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Theme Of The Yellow Wallpaper And The Lottery

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Tradition: Use Caution
“Tradition is a prison with majority opinion the modern jailer.” Even Henry Haskin’s words from 1940 transpose their meaning into the messages of Charlotte Gilman’s “The Yellow Wallpaper” and Shirley Jackson’s “The Lottery.” Undoubtedly, there are consequences and crises that befall the characters for either the sightlessness of themselves, or those around them. Societal standards are not questioned, and conforming to such ideals poses its own set of dilemmas. These two stories realistically expose the detriment of unthinkingly adhering to traditions and societal conventions.
In one way or another, heeding tradition with trust ultimately leads both Tessie Hutchinson and the narrator of “The Yellow Wallpaper” to their own respective undoing. For Tessie Hutchinson, it is her own blindness and complacency with the ritual of the lottery, a glorified murder, that sees her to what is perhaps the ultimate consequence: death. Her conviction in the practices of the lottery is so deeply engrained that it becomes an irrelevancy in her mind. She is so accustomed to participating in stoning someone else to death that any semblance of empathy is eliminated from her emotions; at one point, Tessie even goes so far as to ensure her daughter picks from the lottery as to have less of a chance herself of being chosen to die. The prospect of tradition, continuing with what has always has been done, erases any loyalty to friends, family, and community—all in the name of

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