In Hamlet, playwright William Shakespeare weaves the dominant motifs of death, disease, and decay into every scene to illustrate the corrupt state of Denmark and Hamlet's all-consuming pessimism by using the literary device of imagery. The word image englobes any kind of simile; by using it, a poet or prose writer illustrates, illuminates and embellishes his thought. Shakespeare is able to utilise imagery through various descriptions or ideas which arouse emotions and associations in the mind of the reader. The images he uses are incredibly rich and vivid that in they have the ability to form a different world for the audience. Shakespeare’s choice of metaphors and similes at any given moment in the play is determined by the dramatic issues arising out of that moment. In the play, Shakespeare is able to accurately illustrate the corrupt state of Denmark, as well as Hamlet’s profound pessimism which corrupts his mind and soul. This is accomplished through the technique of imagery, particularly pertaining to the motifs of death, disease and decay.
In this play, the image of death is introduced from the very beginning, in Act I, once the Ghost of the old king Hamlet appears. In the plot, once the ghost is introduced, its role is to inform Hamlet about a secret murder. As Hamlet did not witness the murder, there was no need to feign madness. Yet Shakespeare keeps them both: ghosts and madness. They intensify the idea and image of death. It is not only his presence, but also his
Dearest friends, family and the people of Denmark. We gather here today to mourn the loss of the noble prince, loyal son and true friend, Prince Hamlet. But we are not here only to mourn, but to reminisce the times we have spent with him, both the good and the bad and to remember him as the person he was. Prince Hamlet did not live a very fortunate, on the contrary his final weeks were filled with a tragedy none of us should have to bear, but he lived his life to the full and I am sure that he has, in some way touched the lives of all of us here today.
Hamlet is scared because he does not know what happens after you die. He is not afraid to die, but he will not kill himself because he is afraid that he will go to hell. In act 3 scene 3, Hamlet shows his belief in the bible by not killing his father while he is in prayer. He says,
Iterative use of vivid and detailed imagery in a piece of literature is often a way of expressing a theme or concept in a literary work. This is the case in William Shakespeare"'"s Hamlet, a revenge tragedy that continually depicts the vibrant metaphors of manifesting corruption and festering disease in order to auger the impending calamities in the state of Denmark. Throughout Shakespeare"'"s play, there are successive images of deterioration, decay and death. These images are skilfully accomplished through the use of metaphors of rotting and dead gardens. Shakespeare wonderfully creates these metaphors that add great dimension to the play of Hamlet.
William Shakespeare found that imagery was a useful tool to give his works greater impact and hidden meaning. In Hamlet, Shakespeare used imagery to present ideas about the atmosphere, Hamlet's character, and the major theme of the play. He used imagery of decay to give the reader a feel of the changing atmosphere. He used imagery of disease to hint how some of the different characters perceived Hamlet as he put on his "antic disposition". And finally, he used imagery of poison to emphasize the main theme of the play; everybody receives rightful retribution in the end.
"’Tis not alone my inky cloak, good mother, / nor customary suits of solemn black / [ . . . ] but I have that within which passeth show; / these but the trappings and the suits of woe” (Shakespeare 1.2.76-73, 85-86) says Hamlet when confronted about his way of grieving over his father’s recent death. Shakespeare’s play Hamlet is a remarkable tale that is centered on the idea of death and grief. While death is a universal occurrence, meaning every person will deal with it, how we grieve after a loss is completely individual. To look at a formula of grief, most turn to the five stages of grief developed by Elizabeth Kubler-Ross, a psychiatrist, who studied the topic in her book On Death and Dying. This model consists of denial, anger,
In the play, Hamlet, Shakespeare leaves you wondering about death. Through the characters in the play, he reveals his own thoughts about death. Does Shakespeare portray a deep understanding of death in this play? The never-ending cycle of death and revenge is evident throughout the entire play.
In William Shakespeare’s play Hamlet, it’s clear that the title character, Hamlet, has a relationship with death, that relationship is often misunderstood. Some see him merely as an agent of death, and others believe he retains a lust for it throughout the entire play, inspired by the tragedy he’s experienced. While these interpretations are partially true, they don’t hold true throughout the play. Hamlet has a disdain for the world which makes him desire nothing but to fade away in the beginning of the play, but he develops a respect for fate and the unknown aspects of the afterlife. This respect eventually manifests itself in an attitude of indifference towards death.
