Violence has been a prominent feature of society, from the twenty first century today, all the way back to B.C. So of course literary works are no different, all great literary works have a form of violence, that does not exist for its own sake. Especially during the era of ancient Greece; where, violence was a prominent part of their life style. Following pursuit is the literary work from the time period. During this time many great works came out, but one that stands out is the Iliad by Homer. Homer's Iliad is an epic stuffed full of violence; but, two specific scenes stand out exponentially and paved the way for all other works of literature.
Leading off, before delving to deeply into the two main quotes, a discussion about some of the other minor acts of violence throughout the Iliad will be brought to light. Mainly, the very first line of the epic which starts off by, giving foreshadowing of the ruthless violence to come by stating “The wrath sing, goddess, of Peleus' son, Achilles, that destructive wrath which brought countless woes upon the Achaeans, and sent forth to Hades many valiant souls of heroes, and made them themselves spoil for dogs and every bird” (Iliad book 1). At first glance, this line states that almost everyone will be slaughtered in the Iliad. Although, with further analysis one will discover that not only will they be slaughtered; but, their corpses savagely ripped apart by dogs and vulture. In Greek beliefs a body must be properly laid to rest
In almost all instances of war the cause has been related to greed, or the gaining of land and possessions. Greed is presented in the very first book of Homer’s “The Iliad.” It isn’t displayed by the cowards, but the “heroes” of the war such as Agamemnon, Achilles, and Pandarus. The entire cause of the Trojan War is the result of the greedy and cowardly behavior of Paris. There are many factors that had sparked the war, including the interference of the gods; however, the main factor to be blamed for the war is greed.
The first book of the Iliad begins with the beginning of Achilles’ rage, the rage that will eventually cause his own people so much grief and is also the force for Homer’s version of the story of the Trojan War. Whereas the taking of Helen is the focus of the larger, traditional story, the feud between Agamemnon and the hero Achilles over a kidnapped girl defines the Iliad. Both feature a conflict over a woman, Helen and Chryses’ daughter, and a need for resolution as well as a breach of social contract: Paris steals the wife of Agamemnon, ruining the bonds of the guest relationship, while Agamemnon denies Chryse his right to ransom and invokes the wrath of the gods in the form of a plague. In both cases, however, it becomes clear that the conflict will not be resolved quickly, but will continue through the very heart of the story. By “singing of Achilles’ rage” from the first line, the narrator is clearly showing the audience that this Trojan war is not the war of Hector or Paris or Helen, but of the proud Achilles and his hero-sized enemy.
Every character in a story is motivated by a feeling or action. In Homer’s Iliad, the themes of aidos (shame) and kleos (honor) are used to propel the story forward and to keep the reader’s attention. The actions of the characters are heavily influenced by shame and honor. Homer does a stupendous job of portraying the feelings of shame and honor to develop specific characters in the story.
Rage. The very first word of The Iliad brings with it a sense of violence in itself. When one hears the word ‘rage’, the following thought is one of aggression, of anger, of almost animalistic hatred. Yes, hatred, for one cannot have rage without it. The opening scene has the ironic hero- ironic in the sense that most would not classify him as a hero in the
A scene of physical violence in Homer’s, The Iliad, contributes to the overall theme of fate versus free will. The Iliad is a very brutal and gruesome poem involving a war and a horrendous amount of death. Close to the beginning of the epic, the gods decide that Athena should see to it that the Trojan’s be the first to break their truce with the Achaeans This leads to the Achaeans and Trojans going into battle and slaughtering one another. The battle is so intense that a man went to collect armor off of an enemy that he had just finished killing, and dies himself in the process. Antilochus slaughters the Trojan captain, Echepolus, and when he dies, Abantes tries to steal the corpse. In the following quote it shows how Agenor prohibits Abantes from stealing the armor off the dead. “Just as he dragged that corpse the brave Agenor spied his ribs, bared by his shield as he bent low-- Agenor stabbed with a bronze spear and loosed his limbs, his life spirit left him …” (Homer 160 lines 540-543). This brutality starts when a god stirs up anger in the Achaeans by forcing the Trojans to
Secondly, Homer uses violence as a plot device in The Odyssey to create nuances to his characters. Although some of the atrocities committed in Homer’s epic were executed by the gods, the behaviors that reveal elements of Homer’s characters were most often displayed by mortals. For instance, after Odysseus returns to Ithaca and is seated at the fountain with Eumaeus, Melanthius, a pompous suitor, “[lurches] out with a heel and [kicks
Throughout The Iliad, an epic poem written by Homer, there were numerous warriors and other characters that could be looked upon as heroes; some of these heroes included Achilles, Ajax, Diomedes, Hector, and Glaucus. All of these individuals were heroes because of their remarkable mental and physical strength: they were courageous and were better fighters in war than other ordinary men. The trade of battle was a way of life to the Greeks back in Homer’s time. Children were raised to become great servicemen to their country, and warriors lived to fight for and defend their nation with pride and valor. The heroic code was a strict morality that dealt with matters relating to honor and integrity in battle.
