off from society, and to converse or spend a day with him was “like a raw wind that gets to the bone.” (p. 949, Schlib).

In Tennessee Williams’, “The Glass Menagerie” Amanda was a woman who liked to reminisce about the past in order to escape from reality. Amanda was not wicked but intensely flawed. Her failures were centrally responsible for the adversity and exaggerated style of her character. Certainly, she had the endurance and heroism that she was able to support her children when her husband was gone. In her old life, she was once a Southern Belle with a genteel manner who lived on Blue Mountain. This was a place where Amanda’s version of the good old days back when she was young and popular. Amanda was full of charm in conversation that she managed to have seventeen gentlemen caller in a single day.

The Glass Menagerie is a play set in the 1930s, and the 1930s was an era where society expected women to live a domestic life. According to a journal titled “‘Women Who Have No Men to Work for Them’: Gender and Homelessness in the Great Depression, 1930-1934” by Elaine S. Abelson, “Women, unlike men, have never been fully detached from family, domestic life, and a quasi-dependent role” (106). This quote demonstrates that women have long been family-oriented, homebound, and reliant individuals. It is significant because it clearly depicts societal expectations for women in the 1930’s. During this time period, women felt oppressed because society wanted them to stay home, care for the children, cook, clean, and maintain the household; they were subservient to men. In general, a woman was not encouraged to work outside of her home because men were the traditional breadwinners. As a result, it was rare and unacceptable for women to be apart of the workforce. The workforce often discriminated against them because of their gender. This quote reveals important insight into the play by portraying the role that Amanda and Laura have in their family. Being that Amanda and Laura are women, their duty is to live a domestic life in which they accomplish daily household tasks while Tom provides the income. Amanda and Laura are not given the equivalent opportunities as Tom, so they must heavily rely on him.

Tom had a double role in the play as both the narrator and a main character that lived through a recollection of what life was like living with his mother and sister before he abandoned them to seek adventure. Tom’s behavior in the play could lead to question if his memory is truly accurate. SparkNotes comments, “…But at the same time, he demonstrates real and sometimes juvenile emotions as he takes part in the play’s action. This duality can frustrate our understanding of Tom, as it is hard to decide whether he is a character whose assessments should be trusted or one who allows his emotions to affect his judgment” (SparkNotes.com). Through his behavior a person is reminded that memory can be flawed by emotions or time elapsing, this would need to be taken into account when analysis of such a character is done. Tom is full of contradictions as he reads literature, writes poetry, and dreams of an escape; however he also felt bound by duty to his sister and mother. Another contradiction was that while he professed to care about his sister as seen in his ending comments in the play, “…I tried to leave you behind me, but I am more faithful than I intended to be!...” (Williams), Tom never went back to reconnect with his sister. This could be because of the great shame he felt for abandoning his sister or because of another reason. He stated that he had been in several cities over the years but never speaks of going back to St. Louis, making it unclear if he

Written in 1944, Tennessee Williams wrote a play during World War II when people were barely making ends meet. Centering on the Wingfield family, the story consisted of five characters: Amanda Wingfield (the mother), Laura Wingfield (the daughter), Tom Wingfield (son, narrator, Laura’s older brother), Jim Connor (Tom and Laura’s old acquaintance from high school) and Mr. Wingfield (father to Tom and Laura, and Amanda’s husband)- who abandoned the family long before the start of the play. The title, “The Glass Menagerie”, represented a collection of glass animals on display in the Wingfields’ home. At one point or another, these animals then represented each character when they couldn’t accept reality. The theme of this play were about the

Set in St. Louis Missouri prior to World War II, Tennessee Williams reflects back on his deeply tragic and dysfunctional familial experiences in, “The Glass Menagerie”. Williams brilliantly incorporates real aspects of society to reveal how they contributed to the nonreal aspects and the conflicts which affected his family. The real aspects of the play which had a significant impact on the lower middle-class families such as the Wingfields included, the economic hardships surrounding the Great Depression, the fall of the American south, society’s intolerance towards homosexuality, and many threats abroad. Although Williams play was merely a series of hazy memories, the nonreal aspects combined with the major societal conflicts contribute