The Yellow Wallpaper

A Critical Analysis of Formal Elements in the Short Story “The Yellow Wallpaper” by Charlotte Perkins Gilman

She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.

The un-named woman is to spend a summer away from home with her husband in what seems to be almost a dilapidated room of a "colonial mansion" (Gilman 832). In order to cure her "temporary nervous

Women struggled with society to gain status equal to men and their efforts were found in many literary works..  Famous authors such as Mary Wollestonecraft, Alice Walker, and Charlotte Perkins Gilman herself published works that expressed these views and served as a creative outlet similar to the narrator of 'The Yellow Wallpaper.'

The main character was suffering from more than just a post-partum depression but possibly a severe case of schizophrenia. While in the confinement, the narrator takes the reader through her declining mental journey and how she is affected by the solitary confinement in a yellow papered room. She was psychologically affected by her mental state and the confinement away from everybody. Her mental state became a fanatical delusional survival situation for her freedom which led to her mental demise.

It was commonly casted that women during the 19th century were not to go beyond their domestic spheres. If a woman were to go beyond the norms and partake in a “male” activity and not assign to “womanly” duties, it were to take an ill effect on her, because she was designed to act merely as a mother, wife, and homemaker. The short story “The Yellow Wallpaper”, by Charlotte Perkins Gilman, demonstrates the status of women in the 19th century within society, revealing that madness in this story stems from the oppressive control of gender on woman. A woman who is trying to escape from confinement may result in madness. The use of madness characterizes women as victims of society, suffering the effects of isolation brought on by oppression driving

Feminist studies generally focus on the role that hysterical diagnoses and treatments played in reinforcing the prevailing, male-dominant gender roles through the subversion, manipulation and degrading of female experience through the use of medical treatments and power structures. Charlotte Perkins Gilman’s “ The Yellow Wallpaper” is a perfect example of these themes. In writing this story, Charlotte Perkins Gilman drew upon her own personal experiences with hysteria. The adoption of the sick-role was a product of-and a reaction against gender norms and all of the pressures and tensions that their satisfaction demanded. Gilman’s essay uses autobiographical experiences displayed as doppelganger quality the in the main narrator of the

Through history women have fought for equal rights and freedom. This tension is derived from men; society, in general; and within a woman herself. In the nineteenth century, women in literature were often portrayed as submissive to men. Literature of this period often characterized women as oppressed by society, as well as by the male influences in their lives. This era is especially interesting because it is a time in modern society when women were still treated as second-class citizens. Two interesting short stories, "Hills like White Elephants" and "The Yellow Wallpaper" focus on a woman's plight near the turn of the nineteenth century. Both authors, Hemmingway and Gilman, leave an open end to the stories and allow readers to create

Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through

The structure of the text, particularly evident in the author’s interactions with her husband, reveals the binary opposition between the façade of a middle-class woman living under the societal parameters of the Cult of Domesticity and the underlying suffering and dehumanization intrinsic to marriage and womanhood during the nineteenth century. While readers recognize the story for its troubling description of the way in which the yellow wallpaper morphs into a representation of the narrator’s insanity, the most interesting and telling component of the story lies apart from the wallpaper. “The Yellow Wallpaper” outwardly tells the story of a woman struggling with post-partum depression, but Charlotte Perkins Gilman snakes expressions of the true inequality faced within the daily lives of nineteenth century women throughout the story. Although the climax certainly surrounds the narrator’s overpowering obsession with the yellow wallpaper that covers the room to which her husband banished her for the summer, the moments that do not specifically concern the wallpaper or the narrator’s mania divulge a deeper and more powerful understanding of the torturous meaning of womanhood.

"There comes John, and I must put this away -- he hates to have me write a

Throughout history and cultures today, women have been beaten, verbally abused, and taught to believe they have no purpose in life other than pleasing a man. Charlotte Perkins Gillam uses her short story, "The Yellow Wallpaper" as a weapon to help break down the walls surrounding women, society has put up. This story depicts the life of a young woman struggling with postpartum depression, whose serious illness is overlooked, by her physician husband, because of her gender. Gillman 's writing expresses the feelings of isolation, disregarded, and unworthiness the main character Jane feels regularly. This analysis will dive into the daily struggles women face through oppression, neglect, and physical distinction; by investigating each section

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

“He told me all his opinions, so I had the same ones too; or if they were different I hid them, since he wouldn’t have cared for that” (Ibsen 109). As this quote suggests Charlotte Perkins Gilman, in “The Yellow Wall-Paper” and Henrik Ibsen, in A Doll House dramatize that, for woman, silent passivity and submissiveness can lead to madness.

The recurring conflict in the short story, leading to the narrator losing her insanity, can be seen in the beginning of “The Yellow Wallpaper”, with the narrator’s point of view illustrating her restricted, mundane life and the misunderstanding of her condition that causes her mental health to deteriorate. The narrator clearly depicts the heavy constraints limiting her from expressing herself through her very first diary entry, in which she says “John is a physician, and perhaps-- (I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)--perhaps that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do? Personally, I disagree with