Theme Of Mise En Scene In The Godfather

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The American films The Godfather I and II directed by Francis Ford Coppola, included mise-en-scene to emphasize certain characteristics and themes during both films. In this essay I will discuss how mise-en-scene was used to portray the lives of the Mafia families in the 1940s and 50s.
The mise-en-scene in The Godfather I, directed by Francis Ford Coppola, plays a huge role in how the film is perceived by viewers. Mise-En-Scene is characterized as, “The arrangement of everything that appears in the framing – actors, lighting, décor, props, and costume” ( The Godfather utilizes mise-en-scene perfectly. Coppola combined all the right components of a typical mafia film and made something extraordinary. From the clothing, to the homes, to the cars, and lighting; The Godfather was executed wonderfully. Lighting plays a huge part in The Godfather. The first scene opens with only one man talking, in low light. The relaxed lighting makes the scene intense and leaving the audience with a sense of fear. With the light just appearing on the man's face, the foundation is totally dark, highlighting the threatening tone of the scene. This scene uses the same lighting elements as chiaroscuro paintings would have. If you were to pause the scene at certain points you would be able to see the rembrandt light and the strong tonal contrasts between light and dark. Different props are also used throughout the film. When you think about the Mafia, you think Italian men

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