In Oedipus the King, Sophocles leads the story with two things: fate and free will. Throughout the play, there are examples of both, making either a probable cause of the occurrences in the narrative. On one hand, many of the choices made by the characters have direct side effects which help the story progress. On the other hand, there are seemingly random events which are very important and could be a result of destiny. The question of fate or free will applies to the three main factors which influence the plot: the characters, the gods, and prophecies.
There were many decisions made by the characters throughout the story which, if altered, would have drastically changed the outcome of the play. The shepherd made the choice to send baby Oedipus away with an old man of another kingdom: “I pitied the little man, master, hoped he’d take him off to his own country” (Sophocles 1301-1302). If Oedipus had been raised in Thebes instead of Corinth, he may not have fulfilled the prophecy. Had he been raised with Jocasta, she would have at least recognized his face. She most likely would have killed herself before marrying her son, for that is how she reacted in the play when she learned to whom she was wedded: “...[W]e saw the woman hanging by the neck...” (Sophocles 1395). There were other decisions that Oedipus could have made along the way as well, which would have changed the outcome of his life. One example is his choice to continue his investigation into Laius’s death, even
Fate as defined by the Merriam Webster dictionary is ‘an inevitable and often adverse outcome, condition, or end’. Sophocles discusses fate vs free will in his plays. In the play Oedipus Rex there was a prophecy that Oedipus was destined to kill his father and marry his mother, he attempts to escape his destiny by running away to Thebes where he meets his fate. In the play Antigone, that main character Antigone decides to go against Creon’s (her uncle who has inherited the throne) decree and bury the brother, Polynices, knowing the consequences would lead to her death. In Sophocles’ plays Oedipus Rex and Antigone, the theme is mankind not being able to escape their fate.
“Every man has his own destiny: the only imperative is to follow it, to accept it, no matter where it leads him.” In other words, the connotation of this anonymous quote states that despite whatever one chooses to decide, the outcome of their choices and decisions will still result to their predetermined fate. Sophocles’ tragedy, Oedipus the King, demonstrates this statement throughout the play in the role of his tragic hero Oedipus. In the course of Oedipus’ actions of trying to escape his predestined fortune, his fate and flaws of being human played major roles to bring about his downfall.
It is the responsibility of man to take ownership of his destiny which separates the human condition for that of other earthly beasts. From birth, Oedipus, the tragic hero of Sophocles’ Greek Tragedy Oedipus Rex, is destined to kill his father and marry his mother. Although by the opening act of the play, Oedipus has earned the throne of Thebes for solving the riddle of the Sphinx, the eponymous character is unaware that he has already fulfilled his prophecy. Meanwhile, the people of Thebes are dying of a plague that will only end when the unknown murderer of Laius, the previous Theban King, is punished. Through retrospection, Oedipus believes that he might be responsible for Laius death and is told that the King and Queen of Corinth who
Fate is defined as the development of events beyond a person’s control. In “Oedipus the King,” Sophocles, tells us about a tragic hero (Oedipus) in which his life is predetermined by fate, because he is deprived of free will. The first act of fate on Oedipus was him being saved by a shepherd when his parents (Queen Jocasta and King Laius) left him in the mountains to die, he then met and killed his father without knowing who he was, and last, he married Queen Jocasta, later realizing that she was his mother. Every action that Oedipus took to prevent his fate, would soon be the ultimate downfall, not only for himself, but for his family and the people of Thebes.
Fate is an abstract concept displayed in many myths and stories. The idea that a set fate will
Large-scale questions of such ideas are raised in Sophocles’ play, “Oedipus the King”—a story that deals with the tragic hero, Oedipus, and his demise. Oedipus progresses through the play struggling against his own wicked destiny: the prophecy that declares that he would kill his father and marry his mother. Ultimately, Oedipus fulfills this prophecy; in fact, he had completed his fate without his own knowing and before the play even begins. Despite his belief that he was fighting against his prophesized destiny, Oedipus was ironically fulfilling it, and he slowly brings about his own downfall. He becomes a victim of his own fate. In this regard, “Oedipus the King” explores a terrifying concept: Oedipus never had free will—a puppet in every sense to the higher beings that decided his ending for him.
In Oedipus the King, one of Sophocles’ most popular plays, Sophocles clearly depicts the Greek’s popular belief that fate will control a man’s life despite of man’s free will. Man was free to choose and was ultimately held responsible for his own actions. Throughout Oedipus the King, the concept of fate and free will plays an integral part in Oedipus' destruction.
Sophocles’ play, Oedipus the King, has risen many questions concerning the main character and whether or not he acts on free will or if his future is predestined by the gods. I am going to test the theory that although Oedipus believes he is acting on his own free will, he is in fact a victim of the gods. I will analyze several different sources that discuss fate and human agency in Oedipus the King and then proceed to build my original argument on the archaic debate.
