“The Yellow Wallpaper” by Charlotte Gilman examines the negative effects of the “rest cure”, a common approach used in the nineteenth century to treat women suffering from severe nervous symptoms (Bassuk 245). The text not only condemns the callous, medical treatment that the narrator endures, but, it also addresses the misogynistic beliefs and the resulting gender inequalities that endorse the use of such treatments. This theme is made explicit in the narrator’s persistent attempts to escape the authoritarian confinement, gender discrimination and marginalization of her mental illness imposed by her husband John, who is also her physician. The way in which male physicians treated women during this time period is challenged through the narrator’s lens as she struggles for freedom and for a life beyond the boundaries set by her husband.
Through the minimal interactions that John has with his wife, John is consistently revealed as a superior and patriarchal figure to the narrator-rather than a romantic partner- which results in her subordination within their marriage. The speaker’s trivialization is demonstrated at the very beginning of the story when she admits that her husband “John laughs at [her]” but tries to vindicate him by saying that “one expects that in marriage” (3). Likewise, the speaker introduces John as someone who is “practical in the extreme..., has no patience with faith...and scoffs openly any talk of things not to be felt and seen and put down in figures”
"The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.
The woman behind this work of literature portrays the role of women in the society during that period of time. "The Yellow Wallpaper" written by Charlotte Perkins Gilman, is a well written story describing a woman who suffers from insanity and how she struggles to express her own thoughts and feelings. The author uses her own experience to criticize male domination of women during the nineteenth century. Although the story was written fifty years ago, "The Yellow Wallpaper" still brings a clear message how powerless women were during that time.
The essay, "Why I wrote the Yellow Wallpaper" by Charlotte Perkins Gilman was written primarily for the purpose of explaining the meaning and reasoning behind her semi-autobiographical short story, "The Yellow Wallpaper". Before stating these reasons, Gilman explains that she had been suffering from a "severe and continuous nervous breakdown tending to melancholia--and beyond" (Gilman, 1913). After three years of this torment, she decided to go see a specialist in nervous diseases. The doctor she went to was named Dr. S. Weir Mitchell. Dr. Mitchell advised Gilman to be put to bed and to apply the rest cure, along with living a domestic life with limited amount of intellectual interaction and to never "touch pen, brush, or pencil again" (Gilman, 1913). As intimidating as this sounded, Gilman took the advise of her doctor, and followed his every suggestion for about three months. She had reached a point of almost complete mental ruin at the end of these three months, that she had to cast aside the specialist's advice. Instead of following his instructions, she began to work again. Ultimately, this is when and where "The Yellow Wallpaper" was written.
Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and
This gothic horror tale of nineteenth century fiction, written by Charlotte Perkins Gilman in 1892; during a time that women writers were starting to come out and write about key issues in their treatment. She craftily sets up or spins the story with a setting of isolation and a character who feels trapped, by a husband who chooses not to know her; yet does not listen to her and keeps her trapped on an island, all in her best interest. The tone is filled with desperation, sarcasm, anger, and shows that though she is mentally unstable there is intelligence behind her instability that is kept unseen. The main symbol is the wallpaper which is a constant bane to her.
