Theatre Critique Of Friday Night Cafe 's The Yellow Wallpaper

Her loving husband, John, never takes her illness seriously. The reader has a front row seat of the narrator’s insanity voluminously growing. He has shown great patience with the recovery of his wife’s condition. However, the narrator is clear to the reader that she cannot be her true self with him. In the narrator’s eyes she feels he is completely oblivious to how she feels and could never understand her. If she did tell him that the yellow wallpaper vexed her as it does he would insist that she leave. She could not have this.

“The Yellow Wallpaper”, written by Charlotte Perkins Gilman, is a first-person narration of madness experienced by an unnamed woman in the Victorian era. The madness is exposed through a “nervous condition” diagnosed by the writer’s husband, a physician, who believes the only cure is prohibiting all intellectual thought and to remain in solitude for a “rest-cure”. The act of confinement propels the narrator into an internal spiral of defiance against patriarchal discourse. Through characterization and symbolism, “The Yellow Wallpaper” exhibits an inventive parallel between the narrator’s mental deterioration and her internal struggle to break free from female oppression imposed on her through her husband and society.

This is a must watch Broadway show that makes your fine, terrible, or even boring day, an absolute blast. The Play That Goes Wrong has finally made its way to America and right at the heart of New York City near Times Square at the Lyceum Theatre. Therefore, the experience is a win-win situation for the audience. The Lyceum Theatre’s architecture is astonishing as it is filled with ornaments, I also realized the letter ‘L’ around the theater, but the most interesting fact is that it is a landmark. It has a proscenium stage while the audience is in the orchestra, balcony, or the mezzanine seats, like where I sat, and there is barely any space if you are a tall person. My seat was near the far end of mezzanine, I couldn’t see a part of the left side of the stage, so I found myself bending sideways to see what was going on, but I saw nothing. I found the side stage lights and a side balcony blocking my view and yet I had a great time.

It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. “The Yellow Wallpaper” gives an account of a woman driven to madness as a result of the

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

“The Yellow Wallpaper” has a narrator who is clinically insane at the end of our story, but who wouldn’t be? In this tale of madness, we see a young woman go insane from not only the lack of creative stimulus in a creative mind, but also from the oppression of the

In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, which is also her doctor, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness. Everyday she keeps looking at the torn yellow wallpaper. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband's wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She thinks she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find that his wife has pulled the paper off the wall and is crawling around the perimeter of the room.

Many people know what it feels like to be “trapped” in the emotional sense of things, but how many can say they have been both physically and emotionally trapped. Charlotte Perkins Gilman used her personal bout with depression to create a powerful fictional narrative, which has broad implications for women. When the narrator recognizes that there is more than one trapped, creeping woman, Gilman indicates that the meaning of her story extends beyond an isolated, individual situation. Gilman’s main purpose in writing The Yellow Wallpaper is to doom not only a specific medical treatment but also the misogynistic principles and resulting sexual politics that make such a treatment possible. Those things lead to the major themes of the story: freedom, confinement, and madness.

Madness is the state of being mentally ill. It is the spectrum of behavior characterized by abnormal mental or behavioral patterns. Madness manifests as the violation of societal norms, including becoming a personal danger to one’s self. As a woman in the male-dominated society of the 19th century, the narrator has no control over her own life. This lack of control contributes to her descent into madness. The rest cure prescribed by her physician husband provided the environment for her madness to flourish because it was only in her imagination where she retained some control and could exercise the power of her mind. The Yellow Wallpaper by Charlotte Perkins Gilman centers on the deteriorating mental condition of the female narrator. Gilman’s demonstrates of the progression of her madness throughout the story is reflected in the narrator’s change in attitude toward her husband, her growing obsession with the wallpaper, and her projection of herself as the woman behind the wallpaper.

In “The Yellow Wallpaper,” Charlotte Perkins Gilman uses symbols to portray recovery from the depth of mental illness. The main character, Jane, struggles throughout the story with severe depression. She is constantly haunted by the room she has to occupy during her stay. Yet despite it all, Jane sets herself free from her illness’s grasp. Gilman employs the symbols of the yellow wallpaper, the ripping of the yellow wallpaper, and the beautiful door to depict Jane’s journey out of her depression.

Placed in a room of yellow wallpaper the protagonist, Jane, fights the battle of nonfiction versus fiction; Symbolic Order versus Imaginary Order. John, representing social order by only following practical ideas, is in an uneasy relationship with Jane which shows the weak bond between her and reality. Given her isolation, the words that she writes at first constitutes her thoughts, then as her mental state diminishes, her subconscious starts to make up her journal, giving importance to Suess’ ideas that language is the key symbol of women’s inner experience of postpartum depression. Psychotic symptoms of paranoia and hallucinations appear to have formed, and were controlled, before the

The allusions in A Doll’s House, “The Yellow Wallpaper,” and “Siren Song” enhance the feminist themes in each story as they provide the reader insight into the societal expectations placed upon women. Foremostly, the Tarantella seen in Doll’s House represents female hysteria as Nora expresses her stress and anxieties through its wild choreography. The dance acts as a foil to the allusion to Weir Mitchell and the rest cure seen in “The Yellow Wallpaper” as the cure for female hysteria is debated between a passive cure versus an active cure. The rest cure is prescribed to the main character in order to remedy her hysteria, however, it proves unsuccessful as she ultimately loses her sanity and rebels against her meek and fragile reputation as

“The Yellow Wallpaper” provides an insight into the life of the narrator- a woman suppressed and unable to express herself because of her controlling husband- leading the reader down her fall to insanity, allowing for her inner conflict to be clearly expressed. The first person point of the view the author artfully uses and the symbolism present with the wallpaper cleverly depicts the inner conflict of the narrator, losing her own sanity due to the constraints of her current life. However, while it seems that the narrator in “ The Yellow Wallpaper” succumbed to her own insanity, the endless conflict within herself and her downward spiral to insanity is seen through a different light, as an inevitable path rather than a choice taken as the story develops.

The combination of the protagonist’s insanity and the setting of the nursery with yellow wallpaper identify a theme of imprisonment of females in a domestic world. The anonymous wife is taken by her husband to a country mansion to recover from a state of hysteria. The narrator then takes it upon herself to actively study and decode the wallpaper, and through her downward spiral into insanity she untangles its confused pattern to reveal a woman trapped in the depths of the chaotic outlines. As time passes the narrator begins to relate to this encaged woman and believes that she too is trapped within the wallpaper. During the last few nights the narrator tears down the wallpaper in an attempt to escape from her cage. The use of the yellow wallpaper as a symbolic gesture to the entrapment of women shows how setting can directly relate to the theme of a short story.