Over the centuries, the concept of fate is constantly being changed to adapt to our current way of living. In modern times the concept of fate is usually connected to the themes of love and romance. However the ancient Greeks recognized fate as an inescapable reality that shaped their lives. The famous playwright, Sophocles, adopts the idea of fate in his plays to control the character’s actions. In both plays, “Oedipus the King” and “Antigone”, the writer uses the concept of fate to show human’s inability to conquer the will of the gods.
Throughout the vast history of literature, various concepts have come and gone. The idea of fate or fatalism has been a concept that has survived the test of time. Numerous characters have succumbed to the power of fate and the character of Oedipus from Sophocles’ Oedipus the King is a prime example of the vast power of fate within literature. Sophocles effectively depicts the wrath of fate as he portrays how Oedipus fell victim to fate and his efforts to disregard fate were futile. Once again fate manages to triumph and displays no character whether king or slave can avoid its gaze.
Fate is defined as a predetermined event that cannot be changed by mortals. In Sophocles’ Oedipus the King, Oedipus is marked by his fate, and he does not realize it until it is too late. Oedipus learns of his fate when he calls for Teiresias, the blind man who can read and interpret the prophecies. After being provoked by Oedipus, Teiresias angrily reveals that Oedipus is destined to kill his own father and marrying his own mother, while eventually gouging out his eyes. However, Oedipus does not fear his fate; he believes that he is invincible to these prophecies. How does one go about escaping fate? Does one have any control over these predetermined events? Oedipus is a man in pursuit of answers, and the idea of his prophecy coming to fruition does not sit well with him. He does not even fully understand fate and how it is going to affect him until he experiences it. Nevertheless, Oedipus understands that free will does exist and is seen throughout the text implementing his own actions into his everyday life. The idea of fate is flawed, and is used by Oedipus and people of today’s society as a scapegoat for one to hide behind their own poor decisions.
Sophocles states that “Fate has terrible power. You cannot escape it by wealth or war. No fort will keep it out, no ships outrun it.” Fate derives from a Latin word, fatum, meaning that one’s future is predetermined. In Oedipus Rex, Sophocles unfolds the misfortune of a noble king who searches for knowledge. Evidently, Greek heroes like Oedipus are destined to rule, but are also bound to fall, therefore, he cannot alter his own fate. This tragic play proves that the power of fate is indeed stronger than one’s free will. Despite his attempts to fight his destiny, Oedipus can never outrun his fate. Regardless of his parents’ desperation to evade the predicted outcome, fate guides his journey for knowledge, leading to his destruction.
In Oedipus the King, the theme of fate vs free will appears all through the play. Oedipus throughout the play tries to avoid his inevitable fate, which ironically seems to make his fate come
Throughout Oedipus The King, Oedipus embarks on a journey to realize that he is the murderer of his father, Laius, and husband to his mother, Jocasta, making him a victim of what seems to be an inevitable fate. What makes this more tragic is that Oedipus, a seemingly good leader, tries to avoid his fate, but instead keeps inviting it over. Violating the word of gods and doing things in excess shows Oedipus’ pride that leads to his hubris. Because of his hubris, Oedipus brings his fate upon himself. In this way, fate is connected to the traits of Oedipus, known as hamartia, instead of it being a divine thing. Oedipus can’t escape his fate because it is a part of him; no matter where he goes and what he tries to do, it will always be there. Fate seems beyond anyone’s control and more of the will of gods, but Oedipus’ fate is found within his personality. Moreover, Oedipus’ traits are not something that he can control. He did not choose to let his ego take control and ultimately determine the course of his life. This means that it was inherited by the choices others made, or just by luck. Basically, fate determines Oedipus’ hubris and his hubris leads to hamartia, an element of fate. This connection between his hubris and hamartia shows that what can make him a good leader goes downfall when it becomes excessive. This is what Oedipus is blind to and does not realize. His pride that comes to identify him and makes him a hero to everyone becomes too much and is the same thing that leads to his downfall.
Laius and Jocasta hear the fate that their son would kill Laius and marry Jocasta. In their free will, they decide to get him killed, and send a shepherd to send the baby on top of the mountain to have him killed. Although, fate overpowered and the baby survived, and the prophecy later became true. () Another part is when Oedipus leaves Corinth, a free will action in order to fall away from the prophecy of killing his father and marrying his mother. Although, what he did not know was that Merope and Polybus were not his blood parents, and he eventually does kill his blood father and marry his blood mother. This is showing how free will is limited, as characters did have the free will to do certain actions, but it is fate that truly conducts the play. “A son was born To us, but lived no more than three days. Yes, Laius pinned his ankles together and sent him Away to die on a distant, lonely mountain. Once he was there, no power could make him a murderer, Nor make Laius die at the hands of his son.” (95) Through free will, Jocasta thought that if her and Laius were to send Oedipus to the mountains through a servant to die, then the fate would be gone. Even though she could have killed Oedipus herself, she could not bare killing her own son. This ultimately lead to a change, and her free will action lead to fate, as Oedipus went on to survive and kill Laius and marry herself. This shows that even though Jocasta had the choice to kill Oedipus, fate in the end had the control of the action and free will was limited by