One of the most common fears is that of death. This fear does not often stem from the process itself, but rather the question of what occurs after. Do we begin living another life? Will that life be better or worse than the one we previously led? These questions are filled with uncertainty, and the impossibility of answering them produces distress. In Hamlet, Hamlet struggles with the challenge of answering such questions himself when he laments, “To sleep, perchance to dream—ay, there’s the rub / For in that sleep of death what dreams may come / When we have shuffled off this mortal coil, / Must give us pause. There’s the respect / That makes calamity of so long life” (3.1.66-70). Within Shakespeare’s tragedy, the text signifies the fear of the unknown by exploring Hamlet’s uneasy contemplation of life after death.
In Hamlet, imagery of disease, poison and decay, are used by Shakespeare for a purpose. The descriptions of disease, poison, and decay help us understand the bitter relationships that exist in the play and Hamlet’s own cynicism. We see Hamlet’s pessimism in his soliloquy when he contemplates suicide. The resentful relationship that exists between Claudius and Hamlet is heightened with the use of imagery when Claudius asks about Polonius. Imagery enhances Claudius’ abhorrence of Hamlet. Shakespeare uses imagery in this play to deepen our understanding of the emotions experienced.
When your back is against a wall and it seems that all hope is lost, do not give up. Because if you choose suicide, you will never live to see it get worse, however, you also pass up the chance to see life get better. Suicide is an important, recurring theme in William Shakespeare's, Hamlet, and it is a topic that Hamlet contemplates quite often throughout the play. Hamlet often goes back and forth between to be or not to be, but continues to believe that people although capable of suicide, choose to live. Hamlet is adamant that the unknown, the inconclusiveness of nobility, along with the sin attached to suicide is what ultimately keeps people from taking their own lives.
Poison, disease and decay are constantly reoccurring themes of imagery used within Hamlet. Shakespeare uses this technique to create an atmosphere that resounds throughout the course of the play. This therefore has an impact upon how the reader views the play as they are constantly under the influence of imagery. An example of this technique can be seen in Hamlet's first
In the play Hamlet, by William Shakespeare, the protagonist, Hamlet is obsessed with the idea of death, and during the course of the play he contemplates death from numerous perspectives. He ponders the physical aspects of death, as seen with Yoricks's skull, his father's ghost, as well as the dead bodies in the cemetery. Hamlet also contemplates the spiritual aspects of the afterlife with his various soliloquies. Emotionally Hamlet is attached to death with the passing of his father and his lover Ophelia. Death surrounds Hamlet, and forces him to consider death from various points of view.
In Act III, scene I of Hamlet, by William Shakespeare, the thematic imagery, along with the symbolic use of syntax and diction that Shakespeare uses helps convey Hamlet’s state of mind as troubled and as having a painful view to life which, overall, is subtly expressed with weakness as he talked about death.
Throughout ‘Hamlet’ we have the images of death, decay, rottenness, and corruption embedded in the story. The imagery that Shakespeare uses in hamlet relates directly with the plots of the play perfectly. The corruptions images are illuminated in the beginning with Claudius own actions. The characters use metaphors of disease in the connection to sickness and rottenness. Within “Hamlet”, Shakespeare makes a number of references to Denmark 's tainted state due to the deceitfulness that lies within. Shakespeare uses death and decay to exemplify the death of the characters, and the decay of these characters that comes with those deaths, as well as the decay and death of morals and the death and decay that comes of political corruption of the government of Denmark. Denmark is repeatedly defined as a physical body made ill by the moral corruption of Claudius. They don 't know that Claudius isn 't legitimate throughout the play; characters draw clear links between the moral lawfulness of a ruler and the health of the nation. Rosencrantz and Guildenstern state their beliefs that health of a country is tied to the legitimacy of the King. Because death and decay are so prevalent throughout Hamlet, it could be said that Shakespeare intended for them to be a major theme.
Along with the severe impact the death of Hamlet’s father has on him, another visible way the theme of death is revealed is through Hamlet’s developing fascination with death. When Hamlet comes across the gravediggers digging up graves in act 5 at first he is disturbed but then he slowly becomes fascinated. Hamlet wonders how someone who once meant so much in life could be so easily forgotten to rot in the ground after their death “—Where be your gibes now, your gambols, your songs, your flashes of merriment that were wont to set the table on a roar?”( A5 S1 L173-174). When they come across the skull Hamlet is shocked to learn that it is that of someone he once knew, taking it in his hands and gesturing to where the lips he had once kissed had been, hauntingly asking the lifeless bones . He is curious about how long a body takes to decay and questions the grave diggers as the answers they provide him both intrigued and disgusted. The skull acts as a physical image and reminder of the absolute finality of death in this scene,