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The Yellow Wallpaper, By Charlotte Perkins Gilman

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In today’s society, women have the ability to conveniently visit a clinic of any capacity and receive medication and treatment for virtually any ailment. In fact, something as small as a simple cough or a runny nose is enough to put someone in the hospital. Imagine if it wasn’t that easy. Imagine doctors brushing the symptoms off as if they were nothing. Imagine suffering from severe postpartum depression that is bordering on psychosis, and all the doctor prescribes is rest and complete seclusion from the outside world. For Charlotte Perkins Gilman and other women in the late nineteenth century, this nightmare was a reality. But through this struggle, Gilman wrote her most well-known literary piece on feminism: “The Yellow Wallpaper”. This autobiographical fiction short story was written to bring to light the foul treatment of women and is still highly debated today among feminists. A concentration on the history of “The Yellow Wallpaper”, key feminist interpretations of the short story, and the author’s reflection of the piece and how it relates to women’s discourse, will reveal that Gilman’s literary work still holds a very active role in modern day feminism.
“The Yellow Wallpaper”, which was published by the Feminist Press in 1892, was written as an autobiographical fiction in the form of diary entries. The narrator begins the story believing she is at a vacation home with her husband to help heal her ‘condition’. The narrator’s husband, John, insists that in order for

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