Theme Of Figurative Language In The Masque Of The Red Death

In "The Masque Of The Red Death", Edgar Allan Poe uses words and phrases to create an effect. He uses bold and dark words to help his readers be able to picture a very good image of the story and the mood that he wants to set. When he claiming that, "no pestilence had ever been so fatal ", that let the readers know that is was probably a very strong and gruesome disease that killed many of the town people. When Poe starts the story he starts by describing "The Red Death" and its symptoms. He described it as, "sharp pains, sudden dizziness, profuse bleeding at the pores with dissolution", "seizure process and termination of the disease were the incident of half and hour", he lists the symptoms as if it were a recipe, he is very straightforward and uses words that give an image to every symptom, he completely lets the reads know that "the red death" was a very nasty painful disease and you could imagine how much it made the characters suffer all in half

Through using the deathly symbolism in this story skillfully, Poe allude to people to the part of life that people have to go through without the controled by people . First he described seven chambers ( seven rooms in the palace ), “In blue…….. falling in heavy folds upon a carpet of the same material and hue” ( Poe 43) . Seven room were represent to 7 part of life : the blue room, which is farthest to the east, represents birth.. The next room is purple, a combination of blue (birth) and red suggests the beginnings of growth. Green, the next color, suggests the young of life the age of spring , orange is the summer and autumn of life is the age of adult . White, the next color, suggests age with white hair, and bones the age of old . Violet is a shadowy color, the color represents people were near the death . And black is death. Otherwise, 7 rooms were set up East to West like the position of the Sun. That means that no matter who you are you

In the story “The Masque of the Red Death”, Poe expresses the theme that death is inescapable or inevitable. He expresses this theme through rhetorical devices such as symbolism and allegory. For example, Prince Prospero’s chambers were allegorical because of the rooms’ arrangement which was from east to west. The east represents the beginning of life, while the west represents the end of life. The Darkroom, which was at the end of the hall, symbolized death. It was the room that the guests didn’t want to go in and eventually was the place that they were killed by the Black Death. Another example of symbolism is the clock which as a symbol of the time-lapse of life as a human being. It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony...and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour the musicians of the orchestra were constrained to pause, momentarily (Poe 374). This sentence expresses how compelling the clock is and how it attracts the attention of the masqueraders. The author also uses imagery to build suspense upon the reader. An example would be how the author describes the Red Death. His vesture was dabbled in blood-and his broad brow, with all the features of the face, was besprinkled with the scarlet horror (Poe 378). This describes the dreadful

For instance, the panes were scarlet, a deep blood colour. The "bloody" red room thus becomes a place of ending not only due to the westward location, but also because of its color. Poe describes the last, black room as the dreadful endpoint, the room the guests fear just as they fear death. The room is feared by the guests because it reminds them of death, which is why no one enters the room. The room is involved in all of the main scenes throughout the course ofthe story. For example, this is the room Prince Prospero and his guests die from the Red Death and also where the clock is located. The reader sees how important the rooms are throughout the story and its main contribution to the theme.

The seven rooms in the house also conveyed stages in life ending with death. These rooms were set up from east to west. This meaning that the sun comes up in the east and goes down in the west, and death comes in the darkness. "In this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood color." The guest's avoided this room because it was a sign of death.

"The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon the carpet of the same material and hue. ... The panes were scarlet—a deep blood color.... There was no light of any kind... but in the western or black chamber the effect of the firelight that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme,” (“The Masque” 342). Poe brilliantly uses color to achieve the desired mood. The color black often represents melancholy or death. Scarlet, of course, exhibits the color of blood. Poe exploits the use of these two colors, black and scarlet, to create a feeling of macabre.