Immediately in Charlotte Perkins Gilman’s story “The Yellow Wallpaper,” readers are able to tell that the protagonist feels trapped in the room, in which she is being placed. The female narrator also mentions to us that her husband “John is a physician, and perhaps –– (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind –– perhaps that is one reason I do not get well faster” (Stetson 1892, 129). That is to say, this statement clearly indicates that science triumphs over the fantasy of religion. Therefore, John intellectually dominates his wife as a result of this view and his gender. Throughout the story, readers are able to observe themes from “The Yellow Wallpaper,” such as powerlessness, patriarchy, and lack of independence. As a result, Gilman 's protagonist does not have a room of her own. Despite, the struggles that the narrator faces in the room, “it makes [her] think of English places that you read about” (Stetson 1892, 130). Basically, the narrator tries to make herself feel comfortable while she is in the room and she is also able to express herself on paper, although her husband, John insists that she should not. According to Gilman’s protagonist, “I did write for a while in spite of them; but it does exhaust me a good deal¬––having to be so sly about it, or else meet with heavy opposition” (Stetson 1892, 129). This statement explains that the narrator expresses a need for independence by removing herself from the
Life during the 1800s for a woman was rather distressing. Society had essentially designated them the role of being a housekeeper and bearing children. They had little to no voice on how they lived their daily lives. Men decided everything for them. To clash with society 's conventional views is a challenging thing to do; however, Charlotte Perkins Gilman does an excellent job fighting that battle by writing “The Yellow Wallpaper,” one of the most captivating pieces of literature from her time. By using the conventions of a narrative, such as character, setting, and point of view, she is capable of bringing the reader into a world that society
“The Yellow Wallpaper”, by Charlotte Gilmans is a short story narrated by a woman who is suffering from depression soon after giving birth. The narrator’s husband is a physician who asserts that he knows what is best for his wife’s health and betterment. As the antagonist in the story he brings his wife to a secluded house with strict orders to rest and recuperate, keeping her away from society, physical exertion, and the writing that is her one true form of expression. Ironically, the narrator being placed into this environment only serves as a reminder and catalyst for her “nervous depression” and “slight hysterical tendencies” (473). Throughout the short story you see constant references in this environment to the inner turmoil of the protagonist until the narrator and her surroundings seem to become one and the same. The setting of “The Yellow Wallpaper” not only plays a crucial role in the development of the protagonist, but also acts as a mirror to the narrator’s mental and physical entrapment. As the short story is told first person the reader gets a unique view of the narrator’s description of her surroundings and slow decline into insanity.
In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist symbolizes the effect of the oppression of women in society in the Nineteenth Century. In The Yellow Wallpaper, the author reveals the narrator is torn between hate and love, but emotion is difficult to determine. The effects are produced by the use of complex themes used in the story, which assisted her oppression and reflected on her self-expression.
In 1892, Charlotte Perkins Gilman wrote a short story entitled “The Yellow Wallpaper”. She tells the story of a wife whose physician husband has prescribed the “rest cure” method as a means for recovery from hysteria. Gilman details the story as it is based mostly on her own experience when her husband sent her away for treatment for depression. Like Gilman’s husband, John is a prime example of how men are perceived as the dominant sex of the time. Women were to be submissive to their husbands and male society.
Her passion is to write and by doing so we are able to follow her on a
“I don 't like to look out of the windows even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wallpaper as I did?” the woman behind the pattern was an image of herself. She has been the one “stooping and creeping.” The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woman suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attempting to "break free", so she locks herself in the room and begins to tear down pieces of the wallpaper to rescue this trapped woman. To end the story, John unlocks the door and finds Jane almost possessed by the woman behind the wallpaper. Charlotte Perkins Gilman’s feminist background gives a feminist standpoint in The Yellow Wallpaper because the narrator’s husband, John acts superior to the narrator.
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a detailed account of the author’s battle with depression and mental illness. Gilman’s state of mental illness and delusion is portrayed in this narrative essay. Through her account of this debilitating illness, the reader is able to relate her behavior and thoughts to that of an insane patient in an asylum. She exhibits the same type of thought processes and behaviors that are characteristic of this kind of person. In addition, she is constantly treated by those surrounding her as if she were actually in some form of mental hospital.
Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.
Charlotte Perkins Gilman was a famous social worker and a leading author of women’s issues. Charlotte Perkins Gilman 's relating to views of women 's rights and her demands for economic and social reform of gender inequities are very famous for the foundations of American society in the late nineteenth and early twentieth centuries. In critics Gilman ignored by people of color in the United States and attitudes towards non-northern European immigrants (Ceplair, non-fiction, 7). “Gilman developed controversial conception of womanhood”, by Deborah M. De Simone in “Charlotte Perkins Gilman and the feminization of education”. Gilman’s relation to reading deserves more attention than it has received (“The reading habit and The yellow wallpaper”). Her work about Women and Economics was considered her highest achievement by critics.