Theme Of Mikhail Bulgakov's Professor Woland As Faust

Satan’s character embodies the idea of a heroic figure because he questions what he feels to be true, even though his tragic fall is that he becomes easily misguided.

During the early 1700s, a traveler met a man in the Massachusetts forest. However, this was no mortal human, but the devil. “Young Goodman Brown” and “The Devil and Tom Walker,” two short stories, both start out this way. Washington Irving wrote the latter in 1824, which tells how Tom Walker profited by working for the devil. In 1835, Nathaniel Hawthorne wrote “Young Goodman Brown,” which describes Goodman Brown’s encounter with the devil. Despite minor deviations between their themes, the two stories share ideas regarding the devil, specifically his appearance and connection with man’s depravity. overpowering minor deviations between their themes. [MAYBE DELETE THE LAST HALF OF THE THESIS, AND ADD SPECIFICITY TO THE FIRST HALF (WHICH IDEAS OF THE DEVIL ARE SIMILAR?)]]

Mark Twain’s The Mysterious Stranger is a novella featuring the experiences three young boys have with a supernatural creature named Satan. Mark Twain, whose writings had begun to reflect the darkness that resided in his mind, attempted several versions of the story and died before it was finished. His editors took over and wrote the rest before it was finally published in 1916. Possessing literary elements of strong narrative structure, unique setting, complex characterization and dark romanticism, this narrative made for an engrossing and peculiar account of Satan. These elements are furthermore crucial to the analysis and deeper understanding of what exists within the text.

The devil at the dawn of Christianity bore little resemblance to the ruler of hell, the antichrist and agent of evil that he is known as in present day. Satan makes few overt or implied appearances in the Old Testament. For the important role of God’s greatest adversary, early Christians had to flesh out great parts of Satan’s story in order to develop him into his present, fearsome persona. The Christian story of the Devil is heavily influenced by earlier Greek mythology, and early Christian writings about the Devil co-opted local mythology in order to gain new converts and discredit popular pagan beliefs.

Christopher Marlowe's play, Dr. Faustus, is the story of the struggle of one man who is battling with himself over what he values most in life, and to what extent he will go to obtain what he desires. The battles over the control of one's ego and what a person values in their life are the two underlying struggles in this work. Faustus is a very educated and high member of society, but he was born in a lower class and has struggled all his life to be a wealthy person. He attains this opportunity to become wealthy when he learns how to call upon Satan, and he makes a deal with the devil to attain all the riches in life for his soul. Through out the play Faustus

Like, Thus Spake Zarathustra by Nietzsche, the entirety of page 184 is an excerpt from the philosophical novel that ends upon the key phrase “God is Dead”; or Goethe’s Faust a play nearly identical to the premise of this story with its own demon appearing before a wary man and giving knowledge; or the aliens of page 161 who mirror Plato’s concept of a neutral creator, the demiurge; or the key statement at the end of the novelette “THIS IS FOR MARK TWAIN” which alludes to Mark Twain’s own depiction of Satan as a blameless, misunderstood being. The number of literary mentions in such a small work is overwhelming, pretentious even as a critic once said, but I feel is remarkably “Harlan Ellison”. Naming these people as characters and co-authors places the human element centerfold in this story, and it is not that Harlan Ellison spares himself in this name game. Harlan Ellison’s own name can be found in the death of his dog Ahbhu, a story seemingly irrelevant to the rest of the novelette except to bridge the story’s abstract style to its abstract

A Faustian legend is a story in which a character trades something of great personal value to the devil in order to receive personal gain. Since this type of literature originated in the Fourth Century it has spread throughout the world. Two relatively recent versions of this legend are “The Devil and Tom Walker” by Washington Irving and “The Devil and Daniel Webster” by Vincent Benét. These stories show many similarities as well as a few differences. While both Benét and Irving present similar themes in setting of the tales and motivation in the Faustian character, they do differ in the nature of that character and their visual presentation of the Devil.

