The short story “The Yellow Wallpaper by Charlotte Perkins Gilman is a vivid literary work that captures the reader by allowing them into the mind of the narrator, enabling the reader to experience the physiologically traumatic main character point of view. Gilman uses explicit details and imagery of the wallpaper, which clearly identifies the (adj) of the mental state of the narrator. The story also brings up several feministic issues which were a major problem in the nineteenth century. The Yellow Wallpaper depicts how women’s roles were viewed at that time and how society viewed mental illness. Through the use view of first person narrative, the protagonist distraught mental illness becomes more and more apparent. As the story unfolds we watch the woman struggle with society’s imposed roles and her attempt to recover from her illness.
Before the twentieth century, men chose and defined women’s roles in society. Men created a society where women were subjected
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The narrator is awed by the “romantic felicity” of the house and is glad to be staying there, though she does state “that there is something queer about it” (Gilman 170). Her husband john hopes that a change of scenery and a break from the city will cure her from a “slight hysterical tendency. (Cite?). John outlines a daily schedule for the narrator to follow, ensuring she will get plenty of rest. (Introduce something). “So I take phosphates or phosphites—whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to work until I am well again” (Gilman 170). The narrator does not agree with her treatment and secretly believes that working may actually help her recover. She also believes that if she were allowed company other than her husband she might recover faster. John, however, tells her that such activity will only worsen her
Every request the woman in the story has made to her husband has been dismissed and her depression continues to worsen because she has lost control of her own life. John fails to understand how it feels for his wife to be trapped in her room all day. “He forces his wife into a daily confinement by four walls whose paper, described as ‘debased Romanesque,’ is an omnipresent figuring of the
According to Gilbert and Gubar she is “mad” only by society’s standards, and, more importantly, that she is, in fact, moving into “the open spaces of her own authority” (91). This interpretation seems to just touch on the many social issues the narrator experiences. Keeping the narrator anonymous is one of the key themes to show the reader who the woman really is, because of the assumption at the beginning of her status in society and in her marriage to a prominent doctor. Her husband John does not even acknowledge his wife may have any mental problems and all attempts for the woman to tell him fail. For as she in desperation states “John laughs at me about this wallpaper” (Gilman 803). Thus, if the woman can expect to get laughed at in her marriage, it would be impossible for her to actually talk to her husband, much less convince him to change his diagnosis of her, especially because he is “so wise” and a physician (Gilman 806). Indeed, male-dominant opinion becomes even more prevalent when it seems that all three different men in the story are all close to her and all prescribe the same “rest cure” for her. However, she seems to “disagree with their ideas”, for as she lucidly states, “Personally, I believe that congenial work, with excitement and change would do me good” (Gilman 801).
In the “Yellow Wallpaper” by Charlotte Perkins Gilman, there are many of literary techniques that illustrates the theme to express the story. Irony, imagery and symbolism are some literary devices that is presented among the story. “The Yellow Wallpaper” is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of acceptance and how she struggles to express her own thoughts and feelings. The story appears to take place during a time where women were oppressed. Women were treated as if they were under one’s thumb in society during this period which is approximately the 19th century.
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
In the second part of the sentence, it seems as though the woman doesn't want to believe what her husband is telling her thus setting the stage for her rebellion. All her husband wants her to do is rest and sleep: he even suppresses her creative talent by not allowing her to write. She is in constant fear of being caught by her husband; "I must put this away, -he hates to have me write a word." It seems as though John is being more of a father than a husband and because of this, she feels that she should be a "good girl" and appreciate what he is doing for her even though she knows that his diagnosis is killing her. "He takes all care from me, and I feel so basely ungrateful not to value it more...He took me in his arms and called me blessed little goose..." This is a clear indication of someone trying to run another person's life. By him not allowing her to write he is causing her depression to worsen. If she had been "allowed" to come and go as she pleased, her depression may have lifted: "I think sometimes that if I were only well enough to write a little it would relieve, the press of ideas and rest me." Her husband is suppressing the one major outlet that will help her get better in her seclusion, "writing." By absolutely forbidding her to work until she is well again he is imprisoning her and causing her depression. John has made her a prisoner not only in their home but also in
The short story “The Yellow Wallpaper” by Charlotte Perkins Gilman is a riveting account about a woman’s life in the late 19th century. The story deals with the gender roles and expectations of woman at that time period. It centers on a woman whose mental state slowly deteriorates under the care of her husband. The story takes place at a mansion the husband rents for the woman’s “rest” treatment for her depression. This story is a complex one that touches on the subject of multiple themes, such as mental illness.