Uses of light symbolism in stories is typically used to depict signs of pureness and life. Poe utilizes this literary element in his description of the rooms. When Poe describes the first of the seven rooms he says “ at the eastern extremity was hung, for example, in blue and vividly blue were its windows.” Poe uses the color blue to represent the beginning of life, along with the room being on the eastern side, since the sun rises on the east. Another example

One of the most apparent symbols in the text are the bizarre colored rooms. The rooms represent the cycle of life, blue is birth, purple childhood, green adolescence, orange adulthood, white is the elderly years, violet is dying, and finally black is death. The rooms are arranged like the sun rise and set with the blue room all the way in the east and the black at the west end. Furthermore, the rooms have similar styles, all one color with the decor and windows matching said color. However, the black room is different with black velvet curtains, and the windows a blood red color. The light from the hall isn’t able to enter the room so a candelabra was placed behind each window so that it “projected its rays through the tinted glass… And produced so wild a look upon the countenances of those who entered” (2) The

In the article, “Deliberate Chaos: Poe’s Use of Colors in ‘The Masque of the Red Death” by Eric H. du Plessis, he says “In each preceding apartment the panes of the gothic window match the prevailing color of the room, but in the last the color is altered to a deep red, since black windowpanes would not allow the light from the tripods to shine through the glass and illuminate the room” (43). There is no way to the leave the black room, conveying the idea that death cannot be

“The Masque of the Red Death” has a symbolic expression to the story. It featured a set of familiar symbols whose meanings combined to send a message. This allegory operated on two levels of meaning: 1) the literal elements of the plot; for example the color of the room and 2) their symbolic counterparts that involved philosophical concepts for example life and death. The story could have been read by the reader as an allegory

When it comes to reading literature the most challenging yet important task is to understand the purpose of the author's writing. In Romantic era literature understanding the emotions and thoughts that are created in the reader's mind are essential to gaining a clear message that the writer is trying to send. In Edgar Allen Poe’s short story “The Masque of the Red Death” the narrator immediately introduces the “Red Death”; a disease that has been spreading throughout Prince Prospero’s country; killing his people within half an hour of contracting the disease. Throughout the story the author continuously uses diction and syntax to create suspense and evoke a grim tone to the reader. In the “Masque of The Red Death” Poe produces fearful imagery in the reader's mind through creating a supernatural presence in the setting.

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

Have you ever read a story where fantasy is the reality and things do not quite make sense? This is true for “The Masque of the Red Death” by Edgar Allen Poe. In it is a version of the black plague, which is called the “Red Death”. Prince Prospero secludes a thousand friends and himself from the death around them, but finds that he cannot avoid the inevitable. The author uses many literary devices to create an interesting and meaningful story. One of the devices used is imagery, which evokes the events of the story clearly in the reader’s mind. Another is allegory, which is used by Poe to create another story within his, as it is filled with double meanings. Lastly, Poe utilizes symbolism to give the story meaning. Edgar Allan Poe uses

Poe used the rooms of the fortress as a symbol of the progression of a human life. The fortresses design contains seven distinctly different rooms. H.H. Bell, Jr., an expert on Edgar Allan Poe, has suggested that Poe seems to represent these rooms as an “allegorical representation of Prince Prospero’s life span” (Bell 241). The greatest piece of evidence for this is the order in which Poe arranged the rooms. The first room is positioned in the far eastern side of the mansion and the last room’s placement resides in the far western side. Just as the sun rises in the east and sets in the west each day, the arrangement of the rooms suggests the beginning and the end of life. Poe exemplifies this idea with the coloration of the last room. Black, a color connected with night and death, covers the walls in the last room. Also, the color of red seeps through the stained glass windows representing the bloodiness often incorporated with death, particularly the Red Death so feared at this party. Prospero’s guests avoid the last room out of fear, just as the living avoid reminders of death. Meanwhile, music and dancing

There is a terrible sickness spreading throughout their town. “No pestilence had ever been so fatal, or so hideous.” (Poe 78 ) In the story “The Masque of the Red Death” fear is the main theme. Prince Prospero invites a thousand of his friends to his castle. There are seven different colored rooms in the castle. The guests fill all the different