In Goethe's Faust, Act 1, Mephistopheles is introduced, and the conversation reflects the one in the Book of Job where God is conversing with Satan in chapter 2. However, in Faust, the prologue begins with the angels giving praises to the Lord’s creation. Mephistopheles proceeds to give his report concerning the situation on earth, but in his report, Mephistopheles resists to give compliments to the Lord (Steinhauer, 1956). Mephistopheles provides a report that shows how the earth is miserable and how men are tormenting themselves. Mephistopheles disregards humanity; the Lord is baffled how Mephistopheles overlooks the goodness bestowed on earth and focuses on revolting circumstances.

Satan is proven to be a tricky and clever character in most stories that he is talked about in. Even in the movie “Devil’s Advocate. The movie was good with a great amount of suspense, and kind of gives a real outlook of the Satan and how he works. The movie is about Satan and sin. The point of the movie and the poem was not to glorify sin but exposes it and all the devious things the devil would do or has done. But it also shows the consequences of sin. Just like “Paradise Lost” The “Devil’s Advocate” shows Satan is filled with vanity, greed, and lust who is a great deceiver and knows how to twists words and meanings. The movie is a modern re-interpretation of the poem, I also think it is pretty cool that the Devil in the film is name John Milton.

In this paper, it will discuss the theme of Faust and Duc de Nemours: sagas of disillusionment and thwarted ambitions in both novels Faust, Part 1 and The Princesse de Cleves. At first glance one must be able to understand what disillusionment and thwarted ambition is. When one talks about disillusionment, it is referred to as a feeling of disappointment resulting from the discovery that something is not good as one believed it to be. Thwarted ambition refers to the opposition or prevention from something we desire or want to achieve. The stories of Faust and Nemours play a significant role in coming to terms with this theme because of their many attempts at happiness and irrational actions. Faust is disillusioned and demoralized

Just as each Devil’s motivation for enlarging his kingdom varies, so do their relationships with God. This differing in goals also reflects the change in humanity’s religious pursuits between the time periods. When Faustus tries to seek God’s forgiveness, Lucifer expresses his displeasure when he says “We come to tell thee thou dost injure us […] Thou shouldst not think of God: think of the Devil” (Marlow 5). This Devil’s dislike for God is evident in his jealousy over Faustus’s pledge of allegiance. He can’t seem to stand it when Faustus talks about Paradise or creation. This ultimatum to only think of the Devil, as well as the previously identified thirst for power, alludes to some sort of conflict between the Devil and God in Dr. Faustus.

Satan comes to man with his temptations as an angel of light, as he came to Christ. He has been working to bring man into a condition of physical and moral weakness, that he may overcome him with his temptations, and then triumph over his ruin. ...He well knows that it is impossible for man to discharge his obligations to God and to his fellow-men, while he impairs the faculties God has given him. The brain is the capital of the body... pg. 236

The character of Satan in this story can also be related to other tragic heroes throughout history.

As Satan later claims, “To reign is worth ambition .. /Better to reign in hell than serve in heaven.” (PL, I: 262-63, p.156) His statement suggests that his fatal flaw might be his ambition, his desire to become even more powerful than he once was. This image of Satan having a 'fatal flaw', something that drives him into destruction, connects him with the idea of Aristotle's hamartia, and connects him to the imagery of the other a 'good person' who has fallen from grace, but is nonetheless a hero. Satan is also connected to Aristotle's idea that “heroic virtue is superhuman, godlike, and divine”5, when he is described to be “stretched out huge in length” (PL, I: 209, p.155) across the lake, further imprinting the image of his heroic status.

The play is a human tragedy for not only is Faustus tragically constituted in his boundless ambitions but, at the same time, the play questions the effectiveness of the cultural aspirations that shape his ambitions. Consequently, the play provides a complex interaction between the human dimensions of the dramatic character and the ambiguities and ambivalences of the cultural situation the character is placed in.