During the 19th Century and even in the beginning of the 20th Century men were considered to be the authority figure of all times. They were the breadwinners and the person who makes every decision at home and in the marriage. Men made decisions such as: the type of medicine the wife took, if they were allowed to go outside, if they could further their education. According to Pamela Balanza in the article “The Role of Women in the 19th and 20th Centuries”, “The period of the mid-nineteenth century until the dawn of the twentieth century witnessed a patriarchal male society and female dependence, with women struggling to attain social equality”. Women needed to be the weaker sex and dependent of their men. Women had no opinion, no place in
The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways. Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society. The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia. A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..." (Gilman, 669). She lived by these guidelines for three months until she came close to suffering from a nervous breakdown. Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.
The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in
In the late nineteenth century, after the American social and economic shift commonly referred to as the "Industrial Revolution" had changed the very fabric of American society, increased attention was paid to the psychological disorders that apparently had steamed up out of the new smokestacks and skyscrapers in urban populations (Bauer, 131). These disorders were presumed to have been born out of the exhaustion and "wear and tear" of industrial society (Bauer, 131-132). An obvious effect of these new disorders was a slew of physicians and psychiatrists advocating one sort of cure or another, although the "rest cure" popularized by the physician S. Weir Mitchell was the most
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a short story told from the perspective of a woman who’s believed to be “crazy”. The narrator believes that she is sick while her husband, John, believes her to just be suffering from a temporary nervous depression. The narrator’s condition worsens and she begins to see a woman moving from behind the yellow wallpaper in their bedroom. The wallpaper captures the narrator’s attention and initial drives her mad. Charlotte Gilman uses a lot of personal pieces into her short story, from her feministic views to her personal attributes. “The Yellow Wallpaper” is a short story written from a feminist and autobiographical standpoint and includes elements, like symbols and perspective that the reader can analyze in different ways.
Sexists have always considered women as weak, but pre-women’s rights movement this was a general belief. Gilman depicts the marginalization of women, especially those claiming mental illness, in “The Yellow Wallpaper”. Through the treatment of the protagonist, the “woman” behind the wallpaper, and the “freedom” of the mentally afflicted, the outlook of the world on the female gender is observed.
The narrator suffered from postpartum depression after giving birth to her child. The narrator is married to John, a physician. Her husband is a successful doctor, while she is not able to satisfy her obligation as a woman. The husband rents out a house for the narrator, away from everybody he is demanding her to rest and not do anything. When they arrive at the place the narrator tries telling her husband she does not feel comfortable being there, something is strange about the place and the vibe is off.
Her treatment was called the “rest-cure” and it’s where one can not have any entertainment, so no writing, being outside for too long, all you can really do is sleep and this goes on for weeks. During this time period men actually this would help women, so john being a doctor thought it would help the narrator. Although, because of this she got worse and started seeing things like the girl in the yellow dress outside, and the eyes in the wallpaper.
The short story, the Yellow Wallpaper by Charlotte Perkins Gilman can be analyzed in depth by both the psycho-analytic theory and the feminist theory. On one hand the reader witnesses the mind of a woman who travels the road from sanity to insanity to suicide “caused” by the wallpaper she grows to despise in her bedroom. On the other hand, the reader gets a vivid picture of a woman’s place in 1911 and how she was treated when dealing what we now term as post-partum depression. The woman I met in this story was constantly watched and controlled by her husband to such an extreme that she eventually becomes pychootic and plots to make her escape.