The Yellow Wallpaper Analysis

In contrast, at the end of the story, Jane’s shocking proclamations of, “I’ve got out at last,” and, “In spite of you (John) and Jane. And I have pulled of most of the paper so you can’t put me back,” (336), mark Jane’s final mental collapse. The changes that Jane’s mental state go through are made more powerful by Gilman’s use of interior monologue, which allows the reader to experience the change first hand through Jane’s thoughts.

Charlotte Perkins Gilman uses her short story “The Yellow Wall-Paper” to show how women undergo oppression by gender roles. Gilman does so by taking the reader through the terrors of one woman’s changes in mental state. The narrator in this story becomes so oppressed by her husband that she actually goes insane. The act of oppression is very obvious within the story “The Yellow Wall-Paper” and shows how it changes one’s life forever.

Gilman's use of narrative structure is important in depicting the fragmentation of the woman's mind. Through the course of the story sentences become increasingly choppy and paragraphs decrease in length. This concrete element of fiction illustrates the deterioration of that narrator's psychological well-being and mental surmise to the yellow wallpaper.

Charlotte Perkins Gilman’s short story “The Yellow Wallpaper” suggests that the woman behind the wallpaper parallels the narrator’s struggle

Days turn into weeks, and after still being exposed to this particular yellow wallpaper, she stars having more severe hallucinations. Every time she looks at the wallpaper, she sees a woman inside it, shaking and moving the walls as if she is trying to escape away from it. Gilman uses the image of this trapped woman inside the wallpaper as a way to express the incarceration of women at her time. By looking at the story from this point of view and analyzing the woman trying to leave the wallpaper, Gilman expresses the revolutionary movement that was going on at the time, using the narrator as a symbol of the whole female society. One critic describes “And in identifying with and freeing both the woman and that part of herself trapped by her patriarchal world, the narrator finds a measure of freedom” (Golden 53). This passage represents Gilman’s society and the struggle that women had go through in order to escape a world dominated by a male society.

In Thomas C. Foster’s “How to Read Literature like a Professor”, myth and archetype are thoroughly discussed and analyzed. Some of these themes are exemplified in Charlotte Perkins Gilman’s work, The Yellow Wallpaper, in which a nameless narrator experiences her own personal hell, driven into madness by her improper psychiatric treatment. Gilman’s text is not only a story of a woman who is essentially driven into the underground, but also a criticism of society’s view of women and mental illness. She describes the narrator’s descent as a journey, through the use of symbolism and her treatment as a mentally ill woman.

In Thomas C. Foster’s “How to Read Literature like a Professor”, myth and archetype are thoroughly discussed and analyzed. Some of these themes are exemplified in Charlotte Perkins Gilman’s work, The Yellow Wallpaper, in which a nameless narrator experiences her own personal hell, driven into madness by her improper psychiatric treatment. Gilman’s text is not only a story of a woman who is essentially driven into the underground, but also a criticism of society’s view of women and mental illness. She describes the narrator’s descent as a journey, through the use of symbolism and her treatment as a mentally ill woman.

Charlotte Perkins Gilman is a woman who writes about personal experience, and in her short, “The Yellow Wallpaper,” we learn exactly who our author is based on the language and communication that appears throughout the story. “The Yellow Wallpaper” is a captivating tale, largely because the language and communication between characters translates to a feeling of near madness for the reader. The man, the dominant character in the story, has much to say about his wife’s mental condition and practically refuses to permit her feelings. Gilman explains how this story wasn’t made to drive people insane, but rather to save people from insanity. She realizes she has the power to create a powerful effect within literature and that is the thing that

The story takes the form of a journal of the main character. Therefore, the reader’s view is limited to the impressions of a single character, Jane. Considering some background information on Gilman, one can easily draw the conclusion that the story is

To begin, Gilman reveals very early on in the short story that the main character, Jane suffers from a mental illness that her husband john, who is also her physician fails to acknowledge is real. John along with other men in Janes family downplay her depression by attempting to convince her that she is not

After learning of Gilman’s personal story, it becomes apparent that “The Yellow Wallpaper,” and the struggle of its narrator, carries a distinct message. Gilman grew up in an unhappy and impoverished family with a brother, a single mother, and no father figure. She later went on to marry Charles Stetson (whom she later divorced) and had a daughter with him. After the birth of her daughter, Gilman fell into a deeply depressed state, indicating the relevance of postpartum depression. When she consulted Dr. Weir Mitchell about it, she was prescribed a “rest cure.” It was this event that inspired Gilman to write “The Yellow Wallpaper,” and many similarities can be drawn between

Gilman progresses the deterioration of Jane when she talks of a woman in the wallpaper who is trying to get out, and the reader can infer she is envious of the woman because she wishes to be on the other side of the wallpaper (315). At one point in the story Jane says that the woman comes out of the wallpaper in the daytime, and she has even seen her (318). Although it is evident that Jane could not possibly have seen this woman, the reader can infer that she is giving her split personality an imagined human form. She plans to release the woman before she leaves the rest home, and she expresses how she wants to be the one to set her free (318). Jane is adamant about freeing the woman in the wallpaper because she relates the imaginary woman to herself, and Jane wishes to be freed.

The main theme used in Charlotte Perkins Gilman’s “The Yellow Wallpaper” is madness. Gilman uses the narrator’s journal as the narrative technique to show the reader exactly how and why the narrator goes mad. This form of writing is very unusual but it lets the reader see directly into the narrator’s mind. Even though the narrator is very unreliable, the reader still gets to experience each event as if he or she is actually living it.

The reader gets a first glimpse at her insanity as she constantly jumps from one subject to another. Gilman’s thought process is much like that of an insane being as she begins to let her thoughts run together in a mass of confusion. For example, at the beginning, Gilman is writing about a discussion with her husband, John, when suddenly she skips to a description of the old house: “But John says if I feel so I shall neglect proper self-control; so I take pains to control myself-before him, at least, and that makes me very tired. I don’t like our room a bit. I wanted one downstairs…” (Gilman 470). This sense of confusion throughout the story relays to the reader that Gilman is indeed severely mentally confused and ill. According to several doctors in the medical journal Psychological Assessment, some of the characteristics of mentally ill patients during interpersonal and personal behavior include interruptions and ignoring personal boundaries (Kosson 91). These characteristics are seen in Gilman’s conversations with herself.

The narrator, who is never named, is depicted as a woman who is confined and repressed based on her gender. During the time Gilman wrote “The Yellow Wallpaper”, the feminist movement was going through its second surge and was continuously expanding. Gilman was considered “the idol of radical feminists” (Degler 21) and the “most original and challenging mind, which the women movement produced” (Degler 21). One of the major themes found throughout Gilman’s writings is “to show the disastrous and all-pervasive effects upon women and upon society of the continued suppression of her sex” ( Degler 22). This is seen in Gilman’s “The Yellow Wallpaper”, when the narrator