The idea of kleos otherwise known as glory in Greek, and honor is one of the most essential motifs of the Iliad. For many warriors depicted in the Iliad, honor was vital and personal. For many, Glory earned in battle was more important than one’s life. Glory or the lack of, was remembered long after one’s life. Possibly the greatest fundamental part of honor to the fighters of the Iliad was courage in battle as shown throughout multiple books. Throughout the course of this book we can see how different characters display these traits and how they influence the course of the war. Even though the Achaeans and Trojans are enemies they display a similar view, the acquisition of glory is more significant than life
The first line of the Iliad describes a human emotion that leads to doom and destruction in Homer's poetic tale of the Trojan War. Achilles' rage is a major catalyst in the action in the Iliad. It is his rage that makes him both withdraw from and, later, rejoin the war with a fury. Why is Achilles enraged? Is his rage ignited solely by his human adversaries or do the gods destine him to the experience? Achilles' rage has many facets. His rage is a personal choice and, at times, is created by the gods.
According to the Odyssey, and Agamemnon, ancient Greeks value violence as a way of maintaining their society because the stories showcase how violence functions in ancient Greece polis system. The stories indicate the structure of ancient Greece society and the ideal principles that held the people together. Because works of Homer and works of Aeschylus represent a different period of ancient Greek culture, the form of society differs. However, the fundamental principles of ancient Greek society remain similar. Regardless of what period of ancient Greece, the admiration of violence by the ancient Greek can be seen from both Homer and Greek Tragedy.
He expresses no fear during battles. Throughout the Iliad, Achilles ignores the norms of the society primarily because he sees himself as a greater figure than one who has to follow a set of rules. Throughout the poem, Achilles shows how much of a savage he is through his gruesome actions. While fighting Hector, after brutally beating him up, Hector begs Achilles to return his body for a proper burial, a respected act after a battle. “Do not allow the dogs to mutilate my body By the Greek ships”, requested Hector (Homer,433). Achilles responds feeling no remorse, “I wish my stomach would let me cut off your flesh in strips and eat it raw for what you 've done to me. In this passage of the Iliad, Homer illustrates how gruesome Achilles really was. Achilles lets his anger drive his actions, seeking redemption, and he offers no respect to any of his enemies.
Before his death the Trojan leader Hector exclaims, “Well let me die⎼but not without struggle, not without glory, no, in some great clash of arms that even men to come will hear of down the years,” (22.359-362). This proclamation reveals an important theme in Homer’s Iliad. Throughout the epic poem, the concept of honor and shame constantly reappears, from being the cause of the plot to personification as Greek and Trojan heroes to the dichotomy of honor and shame within the gods. Homer uses honor and shame as a major theme of the Iliad to show how important these attributes are to the human condition.
It is not only the mortals who pose anger in the Iliad, but the gods too are not inseparable from it. Once Achilles petitioned Zeus for revenge, Zeus started his involvement in the war, which in turn angered Hera against Zeus, as well as the anger of various other gods, each with his/her own agenda. This way the anger of human beings involved the anger of gods and the situation turned out to be fearful and irreversible. Gods like Athena, Hera, and Aphrodite directly or indirectly took part in the war. Ares and Aphrodite were even wounded in the course of the war. However, the passion of gods was stimulated by human beings that intensified the course of the war. Many mortals were killed in the course of war, and no mortal could survive the attack of gods.
Odysseus describes Hades as the place “where senseless/dead men dwell, mere imitations of perished mortals” (Homer, Odyssey 11.475-6). Furthermore, Achilles states that he would sooner prefer to be a slave than king of the dead (Homer, Odyssey 11.489-91). As Diane Thompson highlights, this depiction of the afterlife is one that the Greeks would understandably dread. This further affirms the Trojan War as a tragedy for all those who perished, as even for Achilles, an admirable hero. Thomas Finan argues that in the Iliad, death is the ultimate enemy, and Achilles’ rage is its opponent. Evidently, Achilles in the Odyssey demonstrates that this is a struggle that not even Achilles and his emotions can surmount. Thompson mentions that the Odyssey’s depiction of an unhappy afterlife indicates a strong value seen in life itself for the Homeric Greeks. Considering this detail, the death of characters in the Iliad are made all the more
The Iliad is one of the greatest and earliest works of Greek literature beautifully written by Homer. The poem was set at the last year of the Trojan War prior the fall of Troy, that was indeed ten years long. Moreover, the focus of this poem is a conflict that rose among Agamemnon, king of Mycenae and commander-in-chief of the allied Greeks, and Achilles, the greatest warrior, rather than the events and battles that occurred in the Trojan War between the Greeks and Trojans. Throughout the Iliad, the conflict rose due to numerous issues regarding pride, honor and power. This epic poem was written in a distinguished manner that made it easier for the readers to identify the important themes of the poem. For